Who's Watching Oliver (2017) Poster

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6/10
A slasher film with a brilliant twist and a profound message.
peterp-450-29871619 July 2018
Warning: Spoilers
"Who's watching Oliver" will certainly not be appreciated by everyone. It's a film about voyeurism, sadism and total insanity. At first sight, the film seems meaningless in terms of content. But as the film progresses, you'll conclude it contains a more pronounced message. The moment Oliver (Russell Geoffrey Banks) begins to abuse and torture a girl like a madman, under the watchful eye of his authoritarian mother (Margaret Roche), who's watching the whole show via a webcam, you assume that this is the umpteenth morbid torture film. But as soon as the handsome Sophia (Sara Malakul Lane) comes into the picture, the storyline tilts slightly. From that moment on it is no longer the Oliver who has to tolerate the whims of his mother, routinely take his two pills and goes off to search his next victim. No. Now he's the Oliver who realizes that there may be a way out of this violent existence.

Is "Who's watching Oliver" an excellent film? Well, I wouldn't say that. But it's a damn shocking and confusing film. Needless to say that I found the acting performance of Russell Geoffrey Banks sublime. The way he portrays Oliver is magisterial. That foolish expression on his face with his protruding lower jaw and crooked teeth. His silly glasses and backward combed greasy hair. The retarded mumbling and the in-mouth muttering. All this makes him look like a mentally disturbed individual. And the moment he bursts out laughing is both touching and frightening at the same time. The laughter of a fool or a schizophrenic madman. It's also obvious that Oliver's condition is directly related to his mother because she's on the same level. Also a totally insane woman. Even though we see Margaret Roche only on a monitor. The way in which she addresses the victims in a denigrating way and laughs with them felt outright diabolical. And the moment you find out what happened to her husband, you realize just how crazy this woman is.

And then you have the naïve and angelic Sophia who spontaneously seeks contact with Oliver in the amusement park. A place where Oliver comes to rest on a daily base. In retrospect, she's just another restless soul who's seeking comfort. It's not that you get a pronounced explanation about her past. But between the lines, you can assume that she also knew a past full of abuse and grief. Why Sophia approached him, ultimately remained a mystery to me. The final scene provides a variety of interpretations. Will Oliver escape from the grip of his mother at that moment? Or did he find his "partner in crime"? Your guess is as good as mine.

And there are more of those ambiguities. Why is Oliver wandering around in Thailand? And where does all that money to lure girls to his room come from? "Who's watching Oliver" is such a film where you as a viewer can't predict which direction it'll go. But if you leave out the explicit nude and bloody scenes, a fragile love story remains. But in a bizarre way. Everything feels rather absurd. Especially with that cheerful jazzy music playing while Oliver chopping up the dead bodies. And the daily trip to the amusement park in this Asian country emphasizes the absurdity of the whole. For those who love slasher films with a psychopathic character whose ruthless behavior causes bloody situations, this is definitely a must see. But this flick gives it a brilliant twist as well. Therefore it's no surprise this film has already won some rewards at a few film festivals.
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6/10
Brutal but not overal bad
deloudelouvain3 November 2019
There are good and bad things about Who's Watching Oliver. If you like brutal or/and disturbing scenes then I'm sure you will like the ones in this movie. They are pretty hardcore but they fit perfectly well with the deranged character of Oliver. Russell Geoffrey Banks did a good job playing Oliver, you kinda want to call the police as soon as you see him. The weakest link of this movie was Margaret Roche, playing Mama. That could have been much creepier than it actually was. The story is also not very complicated, but for some thrashy horror movie it will do. Overal it's not a bad movie, not for the faint of heart though.
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4/10
Move along nothing to see here
suanniiq25 August 2019
It's much ado about nothing.....for the love of Darwin, don't watch this "film" and save an 1h and a half of your lives you'll never get back...
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2/10
Too much hype.
collinsdd19 July 2018
I'm sorry, but this movie is not scary in any way. It's just scene after scene of disgusting behavior. The ending is no surprise. It's really not even disturbing because it is just over-the-top ridiculous. I tend to value plot and meaning...and neither of the two exist here.
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3/10
Oliver is a rapist and murderer of women.
Sebadonut10116 February 2021
Warning: Spoilers
Under the orders of his mother, Oliver takes women back to his apartment where he drugs, rapes and murders them whilst his mother watches via a video link. At first I thought Oliver was meant to be comedic character but no, there is no humour to be found here.

Although competent on a technical level, Who's Watching Oliver is a shallow, poorly acted, violent rape fantasy. The murder scenes are vile and the rest is just boring. I normally love dark/disturbing/horror films but I feel like a bad person just having watched this. The film asks the viewer to be cool with Oliver being a rapist and murderer of women - and I'm really not, sorry.
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1/10
rubbsish
bella-1010323 February 2019
What a stupid movie threw disc in the bin wish i'd not wasted money buying it
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7/10
Ruined by the after-credit-scene.
LBarlane2428 September 2020
Warning: Spoilers
Directed by Ritchie Moore, Who's Watching Oliver is an indie horror film that stars Sarah M. Lane, Margaret Roche, and Russel G. Banks as the titular character. Now I'm going to be completely honest and say that Sarah M. Lane is in fact the reason that I watched this flick. When it came to that point, I began to wonder what she'd bring to the table. And as the film went on, she, surprisingly enough, did not disappoint. She was full of charisma in almost every scene she was in as the love-interest, Sophia.

Now with said actress out of the way, I should obviously share my thoughts on the star himself. I'm not too familiar with him, but Russel G. Banks was (again, surprisingly) beyond spot-on as the titular character. When he first appeared onscreen, I didn't know what to expect from him. At first, he seemed like the typical modern-day incel. But as the film went on, I actually grew to sympathize with him; I'll even go as far as to say that I was actually rooting for him at one point.

Now with all of that said, my one and only critisism with the film lies with the after-credit-scene. I mean, come on, the film (at least, to me) had the perfect conclusion. During the climax, Oliver contemplates on taking the life of Sophia by his own mother's orders; she, of course, was pulling the strings throughout. Even Sophia herself gives in and encourages Oliver to do it. But said character (seemingly enough) puts his foot down and refuses to commit the act, leading both him and her to close the laptop (which he and his mother have been using to communicate with) down. It then (seemingly) ends with the couple making sweet, sweet love. And as soon as the credits started rolling, that was enough for me to give it a solid 8/10.

I then went to use the bathroom, but when I got back, I was quite shocked to find out that there was actually an after-credit-scene, and that is where my biggest gripe lands. Now, if you haven't seen the film (all the way through), let's just say that it is one of the biggest middle-finger-to-the-audience-moments I have ever seen on screen; had it not been for those last fifteen seconds, I would've given the film said rating.

My final verdict, 7.5/10
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2/10
STUPID, SLOW, STUPID MOVIE
toddstiffler17 May 2020
This movie starts out stupid and gets worse as it goes along! Slow moving and horrible acting.
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decent
Kirpianuscus22 February 2020
Thailand. A bizarre young man. Decent mix of horror and romance, old cliches not bad used and not plausible situations. Crumbs of Snow White and Psycho, naked bodies and large levels of sadism. Enough for not awful movie.
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6/10
What a sick hot mess
killercharm18 February 2020
Wowee wow wow. What a sick hot mess. How sick am I that I love it? The son in UK BTKs girls while his mother watches online from a distant country. All the while she is cocktailing and heckling the poor victims as only a vicious serial killer can. This mom has prompted me to write the eleven worst movie moms list. Oliver's mum, No Way to Treat a Lady mom, The Dead Girl mom, Carrie mom (Piper Laurie totally wins this category).
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1/10
Who's watching Oliver? No one who reads my review, I hope.
scipiogarling17 September 2022
I has steeled myself for a "difficult watch" when I turned on this film. It was certainly THAT, but not in the way I expected.

Tediously artificial, unrealistic, and stagey from the get-go, it was a "difficult watch" not because of any unpleasantly graphic violence but because it's so amateurish. I barely got through the cutesy, twee "look how innocent and goofy our soon-to-be-monstrous protagonist seems" opening, with its blaring quirky music a la Wes Anderson. It was a greater torture than the rape scenes.

And as for graphic violence..."Shocking"? Not with such cartoonish characters it isn't. It felt more like an Almodovar parody. This idea was far beyond the talent of those attempting to pull it off, I'm afraid. Steer clear.
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8/10
Really enjoyed this one!
BandSAboutMovies13 June 2018
Warning: Spoilers
Oliver is mentally unstable and a loner at best, living a life that was forced on him by his oppressive mother. By day, he slouches through his OCD ritual, but at night, he wanders the streets and bars on a deadly mission. His life is brutal and filled with doom, but out of all this violence comes the opportunity to leave it all behind, thanks to a girl named Sophia.

Who's Watching Oliver is the directorial debut of Richie Moore, who has worked on the camera crew for the last two Hangover films and Mission Impossible: Ghost Protocol. He also co-wrote the script with star Russell Geoffrey Banks and producer Raimund Huber.

When we first meet Oliver (Banks), we see him counting down the seconds until 1 AM so that he can take his pills and Facetime his mama (Margaret Roche). Then, we watch as he meticulously plans and executes his daily routine, alone save for a random stray cat that intrudes on his morning. He boards a water taxi and heads off for his day in Thailand, a place far from home.

Soon, we catch up to him at night, in a bar. I really like how Moore keeps the focus on Oliver in these scenes, having him speak directly to the camera. I don't know what the budget was like for this film, but the assured camerawork and production design really make up for any deficiencies on that end. It looks like most of the money was spent making a great looking movie.

Oliver's interaction with a girl at the bar, all to get her back to his place to do drugs, is the first sign we see of him being a bit different than normal folks. Once he's alone with her, it's unsettling how off he is and the way he handles himself around another human being. As he stands alone preparing himself while she gets high, we juxtapose their own rituals: the steps of doing drugs and the steps of getting ready to kill a human being.

The big surprise comes when he flips the laptop toward us and announces, "Mama wants to watch." What follows is one of the more depraved scenes I've watched in some time. Jess Franco fans will be pleased by this one, trust me. Also: props to the sound design team on the disgusting foley noises that they added to this movie. Wow.

Turns out that Oliver's OCD ways are the perfect mindset to have as a serial killer, as they lend him the same ability to methodologically clean up after himself and the crime scene. Then it's back to the schedule: two pills and talking to mother by 1 PM.

The backstory for the film comes with Oliver painting a comic book for the stray cat that comes to visit him. It's a quick way to explain just how things got this far.

Oliver becomes fascinated with Sophia (Sara Malakul Lane, Kickboxer: Vengeance), who he keeps running into at the park. His interactions with her are labored and strange, but she doesn't refuse his attempts to speak with her. And she has no problem telling him all about her odd dreams. She becomes the break in his routine and puts him off his game somewhat, which may be exactly what he needs. The only thing that took me out of this movie is that she seems so far above his level that it feels like the first untrue thing in the film. That said - later scenes show that she isn't that different from Oliver, at least in how she grew up, so perhaps I judged too soon here.

I got right back into things though and loved the scene where Oliver attempts to talk out his fight with his mother within the broken mirror. It's a hard thing to build sympathy for someone who we've just watched ruthlessly snuff out a human life and then get upset about it, but that's how good the acting is here.

This movie continues to shock me with how much it pushes things. If you're easily offended, I would stay far away. If you like transgressive film and to see how someone could become a killer, this is the one for you. But wow - it's not afraid to go all the way, circle the block and then go even further.

I'm really looking forward to what Moore directs next. The scene where Sophia follows Oliver home was really well executed and the lighting and camerawork were superb. For a first effort, this is way beyond expectations.

It says a lot about a film where I genuinely care about the characters' happiness. I didn't really dig the post-credit scene at all, as I felt that I took down what was a really interesting way to finish things. Your mileage may vary. It's an interesting film - not for all, as I said before - but definitely worth checking out.
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6/10
A cute love story
jamesrosnack23 November 2019
I have to say I enjoyed most of it. The mama was a little odd in her acting but overall it was a fun film. I think my only real complaint about it was the foley. While the score was fun and added a bit of brevity to the film, the foley, especially the over done footsteps made it feel out of place and unrealistic.
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4/10
Pure garbage but not without talent
baywoodarborist25 January 2020
Yeah I'm into dark stuff but this is a what for movie. Just sickening crap for the sake of crap. Nothing can come from a film like this. Some sick puppy made this, and this would feed and encourage a sick sick mind. Foul But.,, I'll be fair and say that there was talent here not only in the acting but the the entire production. I just wish there was more to the story which was where the film fails miserably.
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5/10
Average horror movie..!
kamalbeeee28 March 2023
A guy who kills the stranger girls by hearing his sadist mother's instructions... And he fall in love with a girl and he try to stop the killing spree.... Finally he turned against his mother for his girlfriend... Very normal story and screenplay...!

But both mother and son characters acted soo well.. One time watchable movie..!!

A guy who kills the stranger girls by hearing his sadist mother's instructions... And he fall in love with a girl and he try to stop the killing spree.... Finally he turned against his mother for his girlfriend... Very normal story and screenplay...!

But both mother and son characters acted soo well.. One time watchable movie..!!
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10/10
One hell of a horror movie!!!
sjopia22 October 2017
Who's Watching Oliver played at this years Dead of Night Film Festival in the UK and was one of the most ferociously awesome movies we screened. If you like your horror movies well acted, well shot, raw, violent and beautifully sweet at the same time then this is the movie for you.
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9/10
What a pleasant surprise!
tstematt13 February 2018
I was asked to review this movie as part of the podcast that I run. In addition, the lead actor Russell joined us to get a deeper look into the film, the actors involved and Oliver himself. I was blown away from start to finish. This indie film didn't feel small in any way shape or form, the characters and story both felt huge. My personal favorite being Mama, she made me feel dirty and scared all at the same time. I am VERY excited for the release of this film and looking forward to other new projects that Russell Geoffrey Banks brings our way!
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9/10
Oliver Delivers the Goods
james_newman-534091 April 2018
Tick tock goes the clock. The picture begins. We are in a room that looks like its straight from 1950s Middle America but is actually modern day Bangkok. Oliver counts out his pills from an old antique hardwood medicine box. He's dressed in 1950s Beat wardrobe, and he's clearly deeply disturbed. His condition, although never specified, is obviously somewhere within the autism spectrum. But that's not all about Oliver that's beat. Mama's been on his case from an early age. She makes him kill. She enjoys it. And Mama does all this via Skype. With a cocktail in her hand and with the vocabulary of a Kilkenny fishwife, Mama, played wonderfully by Margaret Roche, is perhaps the most downright vulgar abusive female villain to be put to film.

Yes, we're familiar with the theme, and of course Who's Watching Oliver is Psycho for the modern age and Oliver, played by obsessively technical method actor Russell Banks, is a million times more disturbed than Norman Bates will ever be. Banks gets inside the skin of Oliver in a frightfully believable fashion and thoroughly deserves the awards he picked up on the festival circuit for best lead. This is a physically challenging performance, and Banks, in his first lead role, delivers the part well. He is Oliver for better or worse and Oliver must dance to the tune of the devil. The devil (aka Mama) finds work for idle hands, and Oliver gets his filthy little mitts dirty on numerous bloody occasions while banging to the beat of Mama's decadent drum.

But its not all blood and guts. Oliver has a routine set around a Disneyland type theme park. He visits the rides and snaps pictures and generally blends in with bizarre environment around him. Foreigners living in this part of the world are considered strange oddities, so the locals who observe Oliver's eccentricities aren't too concerned by the shambolic spectacle of his incurable nervousness. By night, Bangkok is a different beast. Thousands of bars, a labyrinth of debauched personalities, and it is here, egged on by his online psychopathic mother, Oliver hunts. The picture reaches its darkest depths as Oliver brings back Clair, played by promising newcomer Kelly Woodcock, to his home and ties her to a table. Mama watches on encouraging her son's misbehavior like a demented lip-glossed Frankenstein. But if Oliver is a monster, surely the beast who created him is more grotesque, more evil, a force that must be stopped before the killing spree goes too far and Oliver spends the rest of his years twitching in jail.

And herein lays the theme of the film. Forget the blood, the gore, and the comedy - Oliver is at times hilarious. The picture is really a simple dark meditation on the abuse of the mentally ill. We are usually abused by those closest to us - a wife or husband, a mother or father. In the case of Oliver his Mama has a tight hold on him, as all mother's do, but the hold here is destructive above and beyond normal maternal heartfelt strangulation. Abusive cycles are difficult to break, but sometimes it takes another who has experienced similar patterns to recognize the symptoms and help a stranger out. Oliver's olive branch arrives in the shape of Sophia played by Sara Malakul Lane. At first we wonder why she is approaching this profoundly limited personality, but her true motives eventually come to light. She wants to help him but first he must help himself by breaking the dysfunctional cycle. Together perhaps they can cut the evil puppeteer strings that Mama uses to manipulate Oliver. Perhaps they have a joint cause. At last there's a shimmer of light in the darkness.

Technically the film is a triumph. Debutant feature film director Richie Moore's camera and light work is as good as anyone's and it shows clearly in the picture that Moore has quite literally grown up with a film camera in his hand. The script, co-written by Moore, Banks, and producer Raimund Huber (who also had a strong hand in the jazz music selection - nice touch) is darkly impressive. The picture is put together expertly by the editor Jesse Maddox. If you like your horror dark, and there's not much darker than Oliver, you'll like this. It pushes boundaries, it shocks, but after waiting a year to see it, I'm glad to say it delivers. Who's Watching Oliver will be distributed soon, and you'd be crazy not to see it.
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10/10
Saw this Movie at Horror-hound was Fantastic
lucydinks22 June 2018
What a surprise this film was. I watched this film at Horror-Hound didn't expect much but i was blown away by the acting and story. Although it did leave me feeling unsettled it was worth it.
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10/10
Oliver is Outstanding
meredithjillbrown26 October 2017
Looking for a different kind of horror flick? You MUST meet Oliver. Who's Watching Oliver is an entertaining case study of mother and son dynamics that meet depravity and nihilistic control. Oliver, portrayed by the immensely talented Russell Geoffrey Banks, is a grown man who is so awkward and clunky that you can easily spot his social inadequacy and borderline autism. But Oliver has a secret. A double life. And it looks like his night time activities are destroying what little social mentality he has left. Who's Watching Oliver is incredible. From the music, to the shocking dialogue...the blood soaked scenes and the disregard for a man child's feelings, Oliver had me both laughing and crying for him. Not only is the one of my favorite disturbing horror films...it's one of my favorite films. Period.
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9/10
Great Indie Horror Film
repoulin27 October 2017
I watched this horror film at a film festival and I wanted to make sure I support this trippy film coming from Thailand, a place I grew up. It was great seeing all the locations and artful shots. The movie is memorable and keeps you entertained from being to end. I am really excited to see this film generating buzz!
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10/10
I loved Who's Watching Oliver!
scbohnen11 January 2018
Horror fans rejoice! This movie does not let up or try to hide anything from the viewer. Beautifully shot and acted. An instant classic!
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9/10
Give it a watch!
tapray21 December 2018
There seems to be mixed reviews here. I loved this film. I watched it on a whim knowing nothing about it. I had a great time. It just feels like one of those films you can revisit every year and watch it with someone that hasn't seen it just to see there reaction. I can't help but think this movie will eventually have a cult following. Theres so much of this film that's open to interpretation that it leaves your brain feeling puzzled yet satisfied. I will recommend this to anyone who wants something different, who misses an original story.
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10/10
Oliver's my new favorite killer
MrRamone42015 July 2018
Who's Watching Oliver is a film I've been waiting to see since early 2017. There was no long trailer that gave you any spoilers to the film & that's what got me interested in seeing this even more. I have to say the film did not disappoint me at all. For a lot of the horror films, the idea of the mommy issue is no new subject to the audience, but this movie really switched it up & the performance of Oliver played Russell Geoffrey Banks is astonishing. I usually don't have sympathy for the killer, but you feel such compassion for him, it makes you understand and enjoy the film more. This is probably my favorite horror film of the year & will most likely go down as a cult classic Highly recommended.
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10/10
Intense and strange
Maffmatix2 January 2020
I won't lie, there are elements of this film that are almost too uncomfortable to watch, but they are actually necessary for the story. Oliver is truly messed up, but somehow you manage to feel bad for him... it's not entirely his fault. His "mama" is the most screwed up mother since Norman Bates' day. The mood is dark and strange, half the time we're in a dream-like amusement park and the other half we're strolling down dark alleys in some asian metropolis.

This movie has it's ups and downs but it's certainly unique, and if you can handle it, give it a watch.
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