A former Afghan journalist seeking asylum discovers the dark underbelly of his new small-town home in Northern California.A former Afghan journalist seeking asylum discovers the dark underbelly of his new small-town home in Northern California.A former Afghan journalist seeking asylum discovers the dark underbelly of his new small-town home in Northern California.
- Awards
- 1 win & 1 nomination
Storyline
Did you know
- SoundtracksAnn Coulter's Poor Theater (Polish Language Version)
written by Jeff Tobias
Published by Yes Reality Music (BMI)
Courtesy of Jeff Tobias
Featured review
I loved the idea of a movie highlighting the weirdness of far Northern, Coastal California. I also loved the notion the fact that our lead escaped one crazy version of human nature (Afghanistan), only to find another crazy version in California of all places.
Not that much happens. But the lead guy was mesmerizingly good in his portrayal of an awkward, deeply sensitive, almost dorky newcomer to a country and town that he doesn't understand at all.
He's so earnest in wanting to fit in and be hip. But he's in way over his head. Small rural communities have long histories, and in the case of this place, exceedingly weird ones. He hasn't been there long enough to understand the complexity. Yet you really feel for his dilemma. He wants to get a life and a profession, and do something meaningful. He's itching for it.
Melissa Leo is great as the mother of an old friend of our lead. She's an unemotional deputy sheriff, but also a mother and woman. She comes off very natural.
The opening is extremely weird, yet quite effective, because a bizarre stage play leads our main character to view it as "very free and very American." by virtue of its' weirdness.
James Franco is overexposed. I couldn't buy him as the weird town slacker, because I just kept thinking, "Oh that's just James Franco." He was probably miscast anyways.
Nevertheless, I liked it for its originality, and I don't regret watching. But beware for some violence. I could have done without it.
Not that much happens. But the lead guy was mesmerizingly good in his portrayal of an awkward, deeply sensitive, almost dorky newcomer to a country and town that he doesn't understand at all.
He's so earnest in wanting to fit in and be hip. But he's in way over his head. Small rural communities have long histories, and in the case of this place, exceedingly weird ones. He hasn't been there long enough to understand the complexity. Yet you really feel for his dilemma. He wants to get a life and a profession, and do something meaningful. He's itching for it.
Melissa Leo is great as the mother of an old friend of our lead. She's an unemotional deputy sheriff, but also a mother and woman. She comes off very natural.
The opening is extremely weird, yet quite effective, because a bizarre stage play leads our main character to view it as "very free and very American." by virtue of its' weirdness.
James Franco is overexposed. I couldn't buy him as the weird town slacker, because I just kept thinking, "Oh that's just James Franco." He was probably miscast anyways.
Nevertheless, I liked it for its originality, and I don't regret watching. But beware for some violence. I could have done without it.
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Details
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 2.39 : 1
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