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The Aftermath (2019)
Powerful setting, had great potential
The film has a lot of potential but lacked romanticism that it needed since it is the central theme to this movie.
Every year we see four or five released, with many fairly formulaic. Whilst this bolsters a clichéd theme of betrayal and lust, it does however utilise its war-torn environment to encapsulate the struggles of both British forces and German civilians. After their arrival in the ruins of Hamburg, a British couple are forced to share a grand house with its previous owners who are German.
Acting as a microcosm for the conflict of interest against the two oppositions, the house is quickly divided into zones so that they don't interfere with each other. The colonel's absence only leads to his wife's longing for love, essentially turning enmity into passion. It's an interesting environment, and director Kent makes full use of each room to symbolise the loss of the luxurious lives that they once had. Both families have suffered from personal loss during the war, you're supposed to feel empathetic towards them, and occasionally you do. However due to Rachael mostly being portrayed as a selfish socialite, you somewhat feel distanced from her. It's a story about betrayal, yet her character's romance feels underdeveloped. The initial sexual tension was practically non-existent. It just happened. One moment she hates the Germans, the next in love with one. The change of pace made for a jarring transition, and that's without mentioning the several scenes of newly-discovered burnt bodies in Hamburg, acting as a heavy reminder that you are watching a war drama.
It all comes down to the screenplay which lacks that heft and meat to make these characters come to life. A dire shame as all three lead actors were exquisite. Knightley, in all her pouting glory, looked stunning and had one of the most beautiful scenes I've seen her act in. I genuinely felt raw vulnerability for her character as she breaks down whilst playing the piano. Both Clarke and Skarsgård supported her well and gave efficient performances. The costumes were delightful and Phipps' classical score was lovely to listen to, enhancing the grandeur of its central abode. Just the clichéd affair and its underdevelopment diminishes the central premise of this story. It's tasteful and occasionally exhumes steamy passion, which will quench the thirst for fans of the period drama sub-genre, but lacking that definable quality which will leave many wanting more. Watchable and enjoyable nonetheless.
God's Own Country (2017)
It's not taboo to be Gay!!!
Without a doubt the actors in this film are great, the performances are top notch. Is it special story worthy of theatrical release? Absolutely not. For all the gushing plaudits can someone please tell me what is unique about this story? Its 2019 not unusual for two gay men to fall in love - its not frowned upon to be gay in the UK anymore. Unfortunately the filmmakers seem to think its still taboo to be gay. Two gay men falling in love is not enough of a storyl ine to make a film!
It's been done time and time again. Brokeback Mountain for example was set in a place and time when it was absolutely unacceptable to be gay.
People who are giving this 10's are those arty film snobs who tell everyone they're too stupid to appreciate good art.