Director and writer Scooter McCrae made this short in 2015 and it's been the last film he's put out. It makes you hungry for something else because it's just so effective in this short form and McCrae needs to keep on making his incredibly vital and unique films.
W. A. V. E. Starlet - and maker of the incredible Limbo - Tina Krause is Carla, a sex worker who has been invited into the room of Shelley, played by Melanie Gaydos, the Dark Angel from Insidious: The Last Key and Jug in Vesper; Gaydos was born with ectodermal dysplasia, a series of rare genetic disorders that affects the development of skin, hair and nails. Additionally, she is partially blind. Beyond acting, she has modeled and is in two videos for the band Rammstein. Her voice in this is by Archana Rajan.
As the two engage in wordplay that goes from foreplay to near combat, Shelley relates her origins and how she has come to be who and what she is, all while both women appear in states of undress. Her body is covered in scars no one should survive, like an autopsy slice through her chest and a head that's barely stapled together. Yet as these two dance with words, it all builds to a dark conclusion.
As Russ Meyer once said, "While violence cloaks itself in a plethora of disguises, its favorite mantle still remains...sex." McCrae's films depict dead worlds on the very precipice of destruction, overstimulated characters dealing with too much death, too much pain and way too much desire. This is no different yet so much more assured.
Also: A Fabio Frizzi score!
This was originally intended to be in the film Betamax but it was turned into a short all on its lonesome. It's near perfect, a staggering work that I can't wait to see more of.
W. A. V. E. Starlet - and maker of the incredible Limbo - Tina Krause is Carla, a sex worker who has been invited into the room of Shelley, played by Melanie Gaydos, the Dark Angel from Insidious: The Last Key and Jug in Vesper; Gaydos was born with ectodermal dysplasia, a series of rare genetic disorders that affects the development of skin, hair and nails. Additionally, she is partially blind. Beyond acting, she has modeled and is in two videos for the band Rammstein. Her voice in this is by Archana Rajan.
As the two engage in wordplay that goes from foreplay to near combat, Shelley relates her origins and how she has come to be who and what she is, all while both women appear in states of undress. Her body is covered in scars no one should survive, like an autopsy slice through her chest and a head that's barely stapled together. Yet as these two dance with words, it all builds to a dark conclusion.
As Russ Meyer once said, "While violence cloaks itself in a plethora of disguises, its favorite mantle still remains...sex." McCrae's films depict dead worlds on the very precipice of destruction, overstimulated characters dealing with too much death, too much pain and way too much desire. This is no different yet so much more assured.
Also: A Fabio Frizzi score!
This was originally intended to be in the film Betamax but it was turned into a short all on its lonesome. It's near perfect, a staggering work that I can't wait to see more of.
