"Ófærð" Episode #1.10 (TV Episode 2016) Poster

(TV Series)

(2016)

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8/10
The Depravity of a Sleepy Little Town
lavatch30 July 2019
Warning: Spoilers
In this concluding episode of the series, Andri appears to have hit rock bottom, when, after arresting his father-in-law for the murder of the mayor, he receives a tongue-lashing from his ex-wife and is booted out of the house. The wife admonishes him for not exonerating the old man and covering up the crime, then takes the children away with her to live with her new boyfriend.

The backstory of the murder of Geirmundur is that he had raped Maria, and the result was the little boy Maggi. The crooked police chief (and later the mayor) Hrafn let Geirmundur off the hook on the condition that he set fire to the factory. After setting the building ablaze, Geirmundur rescued Hottir from the conflagration. They both skidaddled to Spain. When Geirmundur returns to the town, he breaks in on Maria, and she stabs him in self-defense. That incident was covered up by the oligarchs.

There is a poignant moment in this episode when the police officer Henrike confronts the local hotel proprietor, accusing him of enabling human trafficking and abetting murder in a "sleep little town." The multiple homicides in the town, along with corruption and the human trafficking, were not the plans of a diabolical monster, but rather by rather ordinary people within an ordinary community. The sins of the past are denoted in the act of arson that took the life of a young woman. It appeared that in trying to bury a crime of the past, select residents became enmeshed more deeply in amoral wrongdoing.

The culminating sequence is ironically a return to the site of the fish warehouse where the original fire took place. It is there that a reckoning finally occurs with the forces of evil that boiled to the surface in the story of a sleepy little town.
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S1: Slow paced but satisfying crime drama
bob the moo22 September 2019
Trapped was one of those shows that sat on my "should watch" list for many years - the shows that I hear good things and am sure I'll enjoy it, but yet know that it will probably not be as "easy" as some other shows I want to watch. Hence it sits. Eventually I got to it, and it was what I expected in that it was a harder show to watch that something slicker and easier, but at the same time it was engaging and satisfying on its own terms.

As a crime drama, it is well constructed in that it starts with one central murder, and draws in other issues and histories as we go. This structure means we know characters through the main thread, and then care when they are drawn in other directions or when things happen. It works well and in the end comes full circle in a way that feels tidy and satisfying, but not forced or trite. The pace is slow as you would expect from a Nordic/BBC4 show; it is a little difficult at times but mostly it justifies it by being a slow burn - not just slow then having occasional action. This suits the location which is well used throughout.

The cast do well with the material, although the standouts were of course being the bear-like presence of Ólafsson, and the much more interesting character from Kristjánsdóttir. Support is roundly good, but these are the two that drive the show. Direction and general production is very good, and mostly the writing balances the many moving parts - only occasionally letting us see a plot device as being just that. Overall it is a slow but roundly satisfying season - it didn't thrill me or make me want to rush back for the second season, but it worked well for what it did.
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