The official YouTube channel for Japanese pop singer Mika Nakashima started streaming a music video for her 48th single song "Mission." The song is featured as the ending theme for the ongoing TV anime Firefighter Daigo: Rescuer in Orange second cour, following the first cour's "Perfect World" by Lmyk . The song was released digitally first on January 13, and its CD single followed today in Japan on March 13. Mika Nakashima "Mission" music video "Mission" anime music video "This time, we made this music video with the link to the anime in mind," Nakashima commented on the music video. "The song is about the frustration of singing while thinking of someone you love and wanting to get to them but not being able to, so I think it expresses those aspects well. You can compare it to yourself or to your favorite anime character. I think you can listen to it in various ways,...
- 3/13/2024
- by Mikikazu Komatsu
- Crunchyroll
We're just a few days away from the launch of One Punch Man: World , which is bringing Saitama and co. to PC and mobile devices on January 31. Ahead of that, Crunchyroll Games and Perfect World ( Tower of Fantasy ) revealed more details, including preload and server launch times, PC specifications and device requirements and a new login system that offers up exclusive rewards for Crunchyroll subscribers. If you can't wait a moment longer to dive in at launch, note that preload for One Punch Man: World begins for PC, iOS and Android on January 31, 2024 at 12:00 a.m. Pacific Time . Get things rolling and you'll be among the first to play when servers go live later that day in the US, Canada, UK, Ireland, Australia, New Zealand, Latin America and the Nordics at 5:00pm Pacific Time . For those who have yet to sign up, pre-registration will remain open in all...
- 1/25/2024
- by Guest Author
- Crunchyroll
Last Year’s Winner: “The Zen Diaries of Garry Shandling”
Still Eligible: No.
Hot Streak: Prior to the Netflix disruption, this category was a three-horse race from 2003 – 2016. During those 13 years, only HBO, History, and PBS earned victories in the category, and aside from one win each from Discovery and CBS, these were the only networks to win in the history of Best Documentary or Nonfiction Special category.
Fun Fact: One of the Big Four broadcast networks hasn’t been nominated in this category since 2011 — just two years before the TV Academy renamed Outstanding Nonfiction Series as Outstanding Documentary or Nonfiction Special. Prior to the shift toward including feature-length documentaries, ABC, CBS, NBC, and/or Fox had been in the running nine of the 11 years prior.
Notable Ineligible Series: Docuseries have their own category, so don’t expect the likes of “America to Me” or “Our Planet” here.
At the bottom...
Still Eligible: No.
Hot Streak: Prior to the Netflix disruption, this category was a three-horse race from 2003 – 2016. During those 13 years, only HBO, History, and PBS earned victories in the category, and aside from one win each from Discovery and CBS, these were the only networks to win in the history of Best Documentary or Nonfiction Special category.
Fun Fact: One of the Big Four broadcast networks hasn’t been nominated in this category since 2011 — just two years before the TV Academy renamed Outstanding Nonfiction Series as Outstanding Documentary or Nonfiction Special. Prior to the shift toward including feature-length documentaries, ABC, CBS, NBC, and/or Fox had been in the running nine of the 11 years prior.
Notable Ineligible Series: Docuseries have their own category, so don’t expect the likes of “America to Me” or “Our Planet” here.
At the bottom...
- 4/16/2019
- by Ben Travers
- Indiewire
It’s shaping up to be a pretty bleak holiday season for Steve Carell and Robert Zemeckis after “Welcome to Marwen” flopped last weekend in spectacular fashion. The $40 million drama about a man’s attempts to overcome his Ptsd is one of the biggest bombs of the year, debuting to a disastrous $2.4 million from 1,191 theaters. It stands to lose between $45 million to $50 million when marketing and distribution costs are taken into account, according to rival studio executives, an embarrassing result for both Carell and Zemeckis.
“Welcome to Marwen” is also the worst wide-release major studio debut of 2018 — tying with Johnny Knoxville’s dud “Action Point” for that ignominious distinction — and a career-worst wide-release start for the A-list actor and the director. Compounding the pervasive air of disaster, “Welcome to Marwen” is the second big turkey for Universal Studios in as many weeks. The studio also stands to lose $125 million-plus on “Mortal Engines,...
“Welcome to Marwen” is also the worst wide-release major studio debut of 2018 — tying with Johnny Knoxville’s dud “Action Point” for that ignominious distinction — and a career-worst wide-release start for the A-list actor and the director. Compounding the pervasive air of disaster, “Welcome to Marwen” is the second big turkey for Universal Studios in as many weeks. The studio also stands to lose $125 million-plus on “Mortal Engines,...
- 12/24/2018
- by Brent Lang
- Variety Film + TV
Endeavor China was formed two years ago as a joint venture with Sequoia Capital China and others to serve as a country-specific version of its parent company. The goal is to offer clients and partners entrepreneurial options in entertainment, sports, event and retail ventures in the world’s most populous country. As China’s media landscape evolves, sometimes fitfully, Endeavor China aims to establish a beachhead as a diversified media venture and representation firm. The aim is to plant roots in local film, TV and digital content, to bring more Hollywood talent to work in the region and to scout for budding stars with potential for crossover success outside of China.
“We’ve focused on two things in the first two years: hiring the right people with the right industry connections who are also fluent in the cross-border language of entertainment, and building infrastructure,” says Michael Ma, CEO of Endeavor China.
“We’ve focused on two things in the first two years: hiring the right people with the right industry connections who are also fluent in the cross-border language of entertainment, and building infrastructure,” says Michael Ma, CEO of Endeavor China.
- 10/15/2018
- by Cynthia Littleton
- Variety Film + TV
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