(This review contains spoilers not only of the episode being reviewed, but of subsequent episodes and seasons as well.)
Having gotten character introductions out of the way in "BoJack Horseman: The BoJack Horseman Story, Chapter 1", and indulged the urge for political commentary in "BoJack Hates the Troops", BoJack Horseman is finally ready to get down to what makes it great: characterization and relationships...which makes it a shame that "Prickly Muffin" does both so haphazardly.
In theory, re-uniting BoJack with the now-grown-up child star of his old sit-com should provide fertile ground for character development, and to an extent, it does: we see further evidence of BoJack being stuck in the past, and of his unwillingness to take difficult steps or confront reality outside of the sit-com bubble in which he still tries to live his life. Oddly, however, the episode's most extensive development may belong to Diane: we get to see her wisdom, her third-wave feminist beliefs, and her willingness to speak truth to power (or at least to BoJack). We also get a nice glimpse of Princess Carolyn's skill as an agent, with her clever plan to land Andrew Garfield as a client by driving Sarah Lynn towards Vanessa Gecko.
But overall, the payoff to the reunion is less "meaningful character development" and more "zany high-jinks", and this show should be (and will become) much better than that.
The episode does give the first significant screen time to Sarah Lynn (voiced by the always excellent Kristen Schaal), who has the most significance and depth of any of the recurring characters outside of the main five (and probably more than Mr. Peanutbutter). But maybe that's part of the problem: at a time when the show should be sending us deeper into the psyches and relationships of the main cast, it's just too early to bring another significant character on board. The BoJack-Sarah Lynn relationship will ultimately become both important and interesting, but it can't get there when we barely know BoJack and don't know Sarah Lynn at all. And that might be okay, if this episode helped us to get to know them better, but all we really get out of Sarah Lynn is "Former mega-star entering the has-been phase of her career, but still with enough sycophants and enablers that she doesn't need to face the consequences of her actions".
There is a nice bit of foreshadowing that I presume was unintentional, as the episode hints at both Sarah Lynn's last words ("I want to be an architect") and place of death (the planetarium). And, of course, we get the first mention of Herb Kazaz, who's pivotal to season 1's main story arc. There are some laughs, too, with the funniest line being Diane's understandably confused "So...the makeup they were putting on you was not for the show, it was just for the weekend?"
But it's not enough to save the episode: re-watching the early part of season 1 after having seen the first four seasons in their entirety is frustrating, because you know what the show is going to become, and you wish that it would hurry up and get there, but "Prickly Muffin" is just another example of it taking its sweet time.
Fortunately, things are about to get quite a lot better.
*********************
Best animal-based visual gags: Very unusually, there are essentially none in this episode.
Best running joke: Sarah Lynn's repeated likening of other characters to people she interacted with at or after Adam Levine's Hallowe'en party. Honourable mention to "Whoooo (wants chocolate chip pancakes/lit my ottoman on fire)?"
Joke that I find it most frustrating that I don't get: Why are all of Sarah Lynn's friends lemurs? I'm sure that if I understood why, I'd find it hilarious, but I don't, so I don't. A close second is the "gull wrestling" sign on the boardwalk - is "gull wrestling" a thing? A pun of something that's a thing? Just a little bit of animal-based weirdness?
Having gotten character introductions out of the way in "BoJack Horseman: The BoJack Horseman Story, Chapter 1", and indulged the urge for political commentary in "BoJack Hates the Troops", BoJack Horseman is finally ready to get down to what makes it great: characterization and relationships...which makes it a shame that "Prickly Muffin" does both so haphazardly.
In theory, re-uniting BoJack with the now-grown-up child star of his old sit-com should provide fertile ground for character development, and to an extent, it does: we see further evidence of BoJack being stuck in the past, and of his unwillingness to take difficult steps or confront reality outside of the sit-com bubble in which he still tries to live his life. Oddly, however, the episode's most extensive development may belong to Diane: we get to see her wisdom, her third-wave feminist beliefs, and her willingness to speak truth to power (or at least to BoJack). We also get a nice glimpse of Princess Carolyn's skill as an agent, with her clever plan to land Andrew Garfield as a client by driving Sarah Lynn towards Vanessa Gecko.
But overall, the payoff to the reunion is less "meaningful character development" and more "zany high-jinks", and this show should be (and will become) much better than that.
The episode does give the first significant screen time to Sarah Lynn (voiced by the always excellent Kristen Schaal), who has the most significance and depth of any of the recurring characters outside of the main five (and probably more than Mr. Peanutbutter). But maybe that's part of the problem: at a time when the show should be sending us deeper into the psyches and relationships of the main cast, it's just too early to bring another significant character on board. The BoJack-Sarah Lynn relationship will ultimately become both important and interesting, but it can't get there when we barely know BoJack and don't know Sarah Lynn at all. And that might be okay, if this episode helped us to get to know them better, but all we really get out of Sarah Lynn is "Former mega-star entering the has-been phase of her career, but still with enough sycophants and enablers that she doesn't need to face the consequences of her actions".
There is a nice bit of foreshadowing that I presume was unintentional, as the episode hints at both Sarah Lynn's last words ("I want to be an architect") and place of death (the planetarium). And, of course, we get the first mention of Herb Kazaz, who's pivotal to season 1's main story arc. There are some laughs, too, with the funniest line being Diane's understandably confused "So...the makeup they were putting on you was not for the show, it was just for the weekend?"
But it's not enough to save the episode: re-watching the early part of season 1 after having seen the first four seasons in their entirety is frustrating, because you know what the show is going to become, and you wish that it would hurry up and get there, but "Prickly Muffin" is just another example of it taking its sweet time.
Fortunately, things are about to get quite a lot better.
*********************
Best animal-based visual gags: Very unusually, there are essentially none in this episode.
Best running joke: Sarah Lynn's repeated likening of other characters to people she interacted with at or after Adam Levine's Hallowe'en party. Honourable mention to "Whoooo (wants chocolate chip pancakes/lit my ottoman on fire)?"
Joke that I find it most frustrating that I don't get: Why are all of Sarah Lynn's friends lemurs? I'm sure that if I understood why, I'd find it hilarious, but I don't, so I don't. A close second is the "gull wrestling" sign on the boardwalk - is "gull wrestling" a thing? A pun of something that's a thing? Just a little bit of animal-based weirdness?