Directed by
Stuart Orme |
Writing Credits
Anthony Horowitz | ... | (written and created by) |
Cast (in credits order) complete, awaiting verification
Produced by
John Chapman | ... | producer |
Susan Dunn | ... | line producer |
Nicole Finnan | ... | executive producer |
Jill Green | ... | executive producer |
Anthony Horowitz | ... | executive producer |
Michael Kitchen | ... | consultant producer |
Music by
Colin Towns | ... | composer |
Cinematography by
Tony Coldwell | ... | director of photography |
Editing by
David Yardley |
Casting By
Joyce Nettles |
Production Design by
David Butterworth |
Art Direction by
Peter Findley | ... | (Supervising Art Director) |
Set Decoration by
Mickaela Trodden |
Costume Design by
Joan Wadge |
Makeup Department
Amy Boyd | ... | crowd hair stylist |
Amy Brand | ... | hair supervisor / makeup supervisor |
Lin Davie | ... | makeup designer |
Laura Flynn | ... | makeup artist |
Abby Graves | ... | hair daily / makeup daily |
Kathryn Newsome | ... | makeup artist |
Production Management
Tim Kayll | ... | unit manager |
Heidi Mount | ... | post-production supervisor |
Second Unit Director or Assistant Director
Georgia Dufton | ... | trainee assistant director |
Ian Hughes | ... | second assistant director |
Simon Noone | ... | first assistant director |
Mark Roberts | ... | third assistant director |
Anthony Noone | ... | first assistant director: second unit (uncredited) |
Art Department
Brian Clark | ... | stand-by carpenter |
Alan Crozier | ... | set dresser |
Malcolm Gilbert | ... | construction manager |
Rebecca Gillies | ... | production buyer |
Matt Hay | ... | dressing props (as Matthew Hay) |
Daisy Mason | ... | stand-by art director |
Mark McIntyre | ... | stand-by props |
James Morgan | ... | stand-by props (as Jim Morgan) |
Nigel Place | ... | property master |
Joanne Ridler | ... | stand-by art director |
Tim Timmington | ... | scenic painter |
Harrison Wild | ... | art trainee |
Zoey Brown | ... | graphic designer (uncredited) |
Daisy Mason | ... | graphic designer (uncredited) |
Sound Department
Nigel Edwards | ... | dubbing mixer |
Gareth Hemes | ... | boom operator |
Ruth Elizabeth Howard | ... | boom operator (as Ruth Howard) |
John Hughes | ... | sound recordist |
Ben Norrington | ... | sound effects editor |
Michele Woods | ... | dialogue editor |
Peter Gleaves | ... | adr mixer (uncredited) |
John Simpson | ... | foley artist (uncredited) |
Ryan Squires | ... | assistant foley editor (uncredited) / foley recordist (uncredited) |
Special Effects by
Andy Adam | ... | senior special effects technician |
Colin Gorry | ... | special effects supervisor |
Ben Ashmore | ... | special effects supervisor (uncredited) |
Visual Effects by
Jonathan Hills | ... | visual effects |
David Yardley | ... | visual effects |
Stunts
David Anders | ... | stunt performer |
Stephanie Carey | ... | stunt performer |
Siobhan Coughlan | ... | stunt performer (as Siobhan Coughlin) |
Paul Howell | ... | stunt performer |
Martin Pemberton | ... | stunt performer |
Curtis Rivers | ... | stunt coordinator |
Camera and Electrical Department
Edward Coldwell | ... | clapper loader / second assistant camera |
Daniel Edwards | ... | focus puller |
Dylan Evans | ... | digital imaging technician |
Stewart Holt | ... | electrician |
Chris Hughes | ... | best boy electrician |
Daniel Inman | ... | grip (as Dan Inman) |
Joe McLean | ... | electrician |
Peter Nance | ... | camera trainee |
William Tracey | ... | gaffer electrician |
Andrew Binns | ... | second assistant camera: dailies (uncredited) |
Stuart Hurley | ... | electrician (uncredited) |
Duncan Steven | ... | assistant grip (uncredited) |
Robert Viglasky | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Lizzie Craig | ... | costume assistant |
Ray Greenhill | ... | costume assistant (as Raymond Greenhill) |
Caroline Ring | ... | costume supervisor |
Rachel Vallance | ... | costume supervisor (as Rachel Valance) |
Louise Egan | ... | daily costume assistant (uncredited) |
Jan Simpson | ... | additional costumer (uncredited) |
Editorial Department
Tom Chapman | ... | assistant editor |
Aidan Farrell | ... | colorist |
Clyde Kellett | ... | on-line editor |
Location Management
Donald Cameron | ... | location manager |
Nik Parker | ... | assistant location manager |
Stan Fus | ... | location manager: London (uncredited) |
Music Department
Toby Wood | ... | score mixer |
Script and Continuity Department
Sophie Bicknell | ... | script secretary |
Sophie Johnston | ... | script editor |
Caroline O'Reilly | ... | script supervisor |
Additional Crew
Oriel Bathurst | ... | floor runner |
Terry Charman | ... | consultant: Imperial War Museum |
Lisa Corkill | ... | production coordinator |
Leo Dezoysa | ... | head of legal & business affairs: RLJE |
Mark Edwards | ... | production accountant |
Peter Jonathan Moore | ... | stand-in (as Peter Moore) |
Mary Shannon | ... | researcher (as Dr. Mary Shannon) |
Natalie Shortman | ... | production secretary |
Lisa Timson | ... | location accountant |
Michael Franklin | ... | adr voice artist (uncredited) |
Sam Knowles | ... | business affairs (uncredited) |
Hakan Kousetta | ... | production legal advisor (uncredited) |
Shauni Spafford | ... | production runner (uncredited) |