Another wonderful and uplifting adventure with the adored blue robotic cat and his pal Nobita is presented in Doraemon: Nobita's Space Heroes. The film, which was directed by Yoshihiro Osugi, combines inventive storytelling with a powerful emotional core to transport viewers on a cosmic adventure. Film themes of friendship, bravery, and the value of self-belief are skillfully woven in as Nobita and his buddies set out on a space expedition to rescue a far-off planet. Longtime fans and beginners alike will enjoy how vividly the animation brings to life the spirit of Fujiko F. Fujio's original characters. A lovely experience for viewers of all ages, the movie perfectly balances heartfelt moments with humor.
2 Reviews
Entertaining premise held back by a mediocre story and characterization
albertonykus10 March 2024
Warning: Spoilers
In this movie, Nobita and his friends film a superhero movie, but are then mistaken for actual superheroes. Right off the bat, the premise of this film is an appealing one. Considering that this group of kids and their robot caretaker have saved the world multiple times over, they're practically an honorary superhero team already. Give them actual superpowers, and you have a recipe for a fun movie.
In practice, well... the best thing I can say about this film is that it's a pretty good ensemble showcase for the protagonists. Every member of the main cast contributes substantially during the action scenes here (except for Nobita until near the end, but being something of a failure is one of his core character traits). Having the main characters sing the show's theme song is also very cute.
However, the overall story comes across as rather haphazard. Like several other Doraemon films that I don't rate highly, parts of this movie's plot rely on incredibly convenient coincidences. For example, Nobita happens to stumble into the heart of the villains' lair (losing the superhero suit that grants him his powers along the way), where he passes out. When he wakes up, he happens to overhear a minion explaining the villains' plan to a clueless colleague nearby. (Nobita sure was lucky that they didn't choose to pass by when he was still unconscious!) Meanwhile, his super suit happens to get picked up by Doraemon and Shizuka, who were investigating a completely different location at the time.
Then there's the fact that during the final battle, several main characters gain power-ups with little explanation, in some cases barely struggling to defeat enemies that had previously bested them easily. The most we get is an offhand line from Doraemon saying that the protagonists still hadn't used the "full power" of their super suits by that point. You're telling me that none of them, not even impulsive, belligerent Gian, had tried using their suits at full power, despite encountering potentially life-threatening situations? I find that difficult to believe.
In addition, the movie has trouble providing closure to major plot elements. Most notably, what became of the villains in the end is never addressed. They are defeated in battle, yes, but then what? Did they get imprisoned somewhere, or are they free to sneak off and continue their nefarious deeds elsewhere? Another example of a forgotten story thread concerns the argument that Doraemon and Gian have in the beginning over who should play the heroes' leader in their movie. Suneo convinces Gian to stand down by telling him that they can simply request the burger-shaped robot directing their film to edit Gian in as the leader during post-production. One might expect this little scheme to come up again later, if only as an ending gag, but nope. In fact, the entire filmmaking subplot is essentially forgotten about once the actual superhero antics begin.
Speaking of the Burger Director robot, he forms a bond with Shizuka reminiscent of her relationship with the Underwater Buggy in Nobita and the Castle of the Undersea Devil (1983). (In some ways an appropriate parallel, given that the Burger Director represents another instance where one of Doraemon's gadgets is a full-fledged movie character.) However, whereas the Underwater Buggy warmed up to Shizuka specifically because she was nice to him, the Burger Director does so because... he favors girls, apparently. Okay then. This development certainly doesn't result in any payoff comparable to the ending of the Underwater Buggy's arc.
Another odd bit of characterization is that Shizuka acts offended when the others praise her super-suit-augmented strength. Other entries in the franchise have shown that Shizuka strives to maintain a "refined" image of herself, but if there's anything that image consistently doesn't include, it's coming across as weak and delicate. This is the same girl who thought that beating up a gorilla with Super Gloves (in Nobita and the Haunts of Evil, 1982) was thrilling, after all.
In practice, well... the best thing I can say about this film is that it's a pretty good ensemble showcase for the protagonists. Every member of the main cast contributes substantially during the action scenes here (except for Nobita until near the end, but being something of a failure is one of his core character traits). Having the main characters sing the show's theme song is also very cute.
However, the overall story comes across as rather haphazard. Like several other Doraemon films that I don't rate highly, parts of this movie's plot rely on incredibly convenient coincidences. For example, Nobita happens to stumble into the heart of the villains' lair (losing the superhero suit that grants him his powers along the way), where he passes out. When he wakes up, he happens to overhear a minion explaining the villains' plan to a clueless colleague nearby. (Nobita sure was lucky that they didn't choose to pass by when he was still unconscious!) Meanwhile, his super suit happens to get picked up by Doraemon and Shizuka, who were investigating a completely different location at the time.
Then there's the fact that during the final battle, several main characters gain power-ups with little explanation, in some cases barely struggling to defeat enemies that had previously bested them easily. The most we get is an offhand line from Doraemon saying that the protagonists still hadn't used the "full power" of their super suits by that point. You're telling me that none of them, not even impulsive, belligerent Gian, had tried using their suits at full power, despite encountering potentially life-threatening situations? I find that difficult to believe.
In addition, the movie has trouble providing closure to major plot elements. Most notably, what became of the villains in the end is never addressed. They are defeated in battle, yes, but then what? Did they get imprisoned somewhere, or are they free to sneak off and continue their nefarious deeds elsewhere? Another example of a forgotten story thread concerns the argument that Doraemon and Gian have in the beginning over who should play the heroes' leader in their movie. Suneo convinces Gian to stand down by telling him that they can simply request the burger-shaped robot directing their film to edit Gian in as the leader during post-production. One might expect this little scheme to come up again later, if only as an ending gag, but nope. In fact, the entire filmmaking subplot is essentially forgotten about once the actual superhero antics begin.
Speaking of the Burger Director robot, he forms a bond with Shizuka reminiscent of her relationship with the Underwater Buggy in Nobita and the Castle of the Undersea Devil (1983). (In some ways an appropriate parallel, given that the Burger Director represents another instance where one of Doraemon's gadgets is a full-fledged movie character.) However, whereas the Underwater Buggy warmed up to Shizuka specifically because she was nice to him, the Burger Director does so because... he favors girls, apparently. Okay then. This development certainly doesn't result in any payoff comparable to the ending of the Underwater Buggy's arc.
Another odd bit of characterization is that Shizuka acts offended when the others praise her super-suit-augmented strength. Other entries in the franchise have shown that Shizuka strives to maintain a "refined" image of herself, but if there's anything that image consistently doesn't include, it's coming across as weak and delicate. This is the same girl who thought that beating up a gorilla with Super Gloves (in Nobita and the Haunts of Evil, 1982) was thrilling, after all.
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