Follows Lucy and Desi as they face a crisis that could end their careers--and another that could end their marriage.Follows Lucy and Desi as they face a crisis that could end their careers--and another that could end their marriage.Follows Lucy and Desi as they face a crisis that could end their careers--and another that could end their marriage.
- Nominated for 3 Oscars
- 13 wins & 60 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPrior to filming, Lucie Arnaz (daughter of Lucille Ball and Desi Arnaz) had told writer/director Aaron Sorkin that it was okay to make Lucille stubborn and headstrong in the movie, as this was how she was in real life. After seeing the movie, Arnaz released a video on her YouTube Channel on 17 October 2021, in which she called the movie "freaking amazing." She complimented Sorkin for making a great movie that really captured the time period and had wonderful casting. She also said that Nicole Kidman "became my mother's soul." She also said that Javier Bardem didn't look like her dad but, "he has everything that dad had. He has his wit, his charms, his dimples, his musicality."
- GoofsThe movie portrays Lucy's contract at RKO being dropped after her performance in The Big Street (1942) and has RKO's head of production state that at 39 years old she should try radio. In reality Lucy was only 31 when "The Big Street" was released in 1942. Her contract was not dropped by RKO, but rather bought out by MGM, who was impressed by her performance. While working for MGM, Lucy became a redhead. She remained under contract to them until 1946. Additionally, Lucy did not seek out radio until 1948 while concurrently working in movies as a freelance actress.
- Quotes
Lucille Ball: I am the biggest asset in the portfolio of the Columbia Broadcasting System. The biggest asset in the portfolio of Philip Morris Tobacco, Westinghouse. I get paid a fortune to do exactly what I love doing. I work side by side with my husband, who's genuinely impressed by me. And all I have to do to keep it is kill every week for 36 weeks in a row. And then do it again the next year.
- ConnectionsFeatured in The Late Show with Stephen Colbert: Javier Bardem/Gang of Youths (2021)
- SoundtracksShe Could Shake the Maracas
Written by Lorenz Hart, Richard Rodgers
Produced by Michael Andrew
Performed by Javier Bardem with The Michael Andrew Orchestra
Featured review
Either I know more about Lucille Ball and Ricky Ricardo than their children do, or their children, being investors in this film, didn't care what Aaron Sorkin wrote.
Of course, there is such a thing as dramatic license - okay. However, this went above and beyond. I will cite a few things here, but by no means ALL:
Ricky and Lucy didn't meet the way as shown in the film. Lucille showed up at a rehearsal to say hello to the director of whatever movie Ricky was doing, and she was a mess from her previous film, all as shown. When she came back another time, Ricky didn't realize it was the same woman. When he did, he said, "That's a hunk of woman!"
Immediately before the filming of episode 68 ("The Girls Go Into Business") of I Love Lucy (which did not include fixing Fred up with a woman), Desi Arnaz, instead of his usual audience warm-up, told the audience about Lucille and her grandfather. Reusing the line he had first given to Hedda Hopper in an interview, he quipped:
"The only thing red about Lucy is her hair, and even that is not legitimate."
Lucille Ball was 31 when she made the Big Street at RKO, not 39. RKO had suspended her when she refused to be billed fourth in a film. Her good reviews for The Big Street brought a better offer from MGM.
What was the deal with mentioning Judy Holliday? Holliday wasn't around, even on Broadway, until the mid-40s and didn't make a splash in film until circa 1949. She was no rival to Lucille Ball.
Jean Arthur and Barbara Stanwyck were sought for The Big Street; Runyon insisted on Ball.
Aaron Sorkin's script is a muddled mess, combining the Communist scare and little Ricky's birth, which happened in two different years. The result for me anyway is that they both got lost amid Lucy's staging of one scene in the show, which was episode 22, not 37.
Also, in real life, Lucille Ball was referred to as Lucille, not Lucy.
Regarding the performances, I thought Nicole Kidman had the voice and personality down flat. As far as her face being frozen, I'm not sure that much makeup was necessary. Bardem looks nothing like Arnaz, so why the pressure to have Kidman look exactly like Lucy? She had the hair, the eyes, the voice, the essence. A little less makeup would have been fine.
I know people say she was miscast because they wanted a lookalike. Debra Messing would have been fine for the "I Love Lucy" part but she is not the actress that Kidman is. Bardem was excellent. J. K. Simmons and Nina Arianda were fabulous as Fred and Ethel. Actually the whole cast was excellent and totally wasted.
Of course, there is such a thing as dramatic license - okay. However, this went above and beyond. I will cite a few things here, but by no means ALL:
Ricky and Lucy didn't meet the way as shown in the film. Lucille showed up at a rehearsal to say hello to the director of whatever movie Ricky was doing, and she was a mess from her previous film, all as shown. When she came back another time, Ricky didn't realize it was the same woman. When he did, he said, "That's a hunk of woman!"
Immediately before the filming of episode 68 ("The Girls Go Into Business") of I Love Lucy (which did not include fixing Fred up with a woman), Desi Arnaz, instead of his usual audience warm-up, told the audience about Lucille and her grandfather. Reusing the line he had first given to Hedda Hopper in an interview, he quipped:
"The only thing red about Lucy is her hair, and even that is not legitimate."
Lucille Ball was 31 when she made the Big Street at RKO, not 39. RKO had suspended her when she refused to be billed fourth in a film. Her good reviews for The Big Street brought a better offer from MGM.
What was the deal with mentioning Judy Holliday? Holliday wasn't around, even on Broadway, until the mid-40s and didn't make a splash in film until circa 1949. She was no rival to Lucille Ball.
Jean Arthur and Barbara Stanwyck were sought for The Big Street; Runyon insisted on Ball.
Aaron Sorkin's script is a muddled mess, combining the Communist scare and little Ricky's birth, which happened in two different years. The result for me anyway is that they both got lost amid Lucy's staging of one scene in the show, which was episode 22, not 37.
Also, in real life, Lucille Ball was referred to as Lucille, not Lucy.
Regarding the performances, I thought Nicole Kidman had the voice and personality down flat. As far as her face being frozen, I'm not sure that much makeup was necessary. Bardem looks nothing like Arnaz, so why the pressure to have Kidman look exactly like Lucy? She had the hair, the eyes, the voice, the essence. A little less makeup would have been fine.
I know people say she was miscast because they wanted a lookalike. Debra Messing would have been fine for the "I Love Lucy" part but she is not the actress that Kidman is. Bardem was excellent. J. K. Simmons and Nina Arianda were fabulous as Fred and Ethel. Actually the whole cast was excellent and totally wasted.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Lucy and Desi
- Filming locations
- RMS Queen Mary - 1126 Queens Highway, Long Beach, California, USA(Ricky's club interior)
- Production companies
- See more company credits at IMDbPro
- Runtime2 hours 11 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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