Directed by
| Andy Hay | ||
Writing Credits
| Anthony Horowitz | ... | (written and created by) |
Cast (in credits order) complete, awaiting verification
Produced by
| John Chapman | ... | producer |
| Susan Dunn | ... | line producer |
| Nicole Finnan | ... | executive producer |
| Jill Green | ... | executive producer |
| Anthony Horowitz | ... | executive producer |
| Michael Kitchen | ... | consultant producer |
Music by
| Colin Towns | ... | composer |
Cinematography by
| Tony Coldwell | ... | director of photography |
Editing by
| David Thrasher | ||
Casting By
| Joyce Nettles | ||
Production Design by
| David Butterworth | ||
Art Direction by
| Peter Findley | ... | (Supervising Art Director) |
Set Decoration by
| Mickaela Trodden | ||
Costume Design by
| Joan Wadge | ||
Makeup Department
| Amy Boyd | ... | crowd hair stylist |
| Amy Brand | ... | hair and make up supervisor |
| Lin Davie | ... | makeup designer |
| Laura Flynn | ... | makeup artist |
| Kathryn Newsome | ... | makeup artist |
Production Management
| Tim Kayll | ... | unit manager |
| Heidi Mount | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Ian Hughes | ... | second assistant director |
| Mark Roberts | ... | third assistant director |
| Simon Turner | ... | first assistant director |
Art Department
| Zoey Brown | ... | graphic designer |
| Brian Clark | ... | stand-by carpenter |
| Alan Crozier | ... | set dresser |
| Malcolm Gilbert | ... | construction manager |
| Rebecca Gillies | ... | production buyer |
| Matt Hay | ... | dressing props (as Matthew Hay) |
| Tommy Lyons | ... | stand-by props |
| Daisy Mason | ... | standby art director |
| James Morgan | ... | stand-by props (as Jim Morgan) |
| Nigel Place | ... | property master |
| Tim Timmington | ... | scenic painter |
| Harrison Wild | ... | art trainee |
Sound Department
| Nigel Edwards | ... | dubbing mixer |
| Gareth Hemes | ... | boom operator |
| Ruth Elizabeth Howard | ... | boom operator (as Ruth Howard) |
| John Hughes | ... | sound recordist |
| Ben Norrington | ... | sound effects editor |
| Michele Woods | ... | dialogue editor |
| Peter Gleaves | ... | adr mixer (uncredited) |
| Tristan Rose | ... | adr recording engineer (uncredited) |
| John Simpson | ... | foley artist (uncredited) |
| Ryan Squires | ... | assistant foley editor (uncredited) / foley recordist (uncredited) |
Special Effects by
| Ben Ashmore | ... | special effects supervisor |
Visual Effects by
| Barney Curnow | ... | visual effects |
Stunts
| David Anders | ... | rigging coordinator |
| Shelly Benison | ... | stunt performer |
| Gary Kane | ... | stunt performer |
| Holly Lumsden | ... | stunt performer |
| Andy Merchant | ... | stunt performer |
| Curtis Rivers | ... | stunt coordinator |
| Richard Wheeldon | ... | stunt performer |
Camera and Electrical Department
| Edward Coldwell | ... | clapper loader / second assistant camera |
| Daniel Edwards | ... | focus puller |
| Dylan Evans | ... | digital imaging technician |
| Stewart Holt | ... | electrician |
| Chris Hughes | ... | best boy electrician |
| Daniel Inman | ... | grip (as Dan Inman) |
| Joe McLean | ... | electrician |
| Darren Miller | ... | 2nd camera operator |
| Duncan Steven | ... | grip trainee |
| William Tracey | ... | gaffer electrician |
| Stuart Hurley | ... | electrician (uncredited) |
| Roland Keane | ... | camera facilities coordinator (uncredited) |
| Robert Viglasky | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Lizzie Craig | ... | costume assistant |
| Ray Greenhill | ... | costume assistant (as Raymond Greenhill) |
| Caroline Ring | ... | costume supervisor |
| Rachel Vallance | ... | costume supervisor (as Rachel Valance) |
| Louise Egan | ... | daily costume assistant (uncredited) |
Editorial Department
| Tom Chapman | ... | assistant editor |
| Aidan Farrell | ... | colorist |
| Clyde Kellett | ... | on-line editor |
Location Management
| Donald Cameron | ... | location manager |
| Mark O'Hanlon | ... | location scout |
| Nik Parker | ... | assistant location manager |
| Helen Fisher | ... | location assistant (uncredited) |
Music Department
| Daniel Giorgetti | ... | titles arrangement |
| Toby Wood | ... | score mixer |
Script and Continuity Department
| Sophie Bicknell | ... | script secretary |
| Sophie Johnston | ... | script editor |
| Caroline O'Reilly | ... | script supervisor |
Transportation Department
| Michael Geary | ... | action vehicles |
Additional Crew
| Oriel Bathurst | ... | floor runner |
| Terry Charman | ... | consultant: Imperial War Museum |
| Lisa Corkill | ... | production coordinator |
| Leo Dezoysa | ... | head of legal & business affairs: RLJE |
| Mark Edwards | ... | production accountant |
| Ian Hodson | ... | facilities manager |
| Eva Kelly | ... | head of rights & production management: RLJE |
| Kate Monney | ... | finance director: RLJE |
| Mark Shelley | ... | armorer |
| Natalie Shortman | ... | production secretary |
| Shauni Spafford | ... | production runner |
| Lisa Timson | ... | location accountant |
| Sam Knowles | ... | business affairs (uncredited) |
| Hakan Kousetta | ... | production legal advisor (uncredited) |
| Peter Jonathan Moore | ... | stand-in/runner (uncredited) |
