Apologies in advance for the odd metaphor, but in the early days of boxing, when you knew that the champ had knockout power at the ready, you might suggest that he carried the other fighter for a few rounds so the audience could feel they got their money's worth.
And so it is with Sorkin and this delightful episode which, moreso than others in the series, is very very self-conscious about starting slow and building to the climax.
This humble scribe will simply state the obvious -- the irascible Mr. Sorkin has recently stated publicly that, not only is this the last season of Newsroom, but he is seriously looking at hanging up his spurs and walking away from TV.
Whether or not that is true, clearly, in this final season, Mr. Sorkin has a number of things he wants to say about the world we live in, and neither rain nor snow nor sleet nor hail (sorry, another goofy metaphor) is going to stop him.
In this episode, we get an earful on journalism, ethics, morality, the way women SHOULD be treated (but are not), the way the court system SHOULD work (but does not); the divide between the old and the young, the divide between those looking for a fast buck and those looking to make a difference, and the divide between those who go through life thinking only about themselves, and those actually take time to think about others.
I think it is especially clever the way a seemingly insignificant side-arc to the story -- an arc which at first glance seems to be simply about a really sweet office romance -- manages to work into the body of the script the infamous Mr. Snowden and his contribution to modern journalism. Almost by accident.
Except Sorkin's scripts don't have accidents.
And so it is with Sorkin and this delightful episode which, moreso than others in the series, is very very self-conscious about starting slow and building to the climax.
This humble scribe will simply state the obvious -- the irascible Mr. Sorkin has recently stated publicly that, not only is this the last season of Newsroom, but he is seriously looking at hanging up his spurs and walking away from TV.
Whether or not that is true, clearly, in this final season, Mr. Sorkin has a number of things he wants to say about the world we live in, and neither rain nor snow nor sleet nor hail (sorry, another goofy metaphor) is going to stop him.
In this episode, we get an earful on journalism, ethics, morality, the way women SHOULD be treated (but are not), the way the court system SHOULD work (but does not); the divide between the old and the young, the divide between those looking for a fast buck and those looking to make a difference, and the divide between those who go through life thinking only about themselves, and those actually take time to think about others.
I think it is especially clever the way a seemingly insignificant side-arc to the story -- an arc which at first glance seems to be simply about a really sweet office romance -- manages to work into the body of the script the infamous Mr. Snowden and his contribution to modern journalism. Almost by accident.
Except Sorkin's scripts don't have accidents.