Directed by
| Neil Armfield | ... | (directed by) |
Writing Credits
| Tommy Murphy | ... | (screenplay by) |
| Timothy Conigrave | ... | (based on the book: 'Holding the Man' by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Rosemary Blight | ... | executive producer |
| Kylie Du Fresne | ... | producer (produced by) |
| Ben Grant | ... | executive producer |
| Cameron Huang | ... | executive producer |
| Andrew Mackie | ... | executive producer |
| Tommy Murphy | ... | associate producer |
| Richard Payten | ... | executive producer |
| Esther Rodewald | ... | line producer |
| Tristan Whalley | ... | executive producer |
Music by
| Alan John | ||
Cinematography by
| Germain McMicking | ... | director of photography |
Editing by
| Dany Cooper | ... | (as Dany Cooper ASE) |
Casting By
| Nikki Barrett | ||
| Natalie Wall | ||
Production Design by
| Josephine Ford | ... | (as Jo Ford) |
Art Direction by
| Mandi Bialek-Wester | ||
Set Decoration by
| Rolland Pike | ||
Costume Design by
| Alice Babidge | ||
Makeup Department
| Gail Kane | ... | hair stylist / makeup artist |
| Fiona Rees-Jones | ... | makeup designer |
| Nicole Schipilliti | ... | additional hair and make up (uncredited) |
Second Unit Director or Assistant Director
| Margie Beattie | ... | first assistant director |
| Kristan Dowsing | ... | additional assistant director |
| Nathan Hart | ... | additional assistant director |
| Tom Hooper | ... | third assistant director |
| Kara Masters | ... | additional assistant director |
| Michael McLean | ... | additional assistant director |
| Andrew Pante | ... | second assistant director |
| Greg Tynan | ... | third assistant director: Pickup Unit |
Art Department
| Ben Corless | ... | construction |
| Sophie Durham | ... | props buyer |
| Ely Harrison | ... | art department runner |
| Samantha Howson | ... | art department: attachment |
| Tammy Knox | ... | art department: casual |
| Mark Lightbourne | ... | art department: casual |
| Janine Marshall | ... | scenic artist |
| Anna McEwan | ... | graphic designer |
| Marney McKenna | ... | property master |
| Jason Parkinson | ... | graphic designer |
| Das Patterson | ... | art department assistant |
| Trevor Purvis | ... | set dresser |
| Oliver Ramsay | ... | art department runner |
| Phoebe Roberts | ... | draftsperson (as Phoebe Smith) |
| Paula Salini | ... | art department coordinator |
| David Short | ... | art department assistant |
| Jeff Sturm | ... | set dresser |
| Dean Sullivan | ... | standby props |
| Kitty Taube | ... | art department assistant |
| Chris Vance | ... | construction |
| Jack Vigor | ... | art department: casual |
| Joel West | ... | art department: attachment |
| Sharon Young | ... | art department coordinator |
Sound Department
| Justine Angus | ... | adr editor |
| Glenn Butler | ... | re-recording mixer |
| Mark Cornish | ... | production sound mixer: Melbourne |
| Jed M. Dodge | ... | supervising dialogue editor |
| Luisa Hadley | ... | foley editor (as Luisa Bifulco) |
| Dan Johnston | ... | foley artist |
| Doron Kipen | ... | adr recordist: Melbourne ADR |
| Nicole Lazaroff | ... | boom operator: Melbourne (as Nicole Lazaroth) / boom operator: Sydney (as Nicole Lazaroth) |
| Dan Lustri | ... | boom operator: Melbourne |
| Robert Mackenzie | ... | re-recording mixer / sound designer |
| Helen McGrath | ... | boom operator |
| William Ward | ... | sound supervisor / supervising sound editor |
| Tara Webb | ... | sound effects editor |
| Duncan McAllister | ... | foley recordist (uncredited) |
Visual Effects by
| Murray Curtis | ... | visual effects supervisor |
Stunts
| Bryce Hardy | ... | stunts |
| Beau Karolos | ... | stunt performer |
| Lachlan Ward | ... | stunt double: John Caleo |
Camera and Electrical Department
| Chris Child | ... | first assistant camera: a camera |
| Karin Christensen | ... | video split operator: block 1 |
| Lee Clafferty | ... | lighting technician |
| Karina Davies | ... | second assistant camera: block 2 |
| Tim Delaney | ... | grip |
| Joel Eames | ... | second assistant camera: second unit |
| Sarah Enticknap | ... | still photographer |
| Michael Filocamo | ... | camera attachment |
| Nick Forster | ... | video split operator: block 2 |
| Adam Hunter | ... | gaffer |
| Dan Maxwell | ... | steadicam operator |
| Chris Eon Mitskinis | ... | electric |
| Darryl Murphy | ... | best boy grip |
| Adam Parkinson | ... | camera trainee: additional |
| Francesco Pera | ... | second assistant camera: "a" camera, Italy Unit |
| Martino Tagliaferri | ... | first assistant camera: "a" camera, Italy |
| Sandro Magliano | ... | data wrangler: specific segments (uncredited) |
| Josephine McAvenna | ... | grip (uncredited) |
Casting Department
| Madeleine Gottlieb | ... | additional extras casting |
| Sarah Lang | ... | extras casting assistant |
| Gabrielle Healy | ... | extras casting director (uncredited) |
Costume and Wardrobe Department
| Julie Barton | ... | costume standby |
| Ella Bradshaw | ... | wardrobe assistant |
| Sarah Carr | ... | costume buyer |
| Helen Croatto | ... | assistant costume standby |
| Gabrielle Dunnmoore | ... | costume standby |
| Sophie Fletcher | ... | associate costume supervisor |
| Steph Hooke | ... | costume buyer |
| Rachel Nott | ... | costume supervisor |
| Barbara Pinn | ... | additional costume |
| Elizabeth Watson | ... | assistant standby costume |
Editorial Department
| Kenny Ang | ... | associate editor |
| Jolayne Crabbe | ... | digital intermediate editor |
| Olivier Fontenay | ... | colorist |
| Katherine Heads | ... | digital post-production producer |
| Liam Heyen | ... | post-production coordinator |
| Bronwyn Ketels | ... | dailies producer |
| Natalie Lovett | ... | editorial attachment |
| Nick Meyers | ... | additional editor |
| Peter Ireland | ... | trailer editor: Europe (uncredited) |
| Skot Kidd | ... | data lab technician (uncredited) |
Location Management
| Nicci Dillon | ... | location manager |
Music Department
| Craig Beckett | ... | scoring engineer |
| Paul Charlier | ... | music editor / music supervisor |
| Mark D'Angelo | ... | additional music recording |
| Craig Jansson | ... | additional music recording |
| Gary Seeger | ... | music supervisor |
Script and Continuity Department
| Carol A. Compton | ... | script clearance |
| Paul Kiely | ... | script supervisor |
| Keith Thompson | ... | script editor |
Transportation Department
| Enrico Cattaneo | ... | vehicle wrangler |
| Jason Chapman | ... | vehicle coordinator |
| Lon Lucini | ... | vehicle coordinator |
| Steve Mahoney | ... | vehicle coordinator |
Additional Crew
| Hanna Chetwin | ... | projectionist: on-set |
| Sarah Christie | ... | production assistant |
| Jessie Drake Mangum | ... | production executive: Goalpost Film (as Jessie Mangum) |
| Clement Dunn | ... | legals |
| Serena Gattuso | ... | production coordinator |
| Veronica Nadine Gleeson | ... | development executive (as Veronica Gleeson) |
| Milli Howson | ... | office coordinator: Goalpost Film |
| Chey Hunter | ... | actor |
| Kylie Joiner | ... | legals (as Kylie Giam) |
| Jenny Kent | ... | voice coach |
| Lynnette Lai Suet Lynn | ... | production secretary (as Lynnette Lai) |
| Ariel Martin | ... | directors attachment |
| Bryce Menzies | ... | legals |
| Nicki Parfitt | ... | legal services: Goalpost Film |
| Joel Roche | ... | production runner |
| Ben Rollinson | ... | runner |
| Melanie Rowland | ... | production secretary |
| Andrew Sugarman | ... | epk producer |
| Amanda Wray | ... | production coordinator |
Thanks
| Tony Ayres | ... | thanks |
| Anthony Blair | ... | thanks |
| Lois Caleo | ... | very special thanks |
| Robert Caleo | ... | very special thanks |
| Mary Gert Conigrave | ... | very special thanks |
| Nick Conigrave | ... | very special thanks |
| Peter Craig | ... | thanks |
| Anna Davison | ... | very special thanks |
| Milli Howson | ... | thanks |
| Geoffrey Rush | ... | thanks |
| Sue Smith | ... | thanks |
