A couple travels to Northern Europe to visit a rural hometown's fabled Swedish mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarr... Read allA couple travels to Northern Europe to visit a rural hometown's fabled Swedish mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.A couple travels to Northern Europe to visit a rural hometown's fabled Swedish mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
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Gorgeous visuals, creative cinematography and solid performances but the movie feels long winded and disconnected. The characters are underdeveloped and the plot is a little all over the place. The movie does however manage to be intentionally funny at times but not scary or very disturbing.
The movie starts out promising and with the interesting backdrop of a Swedish pagan cults. However, it succeeds only in shocking with horrifying imagery of bursting heads/faces and other violence that serves only to hide the fact that this movie is bad at everything else.
The character development is extremely bad. We are supposed to care about the main character so the writers came up with a shocking and sad beginning. But we still dont develop much sympathy because the main character (yes I already forgot the name) acts unreasonably and there are no real moments where we get close to her.
The plot is extremely foreseeable. Without wanting to spoil much, all characters from the group going to Sweden have happen exactly what you'd expect to happen to them. There is no finesse in story-telling at all and instead cheap attempts at foreshadowing end up as just another horror-movie cliche.
The camera work is OK but often too bright and sometimes turns for no reason. It is an attempt of foreshadowing or setting the atmosphere but it is lost on me.
All in all, this movie might be for you if you like to be shocked by violence in a novel setting. Don't watch this with kids or anyone remotely sensitive to violence. Also don't watch it if you care for character development, plot-depth or have good taste in movies, generally.
All in all, this movie might be for you if you like to be shocked by violence in a novel setting. Don't watch this with kids or anyone remotely sensitive to violence. Also don't watch it if you care for character development, plot-depth or have good taste in movies, generally.
Looking at the end credits right now and the only frase that comes to mind, is "what the actual crap?!" This is easily one of the most disturbing movies I've seen. Yet it is impossible to look away, and almost kind of soothing in a way.
It is worth saying upfront that MidSommar should be a very divisive movie. If you tend to watch mostly popular movies or standard horror films, Midsommar is not for you.
Which explains the amount of 1 out of 10 reviews here on IMDb, despite an overall 7.1 rating.
But if you don't mind a slow building narrative with tension, innovative cinematography and plenty of look-away gore, then you might be able to appreciate just how unique Midsommar really is.
Briefly - MidSommar shows us a group of friends going on what seems like an idyllic trip to the Midsummer festival in a village in Northern Sweden. But that quickly turns into a harrowing display of Pagan rituals and ceremonies.
The movie is long because it's not afraid to take its time explaining the background of the characters (the group of friends and particularly the young woman in which it focuses). So from the start you can feel that this will be a different experience from most horror films.
But the movie really takes off once they arrive in Sweden. And it goes a long way to explain why Ari Aster is being so buzzed as a new director. Some of the shots shown are, at least in my book, completely outside the norm. And early on help you involve in the world of the film, and in the experience of the main characters.
In the terms of cinematography, it is one of the most beautiful movies I have ever seen. And that becomes an even more impressive achievement because of its contrast with the horrid gore images displayed throughout the movie.
The grass's green, the floral arrangements, the group dances, everything really paints a picturesque image of the Midsommar festivities. Despite all the unexpected events the characters are witnessing, that sense is kept all throughout 2h30 of film.
All of the imagery helped me, as a viewer, to truly feel in the perspective of the characters. Walking into the festival, hopeful, experience the shock of everything that happens in front of them.
I felt I too went on that trip with the characters, and I was shocked again and again together with them. It stuck with me for hours on end after watching. Which is one the best complements I can make to the work of a director in my view.
Truly recommended it if you are up to watching a different yet aesthetically beautiful piece of cinema.
But if you don't mind a slow building narrative with tension, innovative cinematography and plenty of look-away gore, then you might be able to appreciate just how unique Midsommar really is.
Briefly - MidSommar shows us a group of friends going on what seems like an idyllic trip to the Midsummer festival in a village in Northern Sweden. But that quickly turns into a harrowing display of Pagan rituals and ceremonies.
The movie is long because it's not afraid to take its time explaining the background of the characters (the group of friends and particularly the young woman in which it focuses). So from the start you can feel that this will be a different experience from most horror films.
But the movie really takes off once they arrive in Sweden. And it goes a long way to explain why Ari Aster is being so buzzed as a new director. Some of the shots shown are, at least in my book, completely outside the norm. And early on help you involve in the world of the film, and in the experience of the main characters.
In the terms of cinematography, it is one of the most beautiful movies I have ever seen. And that becomes an even more impressive achievement because of its contrast with the horrid gore images displayed throughout the movie.
The grass's green, the floral arrangements, the group dances, everything really paints a picturesque image of the Midsommar festivities. Despite all the unexpected events the characters are witnessing, that sense is kept all throughout 2h30 of film.
All of the imagery helped me, as a viewer, to truly feel in the perspective of the characters. Walking into the festival, hopeful, experience the shock of everything that happens in front of them.
I felt I too went on that trip with the characters, and I was shocked again and again together with them. It stuck with me for hours on end after watching. Which is one the best complements I can make to the work of a director in my view.
Truly recommended it if you are up to watching a different yet aesthetically beautiful piece of cinema.
Not sure what this is supposed to be. Its definitely not a horror movie. Its not even that scary, has a few unsettling moments but thats it. Its just weird and doesnt really have any dramatic arc or raising the tension. Basically the whole movie is a few strangers saying WTF? constantly and everyone else telling them " 'ts ok ! guys"
Also besides that, its revolves around a traumatized, annoying and totally without self respect girl that slowly starts benefiting from this weird place. Because of course, we cannot have a film these days without it being a "personal journey" of some sorts. Writers trying to be smart and "deep".
Yeah nothing beats a bizzare and crazy rituals to make you sane.
If youre expecting horror and monsters or supernatural, keep going. Its just a weird film with no real ending, resolution, interesting character or events. Albeit with nice filmography and quite good actors it has no real dramatic structure or captivating story.
If youre expecting horror and monsters or supernatural, keep going. Its just a weird film with no real ending, resolution, interesting character or events. Albeit with nice filmography and quite good actors it has no real dramatic structure or captivating story.
'Midsommar' Director Breaks Down the Trailer
'Midsommar' Director Breaks Down the Trailer
Writer/director Ari Aster breaks down genre expectations, The Wicker Man influences, and how he wants audiences to feel after his "break-up film," Midsommar.
Storyline
Did you know
- TriviaWhen the film was released in Sweden, rather than eliciting fear in the audience, many people laughed. Many Swedish critics praised the film as an excellent black comedy.
- GoofsThe outfits the villagers of Hårga wear during the celebrations are vyshyvankas, which is part of the Ukrainian and Belarusian national costumes, not the national or regional costumes of Sweden and Hälsingland.
- Alternate versionsA 171-minute long director's cut premiered at the Scary Movies XII film festival at the Lincoln Film Center. This version adds more graphic violence and extends many pre-existing scenes.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: Midsommar (2019)
- SoundtracksI.O.U
Performed by Freeez
Written by John Robie and Arthur Baker
Produced by John Robie
Courtesy of Beggars Banquet
By arrangement with Beggars Group Media Limited
- How long is Midsommar?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Midsommar. El terror no espera la noche
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $27,426,361
- Opening weekend US & Canada
- $6,560,030
- Jul 7, 2019
- Gross worldwide
- $48,498,408
- Runtime2 hours 28 minutes
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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