Phillip and Elizabeth consider the impact of a huge decision.
This is another strong reflective episode with great dialogue, visuals and performances.
The plot is character driven with a lot of emphasis on potential repercussions should a certain path be chosen. Personally I think it continues the solid job of laying the groundwork work for series six, where I expect a lot of hugely memorable moments to spring from seeds planted here. In Russia the sub-plots are getting quite compelling and I'm getting invested in the fate of both Oleg and Mischa.
I love the visuals and editing in this episode. The warm, rich colourful settings in America are contrasted to great effect with the cold, grey Moscow cityscapes. There is one sequence that transitions from a perfect, cosy family meal at the Jennings house to an oppressive, polluted industrial scene in Moscow. This works fabulous irony into the development of Henry's character-arc and the dilemma his parents are wrestling with.
Performances are excellent, particularly Costa Ronin, Matthew Rhys and Keri Russell.
I can see some reviewers are struggling with the change of tone in series five which is primarily psychological drama focusing on a number of characters with less emphasis on the spy/action thrills. For me it's equally as well made as past series, just in a different way. Some of the moments such as simple interactions and dialogues are as crushing and memorable as ever, just without the same level of easy spectacle as an assassination or sting operation.
For me this one is an 8.5/10 but I round upwards.
This is another strong reflective episode with great dialogue, visuals and performances.
The plot is character driven with a lot of emphasis on potential repercussions should a certain path be chosen. Personally I think it continues the solid job of laying the groundwork work for series six, where I expect a lot of hugely memorable moments to spring from seeds planted here. In Russia the sub-plots are getting quite compelling and I'm getting invested in the fate of both Oleg and Mischa.
I love the visuals and editing in this episode. The warm, rich colourful settings in America are contrasted to great effect with the cold, grey Moscow cityscapes. There is one sequence that transitions from a perfect, cosy family meal at the Jennings house to an oppressive, polluted industrial scene in Moscow. This works fabulous irony into the development of Henry's character-arc and the dilemma his parents are wrestling with.
Performances are excellent, particularly Costa Ronin, Matthew Rhys and Keri Russell.
I can see some reviewers are struggling with the change of tone in series five which is primarily psychological drama focusing on a number of characters with less emphasis on the spy/action thrills. For me it's equally as well made as past series, just in a different way. Some of the moments such as simple interactions and dialogues are as crushing and memorable as ever, just without the same level of easy spectacle as an assassination or sting operation.
For me this one is an 8.5/10 but I round upwards.
