Directed by
| David Ian McKendry | ||
| Rebekah McKendry | ||
Writing Credits (in alphabetical order)
| Morgan Peter Brown | ... | (story by) (segment "The Stockings Were Hung" "Dash Away All") |
| David Ian McKendry | ... | (written by) |
| Rebekah McKendry | ... | (written by) |
| Joe Wicker | ... | (story by) (segment "The Stockings Were Hung" "Dash Away All") |
Cast (in credits order)
Produced by
| Krystle Brown | ... | co-producer |
| Morgan Peter Brown | ... | producer |
| Paul G. Carroll | ... | co-producer |
| Kevin Kale | ... | executive producer |
| Dylan Matlock | ... | associate producer |
| J.P. Ouellette | ... | associate producer |
| Joe Wicker | ... | line producer / producer |
Music by
| Seth Colegrove | ||
Cinematography by
| Cameron Cannon | ||
Editing by
| Jeff Seidman | ||
Production Design by
| Anthony Pearce | ||
Art Direction by
| Dani Manning | ||
Costume Design by
| Alexandra Serna | ||
Makeup Department
| Timothée Currence | ... | lead special effects make up artist (segment "The Stockings Were Hung") (as Timothy Currence) |
| Christopher Dombos | ... | makeup department head (segment "The Stockings Were Hung" "Dash Away All" "Elf TV") / special make up effects designer |
| Tara Edwards | ... | hair & makeup (segment "Dash Away All") |
| Gabby Grave | ... | hair & makeup (segment "To All a Good Night" "All Through the House" "Elf TV" "Arose Such a Clatter" "In a Twinkling") |
| Caitlyn Marie Helm | ... | special effects makeup assistant (segment "Dash Away All") (as Marie Helm) |
| Antonina Henderson | ... | special effects makeup assistant (segment "Dash Away All") |
| Crista Llewellyn | ... | lead special effects make up artist (segment "The Stockings Were Hung") |
| Pepe Mora | ... | lead special effects make up artist (segment "Dash Away All") |
| Alex Noble | ... | special effects makeup assistant (segment "Elf TV") |
| Corey Pentland | ... | special effects makeup assistant (segment "The Stockings Were Hung") |
| Alondra Excene Shields | ... | hair & makeup (segment "To All a Good Night") |
| Elsie Simone | ... | hair & makeup (segment "All Through the House") |
| Jessica Kate Sinclair | ... | hair & makeup (segment "The Stockings Were Hung") |
| Ada Trinh | ... | hair & makeup (segment "In a Twinkling") |
| Brittany White | ... | hair & makeup (segment "The Stockings Were Hung") |
Art Department
| Kira Colas | ... | set dresser (segment "The Stockings Were Hung") |
| Scott Frazelle | ... | set dresser (segment "Dash Away All") |
| Morgan Kirby | ... | set dresser (segment "Arose Such a Clatter") |
| Jade Spiers | ... | set dresser (segment "The Stockings Were Hung") |
Sound Department
| Max Braverman | ... | foley mixer |
| A. Tad Chamberlain | ... | production sound mixer (segment "To All a Good Night" "The Stockings Were Hung") (as Tad Chamberlain) |
| John Creed | ... | dialogue editor |
| Skyler Detherage | ... | assistant sound editor (as Skyler Schultz-Detherage) |
| Steven Jay | ... | boom operator (segment "All Through the House") |
| Brennan Klein | ... | boom operator (segment "Arose Such a Clatter") |
| Mitchell Kohen | ... | foley artist |
| William McGuigan | ... | re-recording mixer |
| Nikola Simikic | ... | sound editor |
| Jacob Varley | ... | production sound mixer (segment "In a Twinkling") |
| Jake White | ... | production sound mixer (segment "Dash Away All" "All Through the House" "Arose Such a Clatter") |
| Patrick Williams | ... | production sound mixer (segment "Elf TV") |
| George Wymenga | ... | production sound mixer (segment "The Stockings Were Hung" "Dash Away All") |
Special Effects by
| Caitlyn Marie Helm | ... | assistant special effects artist (as Caitlyn Helm) |
Visual Effects by
| Laurent Buson | ... | visual effects artist (as Lohan Buson) |
| Brian W. Collins | ... | end titles |
| Adam Lima | ... | digital effects artist |
| Jeff Seidman | ... | visual effects editor |
Camera and Electrical Department
| Bond Bhinvatdhana | ... | assistant camera (segment "To All a Good Night") / digital imaging technician (segment "To All a Good Night") |
| Krystle Brown | ... | on-set still photographer |
| Patrick Burke | ... | digital imaging technician (segment "The Stockings Were Hung") |
| Oliver Dark | ... | digital imaging technician (segment "Arose Such a Clatter") |
| Sara Garth | ... | camera and lenses supplied by / digital imaging technician (segment "In a Twinkling") |
| William Hall | ... | gaffer |
| Sam Kim | ... | assistant camera (segment "The Stockings Were Hung") |
| Dennis Kirkman | ... | key grip (segment "Arose Such a Clatter") |
| Terrance Lofton | ... | drone operator (segment "Dash Away All") |
| Boman Modine | ... | camera and lenses supplied by / digital imaging technician (segment "Elf TV") |
| Travis Plante | ... | assistant camera (segment "All Through the House" "Arose Such a Clatter") / steadicam operator (segment "Dash Away All" "Arose Such a Clatter") |
| Nacia Schreiner | ... | digital imaging technician (segment "All Through the House") |
| Lili Soto | ... | assistant camera (segment "The Stockings Were Hung") |
| Justin Uchendu | ... | assistant camera (segment "Dash Away All") / digital imaging technician (segment "Dash Away All") / drone operator (segment "Dash Away All") |
| Zack Walker | ... | best boy grip (segment "Arose Such a Clatter") |
| Louis Weissman | ... | assistant camera (segment "All Through the House" "Elf TV" "In a Twinkling") |
Costume and Wardrobe Department
| Katherine Hoang | ... | wardrobe assistant (segment "All Through the House" "In a Twinkling") |
| Julia Laftsidis | ... | wardrobe supervisor (segment "To All a Good Night") |
Editorial Department
| Robert Crosby | ... | colorist |
| Leanne Du Fresne | ... | digital intermediate coordinator |
Music Department
| Marvin Colegrove | ... | additional vocals by |
Script and Continuity Department
| Berlyn Reisenauer | ... | script supervisor |
Additional Crew
| Angelica Anderson | ... | production assistant (segment "Arose Such a Clatter") |
| Bond Bhinvatdhana | ... | production coordinator |
| Brent Boudreaux | ... | production assistant (segment "All Through the House" "Elf TV" "In a Twinkling") |
| Quinn Callens | ... | production coordinator |
| Matthew Ciernia | ... | production assistant (segment "All Through the House") |
| Randy Dante | ... | production assistant (segment "All Through the House") |
| Christian Garrido | ... | production assistant (segment "The Stockings Were Hung" "Dash Away All") |
| Eric Gilbert | ... | production assistant (segment "To All a Good Night") |
| John Humphrey | ... | production assistant (segment "The Stockings Were Hung" "All Through the House") |
| Steven Jay | ... | production assistant (segment "Elf TV" "In a Twinkling") |
| Chris Lewis | ... | production assistant (segment "The Stockings Were Hung") |
| Michael Lyle | ... | production assistant (segment "Arose Such a Clatter") |
| Rich Mallery | ... | production assistant (segment "The Stockings Were Hung") |
| Mike Manfre | ... | production assistant (segment "Elf TV") / production coordinator |
| Jack Maron | ... | production assistant (segment "The Stockings Were Hung") |
| Mariangela Pagan | ... | production assistant (segment "Dash Away All") |
| Lauren Pagoni | ... | assistant to producers (segment "The Stockings Were Hung") |
| Michael Smith | ... | production assistant (segment "To All a Good Night" "Dash Away All" "Arose Such a Clatter") |
| Ryland Swartz | ... | production assistant (segment "The Stockings Were Hung") |
| Truman Van Dyke | ... | insurance |
| Zack Walker | ... | production assistant (segment "To All a Good Night") |
Thanks
| Yvonne Agnew | ... | special thanks |
| Vincent Alvas | ... | special thanks: The Sherry Theater |
| Alexandra Bates | ... | special thanks |
| Ella Brown | ... | special thanks |
| Graham Brown | ... | special thanks |
| Justin Cruse | ... | special thanks |
| Blake Dew | ... | special thanks: The Sherry Theater |
| Mali Elfman | ... | special thanks |
| Avi Eshed | ... | special thanks |
| Sherri Frye | ... | special thanks |
| Rob Galluzzo | ... | special thanks |
| Bob Glennon | ... | special thanks: Authentic Talent Management |
| Christian Heintze | ... | special thanks |
| Jon Hogerheiden | ... | special thanks |
| Megan Hogerheiden | ... | special thanks |
| Elric Kane | ... | special thanks |
| Natalie Kollar | ... | special thanks: The Smith & Hervey/Grimes Agency |
| Dave Lawson | ... | special thanks |
| Keith Levites | ... | special thanks |
| Bob McKendry | ... | special thanks |
| Maggie McKendry | ... | special thanks |
| Maria McKendry | ... | special thanks |
| Tracy Morse | ... | special thanks |
| Brent Rockswold | ... | special thanks |
| Amy Seidman | ... | special thanks |
| Adam Sidman | ... | special thanks |
| Julie Smith | ... | special thanks: The Smith & Hervey/Grimes Agency |
| Paul A. Storiale | ... | special thanks: The Sherry Theater |
| Ryan Turek | ... | special thanks |
| Ygnacio Vega Jr. | ... | special thanks |
| Bob Vonch | ... | special thanks |
| Laurie Vonch | ... | special thanks |
| Jack Wicker | ... | special thanks |
| John Wicker | ... | special thanks |
| Susie Wicker | ... | special thanks |
