Following the hustle and bustle of the extended, Thanksgiving weekend it makes sense this weekend would be a bit quieter. Set to repeat atop the weekend box office is Disney's Moana followed once again by WB's Fantastic Beasts and Where to Find Them as the rest of the field settles in below. The weekend features one new wide release in Bh Tilt's Incarnate, offering horror fans a little something as the lone horror film currently in wide release, while Freestyle issues the moderate release of the faith-based feature Believe. At the top, Moana should drop somewhere around 54% from its $56.6 million three-day weekend for a second weekend around $26 million pushing its domestic cume a couple million shy of $120 million by the end of the weekend. For comparison, Frozen dipped 53% following its record-breaking three-day wide release and Tangled dipped 55.7% after its $48.7 million Thanksgiving weekend three-day debut. In the runner-up position, Fantastic Beasts and Where to Find Them...
- 12/1/2016
- by Brad Brevet <mail@boxofficemojo.com>
- Box Office Mojo
On set: Vincent Garenq (right) directs Daniel Auteuil in Kalinka Photo: Unifrance
It is based on an extraordinary real-life case involving a father’s enduring love for his daughter. Vincent Garenq’s Kalinka (known in France as Au Nom De Ma Fille) finds André Bamberski waving goodbye to his 14-year-old daughter at the airport. She is going to spend the summer of 1982 in Germany with her mother and stepfather, a seemingly caring doctor, Daniel Krombach. Bamberski never sees her alive again. When Bamberski finally receives a translation of her autopsy, it suggests she might well have been raped and murdered. What follows is a 27-year legal battle as Bamberski seeks to bring to justice Krombach, the man he’s convinced killed his daughter. Bamberski’s efforts are incredible: he fights through the courts with a stoic resolve. Richard Mowe met director Vince Garenq ahead of his visit to present the...
It is based on an extraordinary real-life case involving a father’s enduring love for his daughter. Vincent Garenq’s Kalinka (known in France as Au Nom De Ma Fille) finds André Bamberski waving goodbye to his 14-year-old daughter at the airport. She is going to spend the summer of 1982 in Germany with her mother and stepfather, a seemingly caring doctor, Daniel Krombach. Bamberski never sees her alive again. When Bamberski finally receives a translation of her autopsy, it suggests she might well have been raped and murdered. What follows is a 27-year legal battle as Bamberski seeks to bring to justice Krombach, the man he’s convinced killed his daughter. Bamberski’s efforts are incredible: he fights through the courts with a stoic resolve. Richard Mowe met director Vince Garenq ahead of his visit to present the...
- 6/21/2016
- by Richard Mowe
- eyeforfilm.co.uk
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