Directed by
| Eduardo Williams | ||
Writing Credits (in alphabetical order)
| Eduardo Williams | ||
Cast (in credits order)
 |
Sergio Morosini | ||
|
|
Shine Marx | ||
|
|
Domingos Marengula | ||
|
|
Irene Doliente Paña | ||
| Chai Fonacier | |||
|
|
Manuel Asucan | ||
|
|
Rixel Manimtim | ||
Produced by
| Rodrigo Areias | ... | producer |
| Violeta Bava | ... | producer |
| Victoria Marotta | ... | producer |
| Rosa Martínez Rivero | ... | producer |
| Aline Mazzarella | ... | associate producer |
| Matheus Peçanha | ... | associate producer |
| Jerónimo Quevedo | ... | producer |
| Rodrigo Teixeira | ... | producer |
Cinematography by
| Joaquín Neira | ||
| Eduardo Williams | ||
Editing by
| Alice Furtado | ||
| Eduardo Williams | ||
Production Management
| Martin Busel | ... | production manager |
| Henrique Vianna | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Ignacio Ceroi | ... | assistant director |
Sound Department
| Tiago Bello | ... | re-recording mixer / sound designer |
| Ivan Lemos | ... | foley editor / foley recordist |
| Marcos Lopes | ... | assistant sound designer / sound editor / sound effects editor |
| Pedro Marinho | ... | sound recordist |
| Milton Rodriguez | ... | sound mixer / sound |
Visual Effects by
| Arthur Gallindo | ... | film restorer |
| Hugo Gurgel | ... | visual effects producer |
| Lucas Sousa | ... | digital compositor |
Camera and Electrical Department
| Victoria Pereda | ... | first assistant camera |
Editorial Department
| Luisa Cavanagh | ... | colorist: digital color correction |
| Noe Couto | ... | assistant editor (as Noelia Couto) |
| Fernanda Sgroglia | ... | on-line editor |
Additional Crew
| Carlos André | ... | production secretary |
