Bitter Lake
- 2015
- 2h 16m
IMDb RATING
8.1/10
3.5K
YOUR RATING
An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.
- Awards
- 1 win & 1 nomination
Photos
George Bush
- Self
- (archive footage)
George W. Bush
- Self
- (archive footage)
Joanne Herring
- Self
- (archive footage)
Hamid Karzai
- Self
- (archive footage)
Mike Martin
- Self - Captain - British Army, Helmand 2008-2009
- (as Dr. Mike Martin)
Ronald Reagan
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- ConnectionsFeatures Blue Peter (1958)
Featured review
Slow and somewhat murky, but definitely worthwhile
Bitter Lake is a complex, intriguing yet at times confused history of UK and US interference in Afghanistan over the past several decades.
The basic premise is that Western errors in the Middle East stem largely from an early accord struck by FDR with Saudi Arabia at the eponymous Bitter Lake on the Suez Canal, just after World War II. This support of Saudi Arabia, Curtis contends, indirectly led to the promotion of fundamentalist factions that have subsequently generated much of the violence in the Middle East, culminating in the ISIS movement today.
It's an interesting point of view, and Curtis supports it with plenty of detail. The pay off comes when he uses this perspective to explain more recent events. For example, he shows why the 9/11 attackers, as well as Osama Bin Laden, all had a Saudi background. It's a connection that's been largely forgotten in Western media, and which I had never seen properly explained.
Curtis succeeds even better at depicting the endless conflicts in Afghanistan as they must appear from the Afghan point of view. He argues convincingly that Western troops have been fighting a shadow war, engaging in the wrong battles, with the wrong foes, based on misguided objectives and a total lack of understanding of the fractured Afghan social structure. "There is something else out there, but we just don't have the apparatus to see it," says Curtis.
Less effective is Curtis' tendency to frame all this in terms of good intentions that have almost certainly never existed at the highest levels of US or UK power. It may be that the troops and functionaries sent in to Afghanistan believed they were "creating democracy," but it's highly implausible that the White House or the Pentagon - or Downing Street - ever believed anything so naive and altruistic.
The film is also weakened structurally by its needlessly slow pace, and by the inclusion of long stretches of video footage with no narration, which add little to our understanding. It's often not clear exactly what we're watching. Some segments - such as several minutes of a soldier playing with a tame bird - serve no purpose whatsoever, and should have been left on the cutting room floor.
Nonetheless, Bitter Lake is well worth seeing, for the alternative, worm's-eye view it gives us of the endless conflict in Afghanistan. It's as if the film had been made by Afghans, to help us understand the unwarranted and wantonly destructive interventions that have been conducted by our governments in this distant and very alien country.
The basic premise is that Western errors in the Middle East stem largely from an early accord struck by FDR with Saudi Arabia at the eponymous Bitter Lake on the Suez Canal, just after World War II. This support of Saudi Arabia, Curtis contends, indirectly led to the promotion of fundamentalist factions that have subsequently generated much of the violence in the Middle East, culminating in the ISIS movement today.
It's an interesting point of view, and Curtis supports it with plenty of detail. The pay off comes when he uses this perspective to explain more recent events. For example, he shows why the 9/11 attackers, as well as Osama Bin Laden, all had a Saudi background. It's a connection that's been largely forgotten in Western media, and which I had never seen properly explained.
Curtis succeeds even better at depicting the endless conflicts in Afghanistan as they must appear from the Afghan point of view. He argues convincingly that Western troops have been fighting a shadow war, engaging in the wrong battles, with the wrong foes, based on misguided objectives and a total lack of understanding of the fractured Afghan social structure. "There is something else out there, but we just don't have the apparatus to see it," says Curtis.
Less effective is Curtis' tendency to frame all this in terms of good intentions that have almost certainly never existed at the highest levels of US or UK power. It may be that the troops and functionaries sent in to Afghanistan believed they were "creating democracy," but it's highly implausible that the White House or the Pentagon - or Downing Street - ever believed anything so naive and altruistic.
The film is also weakened structurally by its needlessly slow pace, and by the inclusion of long stretches of video footage with no narration, which add little to our understanding. It's often not clear exactly what we're watching. Some segments - such as several minutes of a soldier playing with a tame bird - serve no purpose whatsoever, and should have been left on the cutting room floor.
Nonetheless, Bitter Lake is well worth seeing, for the alternative, worm's-eye view it gives us of the endless conflict in Afghanistan. It's as if the film had been made by Afghans, to help us understand the unwarranted and wantonly destructive interventions that have been conducted by our governments in this distant and very alien country.
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- Feb 1, 2015
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Adam Curtis: Bitter Lake
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 16 minutes
- Color
- Aspect ratio
- 1.78 : 1
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