Directed by
| Laura Poitras | ||
Writing Credits (in alphabetical order)
| Jonathan Oppenheim | ... | (story consultant) |
| Laura Poitras | ... | (narration) |
Cast (in credits order)
Produced by
| Michael Bloom | ... | executive producer |
| Josh Braun | ... | executive producer |
| Charlotte Cook | ... | executive producer |
| Brenda Coughlin | ... | producer |
| Sam Esmail | ... | executive producer |
| Yoni Golijov | ... | producer |
| Jonah Greenstein | ... | co-producer |
| Kirsten Johnson | ... | co-producer |
| Melody London | ... | co-producer |
| Vinnie Malhotra | ... | executive producer |
| David Menschel | ... | executive producer |
| Anne Neczypor | ... | co-producer |
| Adam Pincus | ... | executive producer |
| Laura Poitras | ... | producer |
| AJ Schnack | ... | executive producer |
| Katy Scoggin | ... | co-producer |
| Jess Search | ... | executive producer |
| Pandora Zolotor | ... | line producer: germany |
Music by
| Jeremy Flower | ||
Cinematography by
| Kirsten Johnson | ||
| Laura Poitras | ||
| Katy Scoggin | ||
Editing by
| Erin Casper | ||
| Melody London | ||
| Laura Poitras | ||
Production Management
| Anne Neczypor | ... | post-production supervisor |
Sound Department
| Wellington Bowler | ... | sound recordist |
| Andy Hoare | ... | sound recordist |
| Michael Kurihara | ... | supervising sound editor |
| Michael McMenomy | ... | sound editor |
| Bryn Neuenschwander | ... | project manager |
| Laura Poitras | ... | sound recordist |
| Jay Rubin | ... | head of sound department: for Technicolor-Postworks |
| Chris White | ... | adr recordist |
| Farihah Zaman | ... | sound recordist |
Visual Effects by
| Brian Keefe | ... | visual effects artist |
| Killian Manning | ... | visual effects |
| Benjamin Murray | ... | DI supervising conform editor |
| Neil Reynolds | ... | visual effects |
Camera and Electrical Department
| Nadia Hallgren | ... | additional camera |
| Neil Harvey | ... | additional camera |
| Henrik Moltke | ... | additional camera |
| Jose Passarelli | ... | additional camera |
| Juan Luis Passarelli | ... | additional camera |
| Lukasz Raczylo | ... | additional camera |
| Ryan Scafuro | ... | additional camera |
| Katy Scoggin | ... | additional camera |
| Tom Swindell | ... | additional camera |
Editorial Department
| Ra'anan Alexandrowicz | ... | story consultant |
| Allie Ames | ... | colorist / digital intermediate colorist |
| Joe Beirne | ... | chief technology officer: for Technicolor-Postworks |
| Mathilde Bonnefoy | ... | additional editor |
| Christina Burchard | ... | editorial department |
| Isabel Cafaro-Anderson | ... | digital intermediate producer |
| Jeff Cornell | ... | digital intermediate conform editor |
| Kate Crawford | ... | creative consultant |
| Christina Delerme | ... | digital intermediate producer |
| Maria Frycz | ... | post-production coordinator |
| Zac Gobetz | ... | conform editor |
| Jonah Greenstein | ... | additional editor / post-production coordinator |
| Joey Handy | ... | digital intermediate producer |
| Clark Henderson | ... | svp theatrical services: for Technicolor-Postworks |
| Sabine Hoffman | ... | supervising editor |
| Keith Jenson | ... | digital intermediate conform editor |
| Tom Knight | ... | assistant editor |
| Jack Lewars | ... | additional colorist |
| Cara Manise | ... | post producer |
| Benjamin Murray | ... | supervising conform editor |
| Jonathan Oppenheim | ... | creative consultant |
| Jean Tsien | ... | consulting editor |
Music Department
| Barry Cole | ... | music supervisor |
| Jeremy Flower | ... | composer: theme music |
Additional Crew
| Rooj Alwazir | ... | translation |
| Iddo Arad | ... | legal counsel: for Praxis Films, Inc. |
| Kate Coe | ... | archival research and clearances |
| Will Fitzpatrick | ... | general counsel: for First Look Media |
| Ben Garchar | ... | technical coordinator: Field of Vision |
| Ibraheem Khan | ... | production assistant (as Brahim Buhaia Ali) |
| Mackenzie Lukenbill | ... | data manager: for Field of Vision (as Mark Lukenbill) |
| Danielle Mackey | ... | researcher |
| Henrik Moltke | ... | researcher |
| Megan Nolan | ... | production assistant |
| Lynn Oberlander | ... | general counsel |
| Charlie Olsky | ... | production publicist |
| William Palmer | ... | production assistant |
| Andreas Pense | ... | legal counsel: for Praxis Films Berlin GmbH |
| Jenny Perlin | ... | researcher |
| Sierra Pettengill | ... | archival research and clearances |
| Bryce Renninger | ... | editorial manager: for Field of Vision |
| Rosemary Rotondi | ... | researcher |
| Claudia Tomassini | ... | production publicist |
| Ryan Werner | ... | production publicist |
| Nancy Willen | ... | production publicist |
| Maura Wogan | ... | legal counsel: for Praxis Films, Inc. |
| Farihah Zaman | ... | production manager: for Field of Vision |
| Pandora Zolotor | ... | production accountant |
Thanks
| Joslyn Barnes | ... | special thanks |
| Josh Begley | ... | special thanks |
| Joe Beirne | ... | special thanks |
| Beadie Finzi | ... | special thanks |
| Yance Ford | ... | special thanks |
| Maxyne Franklin | ... | special thanks |
| Rebecca Lichtenfeld | ... | special thanks |
| Greg MacLennan | ... | thanks |
| Elise McCave | ... | special thanks |
| Cara Mertes | ... | special thanks |
| Henrik Moltke | ... | special thanks |
| Tony Tabatznik | ... | special thanks |
| Nathan Truesdell | ... | thanks |
| Sandra Whipham | ... | special thanks |
