17 reviews
During my initial viewing of DROUGHT (I have since revisited the picture) I was overwhelmed by the sheer satisfaction I felt. It isn't flawless, but it's one of the most important films I've seen during the pandemic. Weathering all possible hardships during filming; from a hurricane to a sudden family tragedy, the outcome is mightily impressive and one that all involved should be proud of.
Owen Scheid, an actor on the autism spectrum, debuts with a performance that demonstrates that casting should NOT have boundaries. Nevertheless, the addition of an autistic character was a subtle metaphor for the ignorance of society towards the drought and as social commentary that expands to topics such as climate change. There's a scene whereby Carl's (Scheid) boss explains to Carl's sister, Sam (Hannah Black) that Carl "cannot be on the premise unless he's shopping." A tragic line that gripped my throat. Discrimination and thoughtlessness existing to maintain the status quo. This is why Sam agreeing to follow Carl, as they run towards a storm is a beautiful narrative. It displays the thickest of skin and the strongest bond. It also illustrates the innocence of Carl to see beauty and method in the madness.
Naturally, this brings me to Black's unbelievably mature performance as she overcompensates for Carl's aforementioned inadvertent foibles by building an impenetrable outer shell that seeps raw emotion as she reveals nuanced signs of vulnerability.
As the narrative unfolded it became apparent that the troubles of each character were identified. During these moments the road trip becomes a form of therapy. The writing is intelligent; not forcing conflict but rather progressing it organically through communication, as each character begins to become comfortable and air their grievances. Again, this is an example of Carl's honesty becoming a necessity as the dialogue cuts through the claustrophobia developing within the van. I felt as though I had more air to breathe as it became clear.
The true genius of the screenplay is balancing the distress with the tenderness and providing them in equal measure, ensuring that neither ever take precedence over the other. I compare this to the work of John Hughes in the classic PLANES, TRAINS AND AUTOMOBILES (1987) and more recently THE PEANUT BUTTER FALCON (2019). I'm not saying that DROUGHT is as refined but its merits shouldn't be ignored. I do hope this film finds the audience it deserves. I digress... The introduction of Lillian (Megan Petersen), sister of Sam and Carl and Lewis (Drew Scheid) make this possible.
Petersen gives Lillian the characteristics needed to counter Sam's hostility. Without wishing to spoil the narrative, Lillian's calm approach offers a platform from which she and Sam can bounce off one another, portraying seemingly natural chemistry. It could be argued that their relationship is the spine of the screenplay.
As I sat down to write this review, I mulled over why I attached myself to this picture so gleefully? "Gleefully?" I thought. It occurred to me that I felt the presumed enjoyment that went into filming DROUGHT.
I could visualize myself sat at the back of the van as the ice cream van jingle chimed merely. This film doesn't take itself too seriously but simultaneously delivers a punch when needed. I always maintained a sense of pleasure that went into the project. I got the impression that there was no chance of anyone involved contributing to a lacklustre picture.
This is exemplified by Lewis, whose cheeky and energetic nature fits perfectly as the final piece of the jigsaw.
Without having visited any small towns in North Carolina I'm not in a position to comment on how adequately they have been represented. Though, what I can confirm is that I took away a sense of normality and fortune. How within the most ordinary environment, the most ordinary group of characters can produce a heartwarming tale that is about nothing other than finding beauty in life.
Owen Scheid, an actor on the autism spectrum, debuts with a performance that demonstrates that casting should NOT have boundaries. Nevertheless, the addition of an autistic character was a subtle metaphor for the ignorance of society towards the drought and as social commentary that expands to topics such as climate change. There's a scene whereby Carl's (Scheid) boss explains to Carl's sister, Sam (Hannah Black) that Carl "cannot be on the premise unless he's shopping." A tragic line that gripped my throat. Discrimination and thoughtlessness existing to maintain the status quo. This is why Sam agreeing to follow Carl, as they run towards a storm is a beautiful narrative. It displays the thickest of skin and the strongest bond. It also illustrates the innocence of Carl to see beauty and method in the madness.
Naturally, this brings me to Black's unbelievably mature performance as she overcompensates for Carl's aforementioned inadvertent foibles by building an impenetrable outer shell that seeps raw emotion as she reveals nuanced signs of vulnerability.
As the narrative unfolded it became apparent that the troubles of each character were identified. During these moments the road trip becomes a form of therapy. The writing is intelligent; not forcing conflict but rather progressing it organically through communication, as each character begins to become comfortable and air their grievances. Again, this is an example of Carl's honesty becoming a necessity as the dialogue cuts through the claustrophobia developing within the van. I felt as though I had more air to breathe as it became clear.
The true genius of the screenplay is balancing the distress with the tenderness and providing them in equal measure, ensuring that neither ever take precedence over the other. I compare this to the work of John Hughes in the classic PLANES, TRAINS AND AUTOMOBILES (1987) and more recently THE PEANUT BUTTER FALCON (2019). I'm not saying that DROUGHT is as refined but its merits shouldn't be ignored. I do hope this film finds the audience it deserves. I digress... The introduction of Lillian (Megan Petersen), sister of Sam and Carl and Lewis (Drew Scheid) make this possible.
Petersen gives Lillian the characteristics needed to counter Sam's hostility. Without wishing to spoil the narrative, Lillian's calm approach offers a platform from which she and Sam can bounce off one another, portraying seemingly natural chemistry. It could be argued that their relationship is the spine of the screenplay.
As I sat down to write this review, I mulled over why I attached myself to this picture so gleefully? "Gleefully?" I thought. It occurred to me that I felt the presumed enjoyment that went into filming DROUGHT.
I could visualize myself sat at the back of the van as the ice cream van jingle chimed merely. This film doesn't take itself too seriously but simultaneously delivers a punch when needed. I always maintained a sense of pleasure that went into the project. I got the impression that there was no chance of anyone involved contributing to a lacklustre picture.
This is exemplified by Lewis, whose cheeky and energetic nature fits perfectly as the final piece of the jigsaw.
Without having visited any small towns in North Carolina I'm not in a position to comment on how adequately they have been represented. Though, what I can confirm is that I took away a sense of normality and fortune. How within the most ordinary environment, the most ordinary group of characters can produce a heartwarming tale that is about nothing other than finding beauty in life.
When you read a review, with a rating of 8/10 or higher, take their review with a grain of salt.
You can always tell a fake reviewer by looking at their profile. When someone gives a movie 10/10, or 9/10, before believing the review, look at the reviewer's profile to see if:
1. They've just joined IMDB or 2. Have only reviewed one or two movies or both
Then you can almost always be certain they're fake reviewers trying to bump up their movie.
This movie does not deserve it's high rating (at the time of this review, it was 8.9). But I have a feeling as more and more "real" reviewers start reviewing this movie, that rating will drop faster than a lead balloon.
VERDICT: If you like indie movies or movies that heavily focuses on dialogue, then you might just like this. But for me, the pace of the movie is too slow for my liking.
You can always tell a fake reviewer by looking at their profile. When someone gives a movie 10/10, or 9/10, before believing the review, look at the reviewer's profile to see if:
1. They've just joined IMDB or 2. Have only reviewed one or two movies or both
Then you can almost always be certain they're fake reviewers trying to bump up their movie.
This movie does not deserve it's high rating (at the time of this review, it was 8.9). But I have a feeling as more and more "real" reviewers start reviewing this movie, that rating will drop faster than a lead balloon.
VERDICT: If you like indie movies or movies that heavily focuses on dialogue, then you might just like this. But for me, the pace of the movie is too slow for my liking.
- Hammer-Rocks
- Apr 7, 2021
- Permalink
I saw this wonderful movie at the Dances With Films festival in 2020 and have thought about it so often since. Drought is a touching and sincere film that tugs at the heartstrings, and even more so if you know or love someone on the Autism spectrum. It is a real indie gem, both funny and heartfelt, featuring perfect performances from Megan Peterson and Hannah Black (who both also wrote and directed with great aesthetic and emotional sensibility) and Owen Scheid, a young actor on the spectrum who brings truth and heart to the role. A great piece of indie cinema, highly recommended!
Enjoyed this movie ! It was kind and caring which never exists anymore- I have watched it 3 times and smile through it every time!
- momstauffer
- Apr 18, 2021
- Permalink
Looking at the 10 out of ten reviews and 9 plus stars with very few votes and guessed it' a low budget horrible waste of time. It had 'hyping you product' written all over it and sadly it's as bad as predicted. They've tried to delete comments calling them out for this tactic and critical of the movie too.
I should have skipped this film..... it's pretty bad. It's a sad, weak amateur 4-5, with bad dialog weakly delivered, but for the straight up misleading the reader it loses 2-3 stars.
Next time spend more time on your movie and less time writing fake reviews.
I should have skipped this film..... it's pretty bad. It's a sad, weak amateur 4-5, with bad dialog weakly delivered, but for the straight up misleading the reader it loses 2-3 stars.
Next time spend more time on your movie and less time writing fake reviews.
Thoroughly this one, a real antidote to the endless rubbish i have watched recently. Excellent acting from all involved. More of a road movie than anything else but i enjoyed this one.
Watching at the shooting I just feel it's so different from movies I watched. The close up just weird and make me uncomfortable especially when the acting is not pretty. I wonder what lens they use when film. Technical perspective I put this rating.
Hannah and Megan exceeded all expectations, and I expected a lot from these two considering how thoughtful and creative they both are. I laughed, I cried and, most importantly, I learned. If everyone saw this film, the world would be a little better. Congratulations, you two. You created a masterpiece.
- oliviaprizzia
- May 16, 2020
- Permalink
This has all of the right ingredients for a coming of age drama and reminded me why I love independent film so much, namely because it's synonymous with quiet, human moments and authentic acting performances. Achingly real family tension and pain (which is wonderfully scripted and directed) is softened by genuine moments of humor and warmth from an electric cast. Pair all of that with a memorable, plucky score and beautiful cinematography and you've got "Drought."
- meghancook
- May 16, 2020
- Permalink
Drought is one of those movies that feels impossible not to like. A fun, good hearted indie flick bestrewn with several moments of emotional brilliance. I can honestly say I was moved to tears by this film multiple times. Hats off in particular to the lead actor Owen. Scheid, who's outstanding performance steals the show in every scene he's in. Really wonderful film.
This is such a sweet, honest, warm movie. Gorgeous work from hannah black and megan peterson. I will be watching again and i can't wait to see what they make next.
- mollyb-50428
- Apr 20, 2021
- Permalink
I caught this slice of life film at the Vail Film Festival and was blown away by its' subtle brilliance! We've all seen films about family and forgiveness, but never before like this.
The writing was spot on, and the performances were genuine in that raw indie way that we all love. Technically a "coming of age" film, DROUGHT manages to transcend all demographics and avoids falling into any clichés. Very unique. It effortlessly represents the unrepresented and creates space for the characters (and the audience) to learn something new about themselves. The kind of film you're excited to share - one that you can (and want to) watch with anyone. It's refreshing, to say the least!
Also, I can't believe this is the first time out for directing team, Hannah & Megan. Well done, ladies :)
The writing was spot on, and the performances were genuine in that raw indie way that we all love. Technically a "coming of age" film, DROUGHT manages to transcend all demographics and avoids falling into any clichés. Very unique. It effortlessly represents the unrepresented and creates space for the characters (and the audience) to learn something new about themselves. The kind of film you're excited to share - one that you can (and want to) watch with anyone. It's refreshing, to say the least!
Also, I can't believe this is the first time out for directing team, Hannah & Megan. Well done, ladies :)
- michelleroca
- May 17, 2020
- Permalink
I have been following this film since it won Hometown Heroes in 2017. It's been such a joy watching this film come to life through all the pictures, videos and social media posts. I knew it was going to be something special and it definitely was. I am so glad it finally got out for an audience to see. It's a beautiful movie with such a great message. Everything about it was just downright wonderful. I am so happy for Hannah and Megan! You guys made a movie! Congrats! You should be so proud! Drought is truly something special.
- samlikespizzahut
- May 17, 2020
- Permalink
What an incredible job the cast and crew did on this little indie feature. Kudos to Megan and Hannah for writing, directing and acting in the charming, heartfelt, sweet project. This is a film that everyone needs to see!! The lovely and talented Owen Scheid who in real life is on the autism spectrum did an incredible job as did Drew Scheid... All the good parts of funny.
It's hard to believe that Megan and Hannah aren't sisters in real life... They got all the tension and humor and love that can exist with siblings.
So well written, so well acted, so beautifully shot... And the NC banjo soundtrack just added to every aspect of the film! Way to go Drought team!!
- begametzner
- May 20, 2020
- Permalink
I watched Drought at a local film festival and couldn't believe this gem was made outside of the mainstream production center. The plot, the acting, the editing, everything was so professional, moving, real. The cast was perfect, believable. The dialogue and action engaging, smart, funny, sad. I hope it wins the festival and I hope it makes it into everyone's homes (or movie theatres, when we get those back). Brilliant!
- arielviola8
- Sep 24, 2020
- Permalink
Such an endearing and thoughtful film with relatable characters and heartfelt family emotion. It was a joy to watch.
This movie proves that you don't need Hollywood to make gold.
Support indie film and some talented filmmakers and check out Drought.
This movie proves that you don't need Hollywood to make gold.
Support indie film and some talented filmmakers and check out Drought.