IMDb RATING
7.4/10
1.3K
YOUR RATING
The drama tells the story of Yoo So-joon, who can travel through time by a subway. After seeing his future-self living miserably, Joon decides to marry Ma Rin in order to avoid that fate. As... Read allThe drama tells the story of Yoo So-joon, who can travel through time by a subway. After seeing his future-self living miserably, Joon decides to marry Ma Rin in order to avoid that fate. As time passes, he learns to love her selflessly.The drama tells the story of Yoo So-joon, who can travel through time by a subway. After seeing his future-self living miserably, Joon decides to marry Ma Rin in order to avoid that fate. As time passes, he learns to love her selflessly.
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Performed by Seo In-Guk
Featured review
Is Tomorrow🚆Another Day After all? °VG°
While it could have been a lot better, I would still say hop on the train and give it a ride.
True, the ending wasn't that difficult to figure out. Despite that, the director still managed to set the tone with tension being a focal point. The pressure continues to gear up until the very end.
The characters are likable. Ma-rin's pain was framed explicitly: Actress, Shin Mi-na, is superb. All the actors did a solid job. The side vignettes were all enjoyable. Lee Jeong-Eun has such luminosity: She shines once again as Mar-in's mother. She is one of my favs. (Check her out in Oh My Ghost - odd title, amazing show- Some of her scenes are astonishing. Her portfolio has impressive depth of field, and is jammed with highly rated shows and movies). In addition, the villain's storyline worked well enough. The actor delivered a tangible portrayal of his descent from a respected businessman to a muderer with unfiltered evil saturation. Yes, he was originally a little crooked, but that wasn't in anybody's viewfinder.
Kdramas often show individuals who experience a marked character arc. Often these persons have a skewed aspect-ratio, and are initially wince generating, in bursts of nervous awkwardness. Since these dramas mostly have double digit episodes, the characters may not start to improve for a few of them. Patience pays when one is watching Asian entertainment. From that angle, their culture is superior to ours in the USA. The directors take time to build up (or distort) who the individual is. They can then to put the focus on slowly developing them from black-and-white to full RBG color.
Ma-rin is like this. Her over-exposed childhood kept her adult self shuttered in a darkroom. She had become so insecure that it was actually challenging to watch her in the first few episodes. The audience will long to see her resolve to progress from from dull to glossy. So-Joon, while clearly good-hearted, is also a portrait of immaturity and laziness in the beginning episodes. He's in need of some editing himself. The two leads initially display a lack of chemistry which stalls their relationship from developing fully. It actually seems that So-Joon is just using Ma-rin. His motives are blurry. He is an enigma, always with a matte look on his face. The director deliberately injected acidity and unease into their relationship so that we can yearn for it flourish. Concern for Ma-rin will continue to grow. Ultimately, this story is charming. It progresses from indifference and hesitation, to warmth. We glimpse a sense of optimism, amongst the tension, that things will develop further.
Forward on, we ride, to the balance of the critique. Time travel is one of my jams. The stories capture the imagination like nothing else. Logically, it's easy to encounter under-exposed plot points. The show is not without those. The gaps in TWY are moderate to glaring. It could have easily been better. It's frustrating, actually. It's also understandable. For plot development of a time travel tale like this, there must be a collection of miscommunications, and a catalog of flawed judgments. If they had each just opened their apertures a little wider, it would have been a panacea. Then the show would have wrapped up by Ep8.
The optics regarding time travel get distorted. In some scenes the future is pictured just as So-Joon observed from the past. Seemingly, the message exhibited, is that the future is set and laminated. In other scenes, though, that doesn't seem to be the case. For a fantasy show to be great, they Must. Draft. The. Rules. And. Stick. To. Them.
The very end displays a small snapshot of their lives 3 years hence. It's from an unflattering perspective, and it should have been deleted from the show. Kdramas, too often incorporate cross-processed, photo-bombed endings, that must be overlooked if the show is to be enjoyed. Photographers use the term Artifact, which is an element that diminishes the quality of an image. The snapshot of their future has some artifact that's best dropped in the wastebin.
Finally, as another reviewer so deftly put it: It took 16 hours to learn to not run into a busy road. The characters do things that are bothersome.
While the flaws are more than minimal, the good truly does outweigh the bad. If romance is your thing, especially if romance and time travel are among your interests, than TWY should go on your watchlist.
It may not be picture-perfect, nevertheless, there is beauty to behold as time goes by.
I also did a spoiler review.
IMHO... 🎬6 🎭8 🤔7 ⚡6 💓7 🦋5 🌞7 Suggested Age 12+
🥔
True, the ending wasn't that difficult to figure out. Despite that, the director still managed to set the tone with tension being a focal point. The pressure continues to gear up until the very end.
The characters are likable. Ma-rin's pain was framed explicitly: Actress, Shin Mi-na, is superb. All the actors did a solid job. The side vignettes were all enjoyable. Lee Jeong-Eun has such luminosity: She shines once again as Mar-in's mother. She is one of my favs. (Check her out in Oh My Ghost - odd title, amazing show- Some of her scenes are astonishing. Her portfolio has impressive depth of field, and is jammed with highly rated shows and movies). In addition, the villain's storyline worked well enough. The actor delivered a tangible portrayal of his descent from a respected businessman to a muderer with unfiltered evil saturation. Yes, he was originally a little crooked, but that wasn't in anybody's viewfinder.
Kdramas often show individuals who experience a marked character arc. Often these persons have a skewed aspect-ratio, and are initially wince generating, in bursts of nervous awkwardness. Since these dramas mostly have double digit episodes, the characters may not start to improve for a few of them. Patience pays when one is watching Asian entertainment. From that angle, their culture is superior to ours in the USA. The directors take time to build up (or distort) who the individual is. They can then to put the focus on slowly developing them from black-and-white to full RBG color.
Ma-rin is like this. Her over-exposed childhood kept her adult self shuttered in a darkroom. She had become so insecure that it was actually challenging to watch her in the first few episodes. The audience will long to see her resolve to progress from from dull to glossy. So-Joon, while clearly good-hearted, is also a portrait of immaturity and laziness in the beginning episodes. He's in need of some editing himself. The two leads initially display a lack of chemistry which stalls their relationship from developing fully. It actually seems that So-Joon is just using Ma-rin. His motives are blurry. He is an enigma, always with a matte look on his face. The director deliberately injected acidity and unease into their relationship so that we can yearn for it flourish. Concern for Ma-rin will continue to grow. Ultimately, this story is charming. It progresses from indifference and hesitation, to warmth. We glimpse a sense of optimism, amongst the tension, that things will develop further.
Forward on, we ride, to the balance of the critique. Time travel is one of my jams. The stories capture the imagination like nothing else. Logically, it's easy to encounter under-exposed plot points. The show is not without those. The gaps in TWY are moderate to glaring. It could have easily been better. It's frustrating, actually. It's also understandable. For plot development of a time travel tale like this, there must be a collection of miscommunications, and a catalog of flawed judgments. If they had each just opened their apertures a little wider, it would have been a panacea. Then the show would have wrapped up by Ep8.
The optics regarding time travel get distorted. In some scenes the future is pictured just as So-Joon observed from the past. Seemingly, the message exhibited, is that the future is set and laminated. In other scenes, though, that doesn't seem to be the case. For a fantasy show to be great, they Must. Draft. The. Rules. And. Stick. To. Them.
The very end displays a small snapshot of their lives 3 years hence. It's from an unflattering perspective, and it should have been deleted from the show. Kdramas, too often incorporate cross-processed, photo-bombed endings, that must be overlooked if the show is to be enjoyed. Photographers use the term Artifact, which is an element that diminishes the quality of an image. The snapshot of their future has some artifact that's best dropped in the wastebin.
Finally, as another reviewer so deftly put it: It took 16 hours to learn to not run into a busy road. The characters do things that are bothersome.
While the flaws are more than minimal, the good truly does outweigh the bad. If romance is your thing, especially if romance and time travel are among your interests, than TWY should go on your watchlist.
It may not be picture-perfect, nevertheless, there is beauty to behold as time goes by.
I also did a spoiler review.
IMHO... 🎬6 🎭8 🤔7 ⚡6 💓7 🦋5 🌞7 Suggested Age 12+
🥔
helpful•10
- 50fiftillidideeBrain
- Oct 8, 2021
- How many seasons does Tomorrow with You have?Powered by Alexa
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- Ngày Mai Bên Em
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