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10/10
Magnificent, uncompromisingly honest look at one of the screen's greatest legends
28 May 2006
Hats off again to Turner Classic Movies and their corporate sibling Warner Bros., for once again setting the highest bar for documentary film-making on Hollywood subjects.

Peter Jones is not a household name, but he should be. This magnificent director has created some of the best industry-based works I've ever seen. His portrait of Samuel Goldwyn on American Masters was superb, and even through the muck of A&E, his telling of the story of Ozzie and Harriet turned out to be one of the most moving, and heartbreaking studies of the American dream dissolved.

After a few years away from the 'spotlight' as it were, I saw this documentary on TCM after reading wonderful reviews. I wasn't skeptical about it, as TCM has generally (with rare exception in prior years) always delivered a first rate product.

Instead of taking the traditional approach, Jones has crafted a true MOTION PICTURE. Not a predictable clip/talking head/clip show. He gets under Davis' skin, and paints a portrait of a remarkable, yet basically sad person. Lest we forget her 1960s autobiography was called THE LONELY LIFE.

Jones celebrates her genius, and has a cast of colleagues and friends of Davis to back up his story, and it sets this show apart from the usual claptrap we see on other cable channels.

Not surprisingly, this is a co-production between Warner Bros. and TCM, which means a somewhat concurrent DVD release of the docu is part of an overall collection of great Davis films. WB has used this formula with both TCM and PBS to celebrate the likes of Errol Flynn, Cary Grant, Judy Garland, Garbo, and so many others. It's what sets WB apart from all other studios as the classiest and sharpest when it comes to their legacy on DVD, and also why Turner Classic Movies remains so acclaimed by critics year after year.

I look forward to the next Peter Jones Production! He's one terrific filmmaker. I think Bette would be proud.
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The Girls Next Door (2005–2010)
Nauseating and sad
16 August 2005
Brings reality television to an all new low....and that's saying something. Pass the vomit bags....and let poor Mr. Hefner age gracefully without making him into a very elderly gentleman version of such pathetic people Anna Nicole Smith. 50 years ago Mr. Hefner challenged and changed the world. To lampoon him is a disgrace of talentless opportunists. Revolting and frightening.

Mr. Hefner had enough of a sociological impact on our society to warrant better treatment than to see him made to look like a fool like the bimbo girlfriends and the clueless and brainless producers of this series.
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Reel Paradise (2005)
10/10
Unlike anything you've ever seen before. Sheer Genius.
16 August 2005
Steve James' film is amazing. The only thing more amazing is the unique family of John and Janet Pierson, and their brilliant and appropriately wonderful children, and their participation in this film that captures their incredible journey from the world of NY indie film-making to the middle of f***n nowhere, where the free-spirited family obtains an experience they will never forget.

This film should win the Oscar for Best Documentary Feature and the Piersons, one and all four, should be recognized for having had the courage, tenacity, and the ability to be so open to a totally foreign culture, and bridge their gap through cinema.

Take STAR WARS, WAR OF THE WORLDS, FANTASTIC FOUR, and all the other pre-frabricated Hollywood crap and burn it forever. This is what cinema and life is all about.

All hail Mr. James...and the amazing Pierson family. If only my family was so cool :)
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1/10
A gawking fanboy's home movie with legendary talking heads.
30 July 2004
The idea of making a film to document the history of Broadway's golden age is a great one. An idea that deserves a great creative approach that could yield an invaluable and entertaining work.

This isn't it.

There's no denying that an impressive list of talents tell some interesting stories in this piece, but there's no avoiding the blatantly amateurish work that has gone into creating it.

Some reviewers have been so blinded by the array of stars and their stories to have missed the fact that this film is so poorly structured that it really isn't a film. It's just a very self-indulgent assemblage of rambling talking heads that rarely gets itself together enough to tell a real story. There are hardly any actual clips of real Broadway performers or performances (most of what's there is cribbed from movie trailers or sneakily used clips from public domain films), and major contributors to the story of Broadway's golden age are never even mentioned.

The kiss of death is the filmmaker singing GIVE MY REGARDS TO BROADWAY over the end titles.

UGGH!
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