Brutally simple child-abuse drama, with the usual South Korean penchant for sadism I've come to know pretty well by now. Which is to say I entered expecting blood, so unpleasant moments are present, but also no surprises in this regard. What surprised me is how Lee Ji-Won keeps it all tight and focused. Instead of relying on long, pointless moments of gratuitous violence and desperation, Miss Baek shows what's enough, and maybe just a little more, to understand lives forever ruined by a horrible childhood. Thus a tale of compassion and revenge becomes an attempt at reconciliation with one's own past and memories. Amidst the horror, tenderness is abundant, and that's when Miss Baek works better for me. The final shot is nothing less than heartbreaking.
9 Reviews
Expected a thriller, got a drama, and how well made this is!
abhijith-alpha7 April 2020
The poster of Miss Baek that I saw misled me. It showed Han Ji-min, who plays the titular character, holding a gun and shielding a child. I went in expecting a thriller, something that was not helped by the fact that the first scene of the movie was a crime scene. Detective Jang-sup (Lee Hee-joon) is shown approaching a dilapidated house in a broken down section in the outskirts of Seoul. Inside the house is the dead body of middle-aged woman, possible dead for weeks. He takes some notes, and the scene ends. Next, we are shown a young but scruffy woman washing cars. This woman, we soon learn, is Miss Baek. Rough around the edges, coarse and no-nonsense, she makes a living working multiple jobs, and lives with Jang-sup, who apparently is her partner. Jang-sup tells her about the dead woman, and we learn that it was Baek's mother. Flashbacks show that she was an alcoholic and was abusive towards Baek, and her indifference at the morgue identifying her mother shows Baek hasn't forgiven her. Another flashback shows a schoolgirl Baek defending herself from sexual assault, dealing a grave injury to a rich kid, who dies, and her getting sent to prison for it. Life has hardened her and she thinks a normal life isn't for her, frequently rejecting Jang-sup's proposals of marriage. It was only at this point that I knew I was in for a drama (and a well-made one so far).
One day Baek chances upon a little girl, Ji-eun, on the street, shivering from the cold and covered in dirt and bruises. She takes pity on her and takes her to a food stall. Soon a well-dressed woman appears looking for her, and even though she is suspicious, she lets the little girl go. Beak finds out that the woman, Mi-kyung, is the girlfriend of Ji-eun's neglectful father. Mi-kyung, respected in the locality, makes money by doing various hustles and the welfare check the state pays for Ji-eun's upbringing. Beneath the smooth and polished veneer though, lies an abuser whom Baek can identify from her own tragic life experiences, and she embarks on a mission to save Ji-eun from Mi-kyung; to prevent what happened to her from happening to the little girl.
This movie is a story of two women in unfortunate circumstances, and a girl, whom they fight over for different reasons. Han Ji-min, who made her name in Korean soap operas, delivers an emotionally powerful performance as a survivor of abuse and unfortunate circumstances. I haven't seen her other works, but I can confidently say that this movie must count very prominently in her career. Kim Si-ah, who plays the little girl, radiates innocence and hurt from her eyes and body language. Kwon So-hyung, who plays Mi-kyung, pulls out all stops to match Han in every frame, a worthy adversary to Miss Baek. She elevates Mi-kyung from an evil stepmother archetype to a complicated woman who struggles mightily against her circumstances as best as she can, making her as compelling as the titular heroine. In a way, she is what Baek would have become, an ugly, distorted mirror image of her, if compassion and empathy were missing from her.
The battle between these two anti-heroines takes place among the outskirts of Seoul, where the underclass, ignored and underrepresented in mainstream, struggles to make everyday living. Away from the shine of the glittering cityscape, the camerawork gives a gritty realism that perfectly accentuates the tight script. For a first time director, "Miss Baek" is a superlative effort from Lee Ji-won. Korean cinema has a rising young superstar.
VERDICT: Excellent drama, worth a watch.
One day Baek chances upon a little girl, Ji-eun, on the street, shivering from the cold and covered in dirt and bruises. She takes pity on her and takes her to a food stall. Soon a well-dressed woman appears looking for her, and even though she is suspicious, she lets the little girl go. Beak finds out that the woman, Mi-kyung, is the girlfriend of Ji-eun's neglectful father. Mi-kyung, respected in the locality, makes money by doing various hustles and the welfare check the state pays for Ji-eun's upbringing. Beneath the smooth and polished veneer though, lies an abuser whom Baek can identify from her own tragic life experiences, and she embarks on a mission to save Ji-eun from Mi-kyung; to prevent what happened to her from happening to the little girl.
This movie is a story of two women in unfortunate circumstances, and a girl, whom they fight over for different reasons. Han Ji-min, who made her name in Korean soap operas, delivers an emotionally powerful performance as a survivor of abuse and unfortunate circumstances. I haven't seen her other works, but I can confidently say that this movie must count very prominently in her career. Kim Si-ah, who plays the little girl, radiates innocence and hurt from her eyes and body language. Kwon So-hyung, who plays Mi-kyung, pulls out all stops to match Han in every frame, a worthy adversary to Miss Baek. She elevates Mi-kyung from an evil stepmother archetype to a complicated woman who struggles mightily against her circumstances as best as she can, making her as compelling as the titular heroine. In a way, she is what Baek would have become, an ugly, distorted mirror image of her, if compassion and empathy were missing from her.
The battle between these two anti-heroines takes place among the outskirts of Seoul, where the underclass, ignored and underrepresented in mainstream, struggles to make everyday living. Away from the shine of the glittering cityscape, the camerawork gives a gritty realism that perfectly accentuates the tight script. For a first time director, "Miss Baek" is a superlative effort from Lee Ji-won. Korean cinema has a rising young superstar.
VERDICT: Excellent drama, worth a watch.
Sad Movie
billcr1229 October 2020
A woman who has suffered abuse from an alcoholic mother sees a little girl in the street and befriends her and slowly draws closer and closer to the girl. She confronts the kids step mother and lowlife father who have been treating the girl worse than a dog. Korean social services is worse than ours in America. The story is a sad and riveting one. The kid is great and so is the lead heroic woman. I did not care for the sloppy editing and it makes the film a bit confusing. Even so, I highly recommend this tear jerker.
A GUARDIAN TO ONE...!
masonfisk5 November 2023
A South Korean feature from 2018 (which owes a lot to the Gena Rowlands 1980 starrer Gloria). Miss Baek, essayed by Han Ji-min, works diligently at her menial jobs to get by (we see her working at a car wash later as a masseuse) but one cold day she meets up w/a shivering tyke, Kim Si-a, who she feeds & brings back to her home even though she suspects she's being abused which turns out to be case as her nominal parents (her stay at home biological father smacks her around deferring to his hostess girlfriend to dictate Si-a's mistreatment) are pieces of trash trying to avoid any attention from the authorities. When arriving home one night, Ji-min runs into Si-a climbing out from her apartment window & rushes her to the hospital to see to her wounds but when her guardians come upon the scene they soon try to flip public attention on Ji-min signaling her as a kidnapper which works except for Ji-min's boyfriend, a detective, suspects otherwise who inserts himself into the investigation where the truth comes out. Although Ji-min gives a wonderful heartfelt performance (especially when we learn she too was an abused child, hence her interest), the mechanics of the plot sometimes feel haphazard & specious w/a scene between Ji-min giving appropriate punishment to Si-a's abusers (we do get a scene between Ji-min & the hostess but it comes off a bit clunky) to solidify the audiences full sway.
Very Powerful..
velikitata14 December 2020
I just wanna point out that, if the police and social services did their job in the movie, as some commented, than the movie would be only five minutes long, so in order to be able to tell the story, you have to make some compromises. And BDW police and social services do make mistakes in real life to.
excelent movie
sandcmeuble16 September 2021
Just too unbelievable.
x_d_7130 October 2020
Not all of us meant to be parents
soeprijo1924 January 2022
We are all (maybe) medically fit to be a parents, but are we all fit to raise a child?! Some of us think that child is just a nuisance and not a bless. And also, if we were abused as a child, would we also become an abuser later?! Couldn't we breakout of this vicious cycle and become a good parents?! This movie deals with that issue in every aspects, making it a balance movie.
Good script, good direction and good acting.
Definitely 9/10.
Good script, good direction and good acting.
Definitely 9/10.
not a date movie
backnblack-061235 February 2022
Tough watch but pretty flawless from a acting and writing standpoint, i can think of better endings but hey its Korea and they could have really made this ending so much worse.
I'd recommend this its well done but not pleasant.
I'd recommend this its well done but not pleasant.
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