"Line of Duty" Breach (TV Episode 2016) Poster

(TV Series)

(2016)

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9/10
Above the line
Lejink28 April 2016
This, the third series of "Line Of Duty", was if anything, even better than the first two, which is saying a lot. For five one-hour and one extended 90 minute finale, it gripped my wife and I as we watched every compulsive twisting and turning minute of this superb police procedural drama. Only, ironically, in the last episode, did I think it overreached itself, with a violent shoot-'em-up climax which seemed at odds with the very still but very intense psychological drama which had preceded it and also that it laid on Dot's guilty conscience a bit too thick when he started finding Hamlet-like visions of Lindsay Denton haunting him.

It all started six episodes ago with a rogue cop, the intimidating young leader of an elite armed-weapons police unit ruthlessly and inexplicably gunning down a surrendering escaping criminal. For the first two episodes, it seemed he would be the focal point of the series, then by the end of episode two, he was out of the picture but not before giving the show its main narrative strand, namely the years-old cover up of a high-ranking paedophile ring.

I won't say any more about the densely-layered plot, only that it inexorably draws in to its black heart the four main team members of the Anti-Corruption Unit, plus other prominent characters like the self-serving senior PR police female representative who tries to seduce the AC commander and of course the return of Keeley Hawes avenging Denton character, fresh-sprung from prison.

I do think though the BBC was wrong to mock-up photos of Jimmy Savile as being in collusion or at least acquainted with the paedophile ring as it added nothing to the story and seemed revisionist in nature, especially given the recent official report's criticism levied on the corporation for failing to expose Savile's heinous acts.

But I can forgive that and the other indiscretions in the show, as indicated above, when the writing, direction and acting are of as high a standard as this. It may be a cliché, but this is why I pay my licence fee.
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9/10
but why the armed escort?
turnerthemanc29 April 2016
Warning: Spoilers
Quote:"But the unexpected turn of events was when he sent the text message and the chase to try and capture him. Cottan "The Caddy" wasn't going down quietly."

I was gripped, but .........

Why did he have an armed escort?

He comes in for a formal interview. He isn't under caution.

He is then cautioned.

2 armed police on the door, and no one asks why. The whole office, Hastings and Fleming all see he came with an armed police escort.

Arnot and retired Fleming all interviewed in the same office but no armed police

That...I didn't get.
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10/10
Incredible series
nmartin-7557531 July 2019
Just finished watching season 3 and my heart is still racing. Season 1 was good. Seasons 2 and 3 are unbelievable. I need a break before starting season 4. Not sure I can take it.
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10/10
Urgent Exit required! Awesome.
Sleepin_Dragon3 October 2020
Steve is in serious trouble, he's questioned by AC12.

Each series has followed a similar pattern, big complex stories, with a dramatic finale, this takes that same formula, and stretches the boundaries even more.

I won't spend too much time throwing superlatives at this, but I'll use a few, dynamic, exhilarating and high octane. This particular episode feels like a game changer for drama in general, it is sensational viewing.

From that very moment, where the text is sent this transforms from an intense game of cat and mouse, which was tremendous enough, to an action packed thrill fest, which will have you on the edge of your seat, exhausted.

It doesn't letup for a single moment, this is as good as it gets. 10/10.
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10/10
Brilliant end to season 3
cinberas28 April 2016
Warning: Spoilers
What can be said about the last episode of season 3 - only that it was brilliant edge on the seat.

The writers, casts and crew all played their part in creating a great TV show which they should all be proud of.

It didn't look great at first for Arnott, Cottan seemed to have an answer for any questions raised by Arnott during his interrogation. Turning point I think was when Cottan let slipped that it wasn't the note but was left in the envelope but something else. Everything fell silent for a few seconds and that was the start of the downfall of Cottan.

Cottan was still coming across cool and collective and had a suitable response during his interrogation, but you could see things were falling apart (every sip of water he drank, things were going downhill).

But the unexpected turn of events was when he sent the text message and the chase to try and capture him. Cottan "The Caddy" wasn't going down quietly.

I think if they need a female James Bond, they've a good contender in Fleming.

Delighted that they've already announced a season 4 which they'll start filming in August.
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9/10
Best season yet....
ronalamont-9147210 July 2019
Now that I've watched season 3, I'm even more impressed. The decision to shoot it in a more conventional "film narrative" style has totally improved the overall professionalism, enjoyment and production values of the show for me. We can now focus on the actors to convey all the tension, emotion and pathos instead of being distracted and annoyed by the past intrusive "reality tv" camera work which cheapened the quality and direction of the show in my option and made it appear less professional than it deserved to be. The opening episode took us straight into exciting dramatic twists and turns with superb writing and acting and then the following whole season just rocked. However, I was surprised how closely the storyline resembled that of an excellent Welsh TV series (I can't remember the name) but I guess the sad truth is that the same scenario is all too common in real life. I liked the action at the end of the season (although a little over the top perhaps without giving spoilers) and enjoyed watching Fleming come into her own with more confidence even if it was a bit disappointing to watch how it affects her relationship with Arnott. There's such a truth to the way the writer shows this kind of development (in a certain type of person's approach to their career) I almost feel like he is molding her on someone he knows personally. She acts it out superbly. I look forward to seeing how it affects the core group in Season 4. Bringing in elements from previous seasons and constantly expanding on character development makes this a top-notch show indeed. (I made an additional review comment re the "Jimmy Saville" look-alike reference. at the end of season 2's reviews but it was actually meant for season 3).
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10/10
The moment Kate started chasing..
cacards19 January 2019
Warning: Spoilers
I stopped breathing when Kate's on the chase. And nothing comes to mind except "Please don't kill Kate please don't Kate..."

Brilliant series and best episode so far. This is my first review for this show and i can say - if a Hollywood series is rated 10,this is an easy 20.
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10/10
Line of Duty – Series Three
Tweekums30 April 2016
Warning: Spoilers
These comments refer to the entire third series not just this final episode.

As this series opens firearms officer Sgt Danny Waldron chases a suspect down an alleyway before shooting him as he surrenders; he then demands that the rest of his team, who arrived shortly afterwards, to back up his story that he acted in self-defence. Anti-corruption team AC-12 are brought into investigate and soon start to realise that there is something wrong in Sgt Waldron's squad.

One might expect the series to follow this case but it isn't long before things take a dramatic twist; during a raid on a property Sgt Waldron is shot and dies; colleagues claim he shot himself and they did everything he could to stop him. Investigation's into Waldron's life expose a dark past; it emerges that he was at a children's home where abuse took place and it appears that he was hunting down those responsible. It isn't long before it becomes apparent that the abuse involved local politicians, well known celebrities and senior members of the police were involved in a cover-up at the very least. The investigation is further complicated by the fact that a member of the investigating team is the corrupt police officer known as 'The Caddy' and he is doing everything he can to sabotage the enquiry while appearing to appearing to get on with his job. As the series progresses he tries to divert suspicion onto DS Steve Arnott; ultimately trying to frame him for murder.

This was probably the best series of 'Line of Duty' to date. I had feared it was going to be too obvious as we knew the person being investigated was guilty… then we get a genuine surprise as he is killed and the story turns much darker. The return of Keeley Hawes as Linsay Denton, the officer convicted of murder in series two, was welcome and led to several twists. Her return also made it seem likely that it was possible that DS Arnott could successfully be framed. As the series reaches its conclusion the tension increases significantly; so much so that the somewhat melodramatic final scenes can be forgiven. The cast did a fine job; Martin Compston is solid as DS Arnott, Vicky McClure impresses as DC Kate Fleming, Adrian Dunbar is good as Superintendent Ted Hastings but it is Craig Parkinson who stands out as the devious DI Matt 'Dot' Cottan. Overall I'd say that if you watched the opening two series of 'Line of Duty' this is a must; it wraps up some loose ends from before and raises questions that left me keen to see what happens in the next series.
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10/10
Edge of the seat stuff!!!
billy-halliday7 August 2019
What an end to a fantastic series. Amazing TV! 11/10.
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10/10
An emotional roller-coaster
Debajyoti_G2 November 2020
I have hardly ever seen a finale so, so satisfying. This is what you were up for if you've stayed put for 3 seasons . You deserve this ! A perfect 10 for a finale --- rare to find.
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8/10
Of all the seasons so far, this is the best. BUT...
netwriterca10 January 2022
Warning: Spoilers
I loved this season, other than the... Annoying person that every viewer knows "did it" and their smugness. I didn't enjoy their smugness, nor did I find it believable that no one in AC-12 would've picked up on it.

As well, there were key pieces of evidence - actual, real evidence - that would've quite easily had the last person arrested, released. (The size of the accused and the person who "did it" are significantly different, and thus blood spatter patterns would've have clearly shown the difference).

I feel the writers did an excellent job with a complex storyline. That I'm the only one picking up on this, means it wasn't immediately obvious to other fans of this type of sto. Still, it took me out of the story, and I kept finding holes like this that any forensic investigation would uncover pretty quickly.
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6/10
Incompetent Finale Falls Apart in the Last 15 Minutes
spasek17 August 2019
Warning: Spoilers
Up until the last 15 minutes or so of this series, Line of Duty was nearly flawless, giving us intelligent characters and intelligent stories. You can imagine my disappointment when we get neither one at the end of this episode.

Cottan finds himself being investigated, and his fabricated stories begin to unravel at the seams. He doesn't realize that Fleming has already been looking into him since Arnott's arrest. In short, Cottan doesn't see the doors closing on him until it's too late.

Things fall apart from here. Cottan is way up on at least the 2nd floor of station. He has a gunman who is able to take out the other guard, and the two of them flee. I guess in Britain, there are no armed guards in the police stations or where AC-12 is. Okay, I suppose I can let that one go.

Cottan and his fellow gunman flee the building. The only one able to pursue them is Fleming. Yes, in a building filled with officers, she's the only one able to go after him. Oh, and she's able to grab the other guard's automatic weapon. Plausible.

Now, most stations are stacked with communications, able to let officers abroad know when an emergency situation has come about. And yet, we don't even see a single trace of a police officer or car in the chase. Only Fleming...chasing Cottan and the guard on foot after she's able to hitch a ride on a truck for a short distance.

Fleming is finally able to confront Cottan and the gunman. Straight out of Hollywood, she shoots the gunman, and then she and Cottan trade the usual, "Put your gun down!" as they both aim their firearms at each other. What's laughable, in addition to this "stand off" is that Cottan (a veteran officer) is brandishing his weapon with one hand. Given the distance, he had virtually no chance of hitting Fleming. Rather than shoot him, Cottan takes off again.

Fleming chases him down to an intersection under a bridge where Cottan is waiting for his "pick up." Fleming doesn't even bother to take cover. Yeah, by this time, police procedure and training is already long-gone...to the point when things truly become laughable. Yes, I was actually laughing.

Once again, they point their weapons at each other. Fleming tries to reason with Cottan. Of course, this takes enough time for Cottan's ride to come, knock Fleming down, and spirit him away. Finished? Oh, not even! And, BTW, still no other officers or police vehicles anywhere, despite Fleming feeding HQ her location.

The SUV is now driving back and forth until it turns down a side street. Fleming, somehow, is able to still track down a speeding SUV, and even get a shot off from at least 100 yards, and hit the driver, causing the vehicle to crash. If she was this good of shot, she could have used it earlier!

Done? Not yet! She chases down the SUV with Cottan flailing out of the passenger-side brandishing his gun in another stand-off with Fleming. Third time is the charm, eh? Of course, as if it wasn't silly already, the writers took yet another page out of crap-Hollywood. Cottan sees a gunman inside the vehicle with his weapon trained on Fleming. Yes, her training at securing a vehicle with armed gunmen has left her brain. Cottan, of course in very predictable and laughable fashion, pushes Fleming out of the way. He takes the fatal bullet, but not before disclosing the evidence to Fleming before he does die.

When you've seen enough intelligent writing and characters in a series like this one, contrived plot-lines and characters suddenly acting very unintelligently stand out like a sore thumb. It was as if the writers had only outlined what was gong to happen but had no clue how to carry it out. At least there wasn't cheesy dialogue to go with it. Still, the writers clearly dropped the ball big-time with this one.

There's nothing worse than being completely absorbed in a great story with great characters only to have it all fall apart in the end when you're expecting something marvelous.

I'm done with this series. I'm not gong to be duped into another contrived ending with the subsequent seasons. Disappoint me once, shame on you. Disappoint me twice, shame on me. Yeah, that's not going to happen. Now, it's off to find a series where the writers know what they're doing.
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5/10
Acting is good...
resukcs19 August 2020
Warning: Spoilers
...but the plotlines are not.I finished the third episode and my issues to date. In season 1, Tommy is the head of the crime ring and happens to be an avid golfer. AC-12 is investigating him and a squad of dirty cops. Tommy has an informant in the police department called the "caddy". You would think it would be easy to figure out who the caddy is what with Tommy's golf issue. And Dot had been hanging around the course since he was a kid. But nobody puts it all together.. In season 2, Dot joins AC-12 even though he was a member of the squad of dirty cops. That doesn't make any sense . In season 3, Dot frames Hari claiming he beat him at an abandoned warehouse. Hari denies it. But nobody looks at Hari's knuckles to see if they are hurt and nobody checks out the DNA from the handcuffs Dot was wearing and which he hit himself with. Again, a pretty basic and easy procedure to get at the truth. Finally, Dot tells the woman to let him and nobody else know the results of the forensics. Then she goes on sick leave. But Steve dawdles around for a week or two never asking about the forensics results. As a result, the cops in this show are some of the most inept ever. The scriptwriter could do a much better job.
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10/10
One of the Best Episodes of TV Ever
ruchan17 June 2021
I am a fan of crime shows and this season and the final episode of this particular season was one of the best tv I have ever seen.

The way they build up the tension, the final ten minutes of chase, the ending... I am speechless.
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10/10
May still be high from it but the greatest episode in television history that I can remember
thomasedwardscott11 June 2020
Didn't flick away from the screen in the whole hour thirty, episode alone worth all recent investment in the show.
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10/10
Exceptional acting and writing!
tichelle7712 January 2022
The actress who plays Kate Fleming made this finale exceptional! Her acting was brilliant and believable to the end. One of the best season finales I've ever seen.
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10/10
Outstanding!
elenastimson12 May 2021
Absolutely brilliant episode, on the edge of the seat the whole time.
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8/10
So......
Natefan26 October 2021
Warning: Spoilers
SPOILER ALERT!!!!

So....let me get this straight. Kate is hit by a car and has the wherewithal and the strength to not only keep pursuing the suspect but to run after the suspect. RUN. Reminds me of Gilda in Rigoletto who, after being stabbed, can sing an extended duet with daddy. I'm not necessarily looking for reality in my TV viewing (if I want reality, I'll open the front door).......but come on!!
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10/10
Amazing stuff
hassan_afzal9311 August 2021
This episode is up there with the greats in television history, it had everything!

WOW JUST WOW!
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10/10
Captivating finish to the series 3
snoozejonc24 March 2023
Dot continues his attempts to stitch up Steve Arnott.

This is a wonderfully tense episode that just about ends the series perfectly.

Again there is virtually nothing about the story I can mention without spoiling, but will say that it has a bit of everything and all the key characters contribute.

It's amazing how much gripping drama can be generated by a few conversations between various characters. 90% of the episode is simply people talking to each other. The main attractions for me in all episodes of Line of Duty are the interrogation scenes and this has two of the best I've seen so far. They are brilliantly written and acted verbal exchanges, portraying a great battle of wits between honesty and dishonesty.

There are aspects of the episode that are sensationalised, action-heavy and somewhat implausible, but for me it has no great negative effect on the viewing experience if you apply the right level of suspension of disbelief. This is fictional storytelling and I think it helps not to take it more seriously than you should.

The actors are all excellent, with Craig Parkinson, Martin Compston, Vicky McClure, and Adrian Dunbar doing justice to great material.

For me it's a 9.5/10, but I round upwards.
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10/10
Writing in S3 finale is incredible
amickmt-7455216 June 2022
100% of this episode was great detailed plot and drama. I can't imagine a better job writing, acting, and directing. Nice to have shows this intelligent, most are British. Bravo.
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4/10
Silly finale fails in an attempt to tick boxes
Jim-Eadon3 May 2016
Warning: Spoilers
The last episode was daft after admirable previous episodes. The opening episode was a cracker, it was a shame the bent copper in that was killed off, he was interesting. Cottan was also a great character before this episode that didn't ring true. If he went to extremes to ensure a getaway then surely knew the game was up (as any fool would), so why expose himself to such risks? Mind you, I was almost cheering him on instead of the smug AC12 trio, a sign that the show has taken a wrong turn somehow. I used to like the brunette, Fletcher? But the show decided to transform her from a shrewd, ballsy yet vulnerable undercover operative into some kind of action super-heroine, mysteriously able to keep up with a getaway car on foot. The finale lacked any tension whatsoever in attempting to be what it is not. It was as if marketers said, hey, lets make it Columbo meets 24 and wrote the last episode in an attempt to "tick boxes", something the show itself ironically rightly mocks. Action heroine saves the day "tick", villain takes a bullet in a kind of redemption "tick", car chase (with only one car!) tick! Gun fight in headquarters "Tick". The show became corrupted.
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1/10
Good episode with an awful ending
ifahadmannani7 January 2021
Warning: Spoilers
The majority of this episode is composed of the main cast following through procedures we've seen before, except with Arnott and Dot in the spotlight; this section was well done, showing the extent of Dot's planning as well as what Flemming and Hastings have been doing behind the scenes. As the episode runs, things look progressively more bleak for Arnott until the tables turn on Dot. We proceed to watch as pressure his piled on him non-stop, until he cracks and begins his emergency exit. This is where the idiocy begins.

As Dot goes on the run, Flemming begins to chase him down. For some reason, she seems to be the only one to be chasing him even though the escape begun at the AC12 building. She chases on foot with a rifle, and repeatedly aims at civilians during her chase. Eventually Dot gets in his escape car and gets some distance on Kate, but Kate figures out where his car is going to pass in a few moments time. She then proceeds to shoot a single bullet from around 150 metres with a gun with no sights, and hits the driver ( the exact target she wanted to hit) as the car is moving fairly fast...

The car ends up crashing, and Kate catches up. One of Dot's passengers prepares to shoot Kate but Dot takes the bullets for her... . The criminal genius who dedicated his entire life to being a criminal within the force , from the first 3 seasons who has meticulously planned everything for years, killing loads of people and police officers along the way, decides to give up everything he ever worked for all for a woman who he has hung out with a handful of times... ( his main motivation for hanging out with her was to meddle with her relationship with Arnott ). So a truly awful ending to what would've otherwise been a good episode, instead it has damaged the whole season.
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4/10
Jumped the Shark
Warin_West-El20 May 2023
Warning: Spoilers
What started out as a multi-layered, engaging season ended with a highly unrealistic super-heroine finish that ruined the story.

FIRST

Throughout the latter part of this episode, Steve Arnott is portrayed as a total idiot. Not only is he totally manipulated by Lindsey Denton. He fails to rally to his own defense and connect the dots (pun intended) on Cotton.

Steve discovers that Cotton has been withholding information. Does he report that to anyone in AC-12? NO.

SECOND

Maneet Bindra knows that DI Cotton has asked her to do something against regs. Does she tell Superintendent Hastings? Or Steve Arnott? NO.

THIRD

Where were the police during the final chase sequence? AC-12 has been shot up. In real life, the whole squad would have taken to their cars and been chasing down the offenders. In real life, if you shoot up a police station, those guys take it personally. But we're supposed to believe the ONLY person comprehensive enough to apprehend the suspect is one lone woman. Get serious.

FOURTH

The magic bullet: Kate fires a shoot from at least 100 yards away at a passing car and manages to time the shot perfectly to disable the driver. Anyone who has firearms experience knows that's an impossible shot. If the car was driving directly towards Kate, that might have been believable. But a target moving horizontally? NO.

Have you ever seen movies about snipers? They use a spotter to gauge wind speed, distance and turbulence. But here we have Super Kate firing the magic bullet.

SUMMARY

IMHO, this finale was a decidedly anti-male scenario. Essentially, the female character rescues an inept and psychologically incompetent male character: Steve Arnott. The last 15 minutes were SO over-the-top, the ending became heavy-handed and downright preachy. The only thing missing was Helen Reddy singing "I Am Woman" during the chase sequence.

A woman with super powers is totally acceptable in a Marvel superhero series. But that fantasy paradigm was totally incongruent with a series founded upon pragmatic police procedure.

The filmmakers jumped the shark!
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