Directed by
| Ian Bonhôte | ||
Writing Credits
| Max Kinnings | ... | (screenplay) and |
| Simon Uttley | ... | (screenplay) and |
| Anthea Anka | ... | (screenplay) & |
| Ian Bonhôte | ... | (story by) & |
| Max Kinnings | ... | (story by) |
Cast (in credits order)
Produced by
| Ian Bonhôte | ... | executive producer |
| David Gilbery | ... | executive producer |
| Wayne Marc Godfrey | ... | executive producer |
| Whitney Hoagland Edwards | ... | associate producer |
| Robert Jones | ... | executive producer |
| Emma Lamont | ... | co-producer |
| Arnaud Lannic | ... | executive producer |
| Paul Morris | ... | associate producer |
| Andee Ryder | ... | producer (as Andrew Ryder) |
| Sarah Senior | ... | line producer |
| Alan Suarez | ... | associate producer |
Music by
| Andy Gray | ||
Cinematography by
| Diego Rodriguez | ... | director of photography |
Editing by
| Chris Hunter | ||
Casting By
| Rose Wicksteed | ||
Production Design by
| Daniel Newton | ... | production designer |
Art Direction by
| Laura Miller | ||
Set Decoration by
| Sam Reinders | ||
Costume Design by
| Hannah Glossop | ||
Makeup Department
| Aidan Corcoran | ... | key makeup artist |
| Chloe Edwards | ... | makeup artist: dailies |
| Siobhan Harper Ryan | ... | makeup designer |
| Charlotte Kraftman | ... | makeup assistant |
| Gloria Peñaranda | ... | makeup artist |
| Shamirah Sairally | ... | Barber / make-up trainee |
| Karen Wagner | ... | make-up trainee |
Production Management
| Bryony Chaplin | ... | production manager (as Bryony Baily) |
Second Unit Director or Assistant Director
| Joe Cox | ... | third assistant director |
| Will Jasper | ... | first assistant director |
| Hannah Lewis | ... | second assistant director |
| Tim Mannion | ... | first assistant director |
| Thom McNally | ... | third assistant director |
| Neil Morgan | ... | third assistant director |
Art Department
| David Dickinson | ... | assistant art director |
| Josephine Farr | ... | art department assistant |
| Kathryn Lees | ... | standby art director/prop master |
| Anna Papa | ... | set dresser |
| Robin Richardson | ... | set dresser |
| Alex Tyler | ... | set dresser |
| John Wood | ... | dressing props/standby props |
Sound Department
| Nick Baldock | ... | adr mixer |
| Jodie Campbell | ... | first assistant sound |
| Helen Dickson | ... | dialogue editor |
| Gernot Fuhrmann | ... | sound editor |
| Brendan McMahon | ... | foley recordist |
| Jan Meyerdierks | ... | dubbing recordist |
| Johnathan Rush | ... | re-recording mixer |
| Neil Sherman | ... | 2nd assistant sound |
| Juan Diego Sánchez | ... | production sound mixer |
| Franziska Treutler | ... | foley mixer |
| Marie Valentino | ... | sound facility producer |
Special Effects by
| Steve Cawood | ... | lead armourer |
| John Fearnley | ... | armourer |
Visual Effects by
| Yavor Asenov | ... | digital compositor |
| Maurizio Di Vitto | ... | digital compositor |
| Max Horton | ... | colourist |
Stunts
| Juliet Elliot | ... | cycle consultants |
| Dave Noakes | ... | cycle consultants |
| Peter Pedrero | ... | stunt driver / stunts |
| Jude Poyer | ... | stunt coordinator |
Camera and Electrical Department
| M. Bulman Arshehit | ... | second assistant camera |
| Adrian Atkinson | ... | spark |
| Benjamin Baily | ... | camera operator: "b" camera |
| Mary Caffrey | ... | camera trainee |
| Max Carrington | ... | clapper loader |
| Steve Garay | ... | best boy |
| Anthony Holt | ... | camera facilities coordinator |
| Charlie Jenkins | ... | spark |
| James Leckey | ... | focus puller |
| Nathan Snoddy | ... | digital imaging technician |
| Christina Solomons | ... | still photographer |
| Paul Mark Synnott | ... | lighting technician |
| Martin Warrilow | ... | focus puller |
| Robert White | ... | gaffer |
Casting Department
| Charlotte Chapman | ... | casting assistant |
| Olivia Church | ... | casting assistant |
| Ariane Mason | ... | extras casting |
Costume and Wardrobe Department
| Saskia Homann | ... | costume standby |
| Kathryn Poon | ... | costume trainee |
| Amy Shaw | ... | costume trainee |
| Natalie Willis | ... | costume supervisor |
Editorial Department
| George Dutton | ... | on-line editor |
| Tom Henson-Webb | ... | first assistant editor |
| Max Horton | ... | colorist |
| Lian-Sian Read | ... | post producer |
| Chris Young | ... | on-line editor |
Location Management
| Daniel Ackie | ... | location assistant |
| Niamh Farrelly | ... | location assistant |
| Tom Marshall | ... | location scout |
| Elliott Purchase | ... | location scout |
| Umberto Schramm | ... | location manager |
Music Department
| James Collins | ... | musician |
| Mark Lo | ... | music supervisor |
Script and Continuity Department
| Bhairavi Patel | ... | script supervisor |
Transportation Department
| Ed McLean | ... | transportation captain |
Additional Crew
| Jennine Baker | ... | production accountant |
| Kerrie Chandler | ... | floor runner |
| Harpal Deol | ... | runner |
| Samantha Felman | ... | Extras casting assistant (as Samantha Moran) |
| Catherine Freeman | ... | production coordinator |
| Nell Green | ... | Kickstarter producer |
| Boyd Harvey | ... | insurance: Media Insurance Brokers |
| Robin Hilton | ... | legal services |
| Naomi King | ... | production runner |
| Nakay Kpaka | ... | set runner |
| Shanet Lewis | ... | production coordinator |
| Jasmin Morrison | ... | production coordinator |
| Mark Nunn | ... | assistant director |
| EJ Richards | ... | film fixer agent (as Emma Jane Richards) |
| Oni Sufi | ... | assistant / production runner |
Thanks
| Stephen Dixon | ... | thanks to: Metropolitan Police Film Unit |
| Carle Duthoo | ... | special thanks |
| James Alexander Waller | ... | the producers wish to thank (as James Waller) |
| Ray Whelan | ... | special thanks |
