Directed by
| Pernille Rose Grønkjær | ||
Writing Credits (in alphabetical order)
| Lone Frank | ||
| Pernille Rose Grønkjær | ||
Cast
 |
Robert Galbraith Heath | ... | Self - Psychiatrist (archive footage) |
| Tilda Swinton | ... | Self - Narrator | |
Produced by
| Karina Bernauer | ... | line producer |
| Sigrid Dyekjær | ... | executive producer / producer |
| Pernille Rose Grønkjær | ... | executive producer |
| Mikala Krogh | ... | executive producer |
| Kir Laustsen | ... | line producer |
| Nina Leidersdorff | ... | co-producer |
| Eva Mulvad | ... | executive producer |
| Kasper Lykke Schultz | ... | associate producer |
| Sidsel Lønvig Siersted | ... | producer |
| Sue Turley | ... | executive producer |
Music by
| Jonas Struck | ||
Cinematography by
| Ben Bernhard | ||
Editing by
| Claudio Hughes | ||
Production Management
| Karina Bernauer | ... | production manager |
Sound Department
| Peter Albrechtsen | ... | re-recording mixer / sound designer |
| Ryan Cota | ... | additional adr recording |
| Lars Halvorsen | ... | re-recording mixer / sound editor |
| Heikki Kossi | ... | foley artist |
| Onni Kossi | ... | foley assistant |
| Nicolai Linck | ... | re-recording mixer |
| Mikkel Nielsen | ... | sound effects editor |
| Thomas Perez-Pape | ... | sound effects editor (as Thomas Pape) |
| Arnoud Traa | ... | special sound effects |
| Kari Vähäkuopus | ... | foley mixer |
Camera and Electrical Department
| Andres Ballesteros | ... | first assistant camera: a camera |
| LaDawn Manuel | ... | assistant camera |
| Maryn McGaw | ... | assistant camera & gaffer |
| Heloísa Passos | ... | additional photography |
Editorial Department
| Johannes Møgelvang | ... | colorist |
Music Department
| Símun Lindholm Mohr | ... | composer assistant |
Additional Crew
| Alonso Mayo | ... | consultant |
| Jair Neto | ... | Production coordinator: Brazil part |
