Gail Berman’s four-decade-plus career has taken her from Broadway to the big screen and back again, with stints as a studio chief and a new media entrepreneur in between.
“I’m your pivot girl,” says Berman, who last year received nominations for both a best picture Oscar (“Elvis”) and a comedy series Emmy (Netflix’s “Wednesday”). “Every five years, I have to do something else. It’s just my nature.”
Berman scored her first producing credit at the age of 23 when she and her former U. of Maryland classmate Susan R. Rose brought to Broadway a production of the Andrew Lloyd Webber musical “Joseph and the Amazing Technicolor Dreamcoat.” After a decade-long run in the theater biz, burned out on raising money, she took a job as an associate producer for HBO’s new sister outlet, the Comedy Channel.
“I’d never worked in television ever, not even really thought about it much,...
“I’m your pivot girl,” says Berman, who last year received nominations for both a best picture Oscar (“Elvis”) and a comedy series Emmy (Netflix’s “Wednesday”). “Every five years, I have to do something else. It’s just my nature.”
Berman scored her first producing credit at the age of 23 when she and her former U. of Maryland classmate Susan R. Rose brought to Broadway a production of the Andrew Lloyd Webber musical “Joseph and the Amazing Technicolor Dreamcoat.” After a decade-long run in the theater biz, burned out on raising money, she took a job as an associate producer for HBO’s new sister outlet, the Comedy Channel.
“I’d never worked in television ever, not even really thought about it much,...
- 2/25/2024
- by Todd Longwell
- Variety Film + TV
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