Bizarre nightmares unfold in eight tales of terror in a visually stunning, spine-tingling horror collection curated by Guillermo del Toro.Bizarre nightmares unfold in eight tales of terror in a visually stunning, spine-tingling horror collection curated by Guillermo del Toro.Bizarre nightmares unfold in eight tales of terror in a visually stunning, spine-tingling horror collection curated by Guillermo del Toro.
- Won 1 Primetime Emmy
- 7 wins & 21 nominations total
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Storyline
Did you know
- TriviaThe statuettes of the directors in the introduction of each episode were sent to the directors themselves after filming was finished.
- Crazy creditsAt the start of each episode Guillermo del Toro opens a large wooden cabinet, removes an item from that episode, and places it on a table next to a statuette of the episode's director and the director's credit.
Featured review
Like Jordan Peele's recent try in a newer Twilight Zone, Guillermo del Toro's Cabinet of Curiosities has good production, cinematography, lighting and on occasion great atmosphere. However, for me, after watching four episodes, each have been bogged down by story and payoff. What the 1950s Twilight Zone did in only 25 minutes was astounding, not that every one was top tier amazing, but still gave a relatively coherent and well done story with interesting characters. In this day and age however, with Netflix and Paramount+ and Amazon Prime, an hour and change is the norm and it just doesn't work and I guess I hoped Toro would avoid this problem.
Every episode has setup upon setup and when it finally does get to the actually meat, there's been so many appetizers I feel full. Or the climax is so short I sit thinking, "Wait, it's over?" Even my favorite so far "The Autopsy" has Toro introduce it, giving away a vital plot point that could have been revealed later on. There's then almost half an hour until we get to said autopsy, wherein when the big twist is revealed has a James Bond villain explanation for the ages (Thanks David S. Goyer, as always).
Not that I'm opposed to world building, character introduction, atmosphere creating tension, but where minutes-watched-algorithms have replaced ratings, 1 hour+ episodes that could be edited down significantly for our enjoyment would be and should be crucial. I'm still rooting for the show, because I love anthologies, but I also know LESS is MORE.
Edit: I've watched the next four and feel they too could have been edited down to avoid redundancy, but Pickman's Model might be the exception. It was a brilliant slow decent into madness that makes Lovecraft so special. After watching all 8 I noticed scenes that could have been combined or characters cut completely. Either way, I still hope there's a season 2.
Every episode has setup upon setup and when it finally does get to the actually meat, there's been so many appetizers I feel full. Or the climax is so short I sit thinking, "Wait, it's over?" Even my favorite so far "The Autopsy" has Toro introduce it, giving away a vital plot point that could have been revealed later on. There's then almost half an hour until we get to said autopsy, wherein when the big twist is revealed has a James Bond villain explanation for the ages (Thanks David S. Goyer, as always).
Not that I'm opposed to world building, character introduction, atmosphere creating tension, but where minutes-watched-algorithms have replaced ratings, 1 hour+ episodes that could be edited down significantly for our enjoyment would be and should be crucial. I'm still rooting for the show, because I love anthologies, but I also know LESS is MORE.
Edit: I've watched the next four and feel they too could have been edited down to avoid redundancy, but Pickman's Model might be the exception. It was a brilliant slow decent into madness that makes Lovecraft so special. After watching all 8 I noticed scenes that could have been combined or characters cut completely. Either way, I still hope there's a season 2.
- hafaball-1
- Oct 27, 2022
- Permalink
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- Runtime1 hour
- Color
- Sound mix
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