Directed by
| Travis Holt Hamilton | ||
Writing Credits (in alphabetical order)
| Travis Holt Hamilton | ... | (writer) |
Cast (in credits order)
Produced by
| Cary Cook | ... | producer |
| Glenn Ellis Jr. | ... | producer: Makah Nation |
| Rebekah Hamilton | ... | executive producer |
| Travis Holt Hamilton | ... | producer |
| Jake Johnson | ... | producer: Phoenix |
| Wendy Piatek | ... | executive producer |
| Tanya Rae | ... | associate producer |
| Derek Solorsano | ... | associate producer |
| Christina Tsosie | ... | navajoland producer |
| Rizwan Virk | ... | executive producer |
| Jarrod Wilson | ... | producer |
Music by
| Nathaniel Drew | ||
Cinematography by
| Cary Cook | ... | director of photography |
Editing by
| Matthew Barton | ||
Production Design by
| Todd Shealy | ||
Art Direction by
| Michele Hill | ||
Costume Design by
| Jessica Erin Cary | ||
Makeup Department
| Antonia Begay | ... | makeup artist |
Second Unit Director or Assistant Director
| Phil Click | ... | assistant director |
| Stephen Russell | ... | second assistant director |
Art Department
| Spencer Brinkerhoff III | ... | prop concept artist & researcher |
| Paula McCue Ellis | ... | prop designer |
| Chad Keyes | ... | key art by |
| Devyn Shealy | ... | assistant art director |
Sound Department
| Brandon T. Hickey | ... | sound designer (as Brandon Hickey) |
| Andrew Schwab | ... | sound mixer |
| Lellan Thomas | ... | boom operator |
Visual Effects by
| Michael Clarke | ... | visual effects supervisor (as Michael Zirin) |
Camera and Electrical Department
| Adam Abel | ... | aerial cinematography |
| Andrew Abel | ... | aerial cinematography assistant |
| Paulie Jorquera | ... | grip |
| Lee Lusby | ... | gaffer |
| Alexander Miller | ... | best boy electric (as Alexander Charles Miller III) |
| Geoff Nangle | ... | key grip |
| Jere Sallee | ... | second assistant camera |
| Von Scott | ... | first assistant camera |
| Jacen Sievers | ... | best boy grip |
Costume and Wardrobe Department
| Paula C. Ellis | ... | jeweller/metal worker |
| Megan Gillespie | ... | key costumer |
Editorial Department
| Anais Arias | ... | assistant digital artist |
| Clint J. Brenner | ... | assistant digital artist |
| Patrick Burks | ... | assistant digital artist |
| Brian 'Crash' Carlucci | ... | colorist |
| Frank Di Bugnara | ... | post production supervisor |
| Travis Holt Hamilton | ... | additional editor |
| Anaïs Lucia | ... | assistant digital artists (as Anaïs Lucia Arias) |
Location Management
| Dan Greene | ... | location manager |
| Norbert Yazzie | ... | location manager |
Script and Continuity Department
| José Silerio | ... | script consultant |
Additional Crew
| Arlen Ep Albert | ... | production assistant |
| Flora Benn | ... | production staff |
| Spencer Holt Hamilton | ... | craft service |
| Daniel Lincoln | ... | production assistant |
| Jason Todd Roberts | ... | production assistant |
| Rob Sibley | ... | creative consultant |
| Julius C. Tulley | ... | navajo cultural advisor |
Thanks
| Adam Abel | ... | the producers wish to thank |
| Garrett Batty | ... | the producers wish to thank |
| Michael Fogassy | ... | special thanks to |
| Lewis Herrera | ... | thanks |
| Randy Murray | ... | special thanks |
| Andy Nelson | ... | special thanks |
| John M. Oswald | ... | very special thanks |
| Jacen Sievers | ... | acknowledgment: MVP of Makah Shoot |
