Peaky Blinders (TV Series)
The Company (2017)
Full Cast & Crew
Directed by
David Caffrey |
Writing Credits
Steven Knight | ... | (creator) & |
Steven Knight | ... | (written by) |
Cast (in credits order)
Produced by
Julie Brinkman | ... | associate producer |
Tommy Bulfin | ... | executive producer |
Joe Donaldson | ... | producer |
Jamie Glazebrook | ... | executive producer |
Will Gould | ... | executive producer |
Brian Kaczynski | ... | co-producer |
Steven Knight | ... | executive producer |
Caryn Mandabach | ... | executive producer |
Cillian Murphy | ... | executive producer |
Frith Tiplady | ... | executive producer |
Music by
Anthony Green | ||
Martin Slattery |
Cinematography by
Cathal Watters | ... | director of photography |
Editing by
Dermot Diskin |
Casting By
Shaheen Baig | ||
Layla Wolf-Zarpak |
Production Design by
Stephen Daly |
Art Direction by
Julie Ann Horan | ... | supervising art director |
Costume Design by
Alison McCosh |
Makeup Department
Oonagh Bagley | ... | hair stylist / makeup artist |
Juliana Ferreira | ... | junior hair stylist: dailies / junior makeup artist: dailies |
Adele Firth | ... | makeup artist: daily |
Beki Goulding | ... | makeup artist trainee: crowd |
Stacey Louise Holman | ... | makeup artist |
Alexandra Jackson | ... | junior hair & makeup artist: crowd |
Laura Lawrence | ... | makeup artist: daily (as Laura Howley) |
Julie Nightingale | ... | makeup supervisor |
Laura Schiavo | ... | hair designer / makeup designer (as Loz Schiavo) |
Jackie Sweeney | ... | makeup artist: daily |
Chris Lyons | ... | special effects teeth (uncredited) |
Production Management
Imogen Gay | ... | production manager |
Danny Khoudary | ... | unit manager |
Amy Mobley | ... | production executive |
Second Unit Director or Assistant Director
Mike Gallivan | ... | second assistant director |
Mark Hedges | ... | first assistant director |
Shelley Lankovits | ... | crowd assistant director |
Mark Roberts | ... | third assistant director |
Mark Taylor | ... | first assistant director |
Art Department
Martin Adams | ... | jewellery designer |
Stephen Burns | ... | dressing props |
Niamh Cleary | ... | standby art director |
Callum Ferguson | ... | dressing props trainee |
Douglas Ferguson | ... | prop chargehand |
Brian Gerrard | ... | construction rigger |
E.J. Grainger | ... | production buyer |
Andrew Griffiths | ... | art department assistant: work experience |
Callum Haden | ... | standby props |
Chris Heap | ... | standby props |
Jess Imrie | ... | assistant buyer |
Joanna Keen | ... | assistant buyer |
Thomas Love | ... | assistant graphic designer |
Jonathan McGonnell | ... | concept artist |
Dean McLeod | ... | assistant art director |
Stephen Mildwater | ... | graphic design assistant |
Charlotte Murphy | ... | art department assistant |
Alan Shaw | ... | property master |
Mark Simpson | ... | standby props |
Ella Wolfnoth | ... | lead graphic artist (as Ella Woolner) |
Sound Department
Grant Bridgeman | ... | sound recordist |
Rebecca Charlton | ... | sound trainee: dailies |
Philip Clements | ... | foley mixer |
Sarah Elias | ... | sound effects editor |
Gibran Farrah | ... | adr recordist |
Joe Furness | ... | foley editor |
Ken Galvin | ... | adr recordist |
Matt Gill | ... | second boom operator |
Jim Goddard | ... | supervising sound fx editor |
Juan Manzed | ... | second assistant sound: dailies |
Forbes Noonan | ... | re-recording mixer |
Ben Norrington | ... | dialogue editor |
Nicky Poulton | ... | Sound Post Producer |
David Sendall | ... | assistant re-recording mixer |
Anna Wright | ... | foley artist |
Special Effects by
Arran Glassar | ... | special effects supervisor (as Arran Glasser) |
Danny Hargreaves | ... | special effects supervisor: Real SFX |
Jade Poole | ... | special effects coordinator: Real SFX |
Jack Taylor | ... | trainee technician |
Visual Effects by
Tony Abejuro | ... | lead matchmover: BlueBolt |
Lucy Ainsworth-Taylor | ... | executive visual effects producer |
Angela Barson | ... | executive visual effects supervisor |
Ben Beaumont | ... | visual effects artist |
Becci Blood | ... | visual effects producer |
Katie Anna Brady | ... | visual effects artist |
Finlay Duncan | ... | digital compositor: BlueBolt |
Andrew Fineberg | ... | visual effects editorial assistant |
Richard Frazer | ... | visual effects supervisor: BlueBolt |
Tanvir Hanif | ... | visual effects artist |
Balázs Sántha | ... | digital compositor: BlueBolt |
Panos Theodoropoulos | ... | visual effects producer: BlueBolt |
David Tejero | ... | roto-prep artist: BlueBolt (uncredited) |
Tamara Toppler | ... | digital matte painter/environment artist (uncredited) |
Stunts
Carlos Castillo | ... | stunt actor: Arthur Shelby's Italian Assassin |
Gordon Seed | ... | stunt coordinator |
Ramon Álvarez | ... | stunt performer |
Camera and Electrical Department
Steed Barrett | ... | electrician |
Edward Botham | ... | camera trainee |
Phil Brookes | ... | lighting gaffer |
Daniel Edwards | ... | focus puller |
Daniel Gadd | ... | focus puller: "a" camera |
Doug Garside | ... | digital imaging technician |
Samuel Grant | ... | second assistant camera |
Steffan Hill | ... | still photographer |
Zoe Howard | ... | camera trainee |
Chris Hutchinson | ... | camera operator/steadicam operator |
Eoin Keating | ... | camera operator: second unit, dailies |
Mitchell Payne | ... | camera trainee |
Daniel Robinson | ... | trainee grip |
Rob Shaw | ... | clapper loader: "b" camera |
Matt Squire | ... | still photographer |
Robert Viglasky | ... | still photographer |
Casting Department
Gabby King | ... | casting assistant |
Costume and Wardrobe Department
Grace Brooks | ... | costume supervisor |
Ashleigh Lennox | ... | crowd costume supervisor |
Rosie Lorenz | ... | costume standby |
Robert Leop Macfarlane | ... | assistant costume designer (as Robert Macfarlane) |
Rosie Stoward | ... | costume assistant: daily |
Charlotte Louise Ward | ... | crowd costumer |
Jess Willcock-Stow | ... | standby costumer: crowd |
Elizabeth 'Lizzie' Corkish | ... | crowd costume: dailies (uncredited) |
Dennis Bach Jensen | ... | costume trainee (uncredited) |
Editorial Department
Mike Austin | ... | post production & technical operations |
Victoria Blackwood | ... | edit trainee |
Simone Grattarola | ... | colorist |
Charlene Short | ... | assembly editor |
Location Management
Michael Campbell | ... | additional location manager |
Miglet Crichton | ... | location manager |
Matthew Plant | ... | location assistant |
Music Department
Amelia Hartley | ... | music supervisor |
Script and Continuity Department
Bryony Arnold | ... | script executive |
Karen Cluskey | ... | script supervisor |
Transportation Department
Neil Arnott | ... | unit driver |
Howard Cawthorne | ... | transportation captain |
Michael Geary | ... | action vehicle supplier: Motorhouse |
Additional Crew
Julie Brinkman | ... | production staff |
Victoria Brooks | ... | managing director: publicity |
William Conacher | ... | dialect coach |
Emma Conroy | ... | floor runner |
Richard Dobbs | ... | producer: EPK / publicist |
Lucy du Boulay | ... | production finance manager |
Andy Fryer | ... | unit medic |
Albion Gee | ... | assistant production secretary |
Kelly Johns | ... | production coordinator |
Alison McGuigan | ... | base runner |
Jim Ranyard | ... | health & safety advisor |
Anita Sanderson | ... | assistant production accountant |
Jo Sear | ... | publicist |
Mark Shelley | ... | armorer |
Gail Stezaker | ... | production accountant |
Susan Waddell | ... | commercial director: CMP |
Ryan Williams | ... | production runner |