User reviews

Gritty, honest and brutal. Just like a movie about Logan should be. This is by far the best X-Men film as far as I'm concerned. Logan doesn't hold back at all which I absolutely loved. For the most part, there is just an onslaught of awful things happening. And apart from the relationship between Laura and Logan, nothing makes you go 'oh, that was nice'.

Very early on in the film, I got huge John Wick vibes. The action was very reminiscent of those films. It was fast, it was brutal and graphic, and it wasn't afraid to show everything. Indeed, you got the sense that Mangold was trying to find more and more interesting and gory ways to kill people. Something that the John Wick franchise also does. This comparison between John Wick and Logan is nothing but a positive one. If you ask me, the John Wick films are some of the best action films to have come out in recent years, as is Logan.

Where Logan really shines though, is not in the action, but in the story of Logan. It's a depiction Logan that I think a lot of people have wanted to see. Although I'm by no means an expert on the comic books, I have always had the feeling that Logan is a much more complex and difficult character than the previous X-Men or Wolverine films have led to believe. Logan is just as brutal with its depiction of the character as it is with its action.

Logan really should be used a case study on how to do a comic book film. The only problem it faces is its R rating. I absolutely loved the rating as it allowed the film to go as dark as it needed and wanted to go. But comic book movies are, of course, supposed to be the highest-grossing films studios make, and an R rating will automatically lower revenues.

If you have been looking for a comic book film that isn't just like all the previous ones, Logan is the one for you. As mentioned, it is brutally honest and gritty, and the action is more brutal than you would ever dare to expect. It's a fantastic action film but it also manages to create such an impressive story that you will find yourself amazed with the depth of it. Is it my favourite comic book movie ever? No. But is it easily one of the best ones? Absolutely.

Thank you Deadpool for opening the door to R-rated superhero movies.

This really is one of the best superhero movies of all time. And best of all, it doesn't even feel like a superhero movie. Fantastic story and great acting all around.

No words can explain the epicness & greatness of this movie.

The word 'perfect' is very objective especially when it comes to film. While Logan may not be a perfect film, it is most certainly a perfect comic book film. It is a masterpiece of the most epic proportions and leaves us with a brilliant swan song for producer and star Hugh Jackman in his final outing as Wolverine. The film, directed brilliantly by James Mangold, is a two plus hour comic book fan's wet dream as we see the version of Wolverine every fan has wanted to see for nearly two decades. While many will be very sad to see Jackman step down from the role, he couldn't have picked a better or more satisfying film to end his cinematic legacy with.

The film takes place in 2029 and shows the world in shambles. Mutants are nearly extinct, water is scarce and the world is just an overall wasteland. This is where we find Logan. He is a limo driving cantankerous caretaker to an even more cantankerous Professor X, who is now suffering from dementia and seizures. He is a borderline alcoholic suffering from a mysterious illness that limits his mutant abilities. Due to this, he lives this quiet life until he meets a young girl who he feels he must protect. Without giving too much away, there is much more here than I can go into but I will say, if you are a fan of the Wolverine comics, this film will bring a tear to your eye. This is probably the most faithful adaptation of a comic book character EVER, Marvel and DC combined. The way the story goes, the way Logan behaves, the selflessness and the rage, this is an all around realized version of this character. While it may have taken a little longer than it should have, this film was worth the wait. James Mangold does a fantastic job at creating the world Logan knows now. This is more of a film like Mangold's 3:10 to Yuma. It is bleak, violent and absolutely heartbreaking. This is far from the PG-13 character we're used to. This is a foul mouthed, miserable and very VERY bloody rendition of the source material. This is a film very much like The Guantlet or Badlands, a crime thriller and on-the-road drama. It very much embodies the look and feel of a film from the mid-70s and it plays to this very well.

The performances in this film are amazing. Hugh Jackman's performance here is the best as the character and may be one of the best of his career. He is miserable and broken in this film and to see him like this as the character, it is bittersweet especially because Jackman has been so attached to this role. If he hurts, we hurt. If he's mad, we're mad. It is a true testament to Jackman as an actor to make his audience feel this connected to someone who is, by traditional standards, completely unrelateable. Boyd Holbrook brings a sinister performance to this and continues to build a very impressive resume. Holbrook is someone who you'll love to hate. The real standout performance here is from Dafne Keen who plays Laura. Without giving away any spoilers, she is BADASS in this film and even gives Logan a run for his money on the brutality.

Overall, Logan is a perfect comic book adaptation that is as heartbreaking as it is visually stunning. Mangold and Jackman create a special film with this that should be talked about for years to come. Believe the hype, Logan is a seriously amazing comic book film that just may be the best ever made and embodies the definition of a perfect adaptation.

FILM: 8.5 Rewatching Logan, I can't help but feel a rush of emotions as Hugh Jackman says goodbye to the role of Wolverine... or so we all thought, including Hugh himself. James Mangold teams up with Jackman for their second outing focusing on Logan, and this time it's a decidedly more introspective event, wholly unlike any other X-Men film. Taking cues from his 3:10 to Yuma remake, Mangold turns this into a western of sorts with sci-fi embellishments, creating a unique and compelling atmosphere.

Jackman delivers his most nuanced performance as Logan, portraying a character who is older, wearier, and more vulnerable than we've ever seen. It's fascinating to watch him bring depth and raw emotion to the role, making it a fitting swan song for his iconic character. Patrick Stewart also gets plenty of scope to do something entirely different, and his portrayal of Professor Xavier is both heartbreaking and powerful.

Even the plot points that usually come across as generic, such as certain action set pieces, have a different tone and feel in Logan. Mangold manages to infuse these scenes with a sense of realism and grit that makes them stand out from the typical superhero fare. The action is brutal and unflinching, but it never feels gratuitous. Instead, it serves to underscore the themes of mortality and redemption that run throughout the film.

What I love most about Logan is how it successfully blends genres, taking elements of the western and the sci-fi thriller and melding them into a coherent and engaging narrative. The film's introspective nature allows for character development and emotional resonance that are often missing in superhero films. It's a fitting way to say farewell to the role of a lifetime... for now.

Overall, Logan is a remarkable achievement, a film that transcends its genre to become something more profound and meaningful. For me, it's a deeply satisfying rewatch that reminds me why I love the character of Wolverine and the world he inhabits.

FORMAT: 4K Ultra HD Blu-ray

VIDEO: 10.0 Native 2160/24p presentation Detail level: Excellent Colour reproduction: Excellent Level accuracy: Excellent Encode: Excellent Master condition: Excellent

AUDIO: 10.0 Dolby Atmos audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Excellent LFE content: Excellent

MOOFIEMETER: 9.0.

Holy Cow! We've finally got the Wolverine movie we've all been waiting for and then some! Mr. Mangold has nailed the character and the action, and Hugh Jackman is truly a part of a Wolverine movie that has showcased the true character that the fans had hoped to see full on. Yes, we've seen superb runs and flashes but nothing this deep or this epic.

How could any movie fan in general not just adore this film? It brought elements of a lot of great genres.

Logan has to be considered genre-defining. The characters, action and story were all beyond outstanding in this movie. We are taken for a ride and can relate to Logan once again. The acting is superb and the dialogue is perfect for the level of each character. Every single character feels believable. You follow the story through Logan's eyes and what a ride it turns out to be.

This movie is emotional and moving in every single way that matters and is unique and is as far away from anything X-Men we've seen before. In this case, that's a very good thing. The fight scenes and pace are superb. I honestly could see Oscar nominations here on multiple fronts.

This movie is sophisticated and delivers a grand, tragic story. The action fits in nice but serves the story first. Unlike other "dark" films, the tone is perfect and fits the character. The supporting characters are utilized in a comprehensive and cohesive manner and are wonderful in and of themselves.

I loved everything about this movie and they left it as if this was the perfect end to Hugh's run.

This is a wolverine movie aimed at adults and definitely not for small children. The story is set in the future and Logan is taking care of Charles Xavier who has grown old and is incapable of taking care of himself. Logan, himself is now older and his health is slowly deteriorating as well. A young girl mutant enters their lives which sets off a story, which is not about super heroes fighting bad guys, but one that is on a more human level. "Logan", is a beautifully made X-Men film that deals with themes of importance of family, loyalty, and ultimately how Logan himself deals with new found emotions which he is experiencing for the very first time in his life.

This is the crowning achievement in Hugh Jackman's role as Wolverine. It is the movie he and director, James Mangold had always wanted to make. It is a dramatic work of art and for X-Men fans, has plenty of action and special FX which are a definite cut above anything that has been seen before in Wolverine/X-Men films.

A MUST SEE FOR ANY FAN AND A GOOD ENOUGH FILM TO STAND ALONE FOR ANYONE!!

The best X-Men film alongside First Class. It felt gritty, it felt real with a sense of dread and hopelessness you don't often see in this comic-book blockbuster adaptations. It should be praised for doing things differently and really pushing the edge with what can or can't be done in the genre. The triangle between Logan, Charles and Laura works as the driving force of the plot, and is very well developed. Logan's character arch is quite pleasant to watch, though obviously predictable. With that said, the acting is clearly masterclass. You can feel the dilemmas, the emotions and feelings that the characters are put through, specially those three. And another thing it does really well is alluding to a previous event - the Charles incident - but never fully explaining it to the audience, leaving you wondering. The action is nothing like you'd expect from a tenthpole - the R rating really makes up for wonders - being quite visceral and impactful. "Logan" probably deserved a better villain, although one could argue that the real villain here is not the typical multinational corporation, but the inner demons of the characters. Demons that prevent them from living albeit normal and somewhat stable life.

After countless delays and due to my stupidly swollen watchlist I finally got round to seeing Logan which at time of writing currently sits at #155 on IMDb's Top 250 list.

Though never really a fan of the X-Men movies due to the lack of consistency and shifting timelines I've always loved Hugh Jackman as Wolverine. The man has taken the character and made it is own as the likes of Robert Englund did with Freddy and for this reason I hope we don't see Wolverine again as a recast would be a travesty.

Due to the high rating, rumours of the film & Jackman claiming this was his last film as Wolverine I went in with very high expectations and truth be told they simply weren't met.

Don't get me wrong Logan is a good movie, Jackman is great, Keen is surprisingly competent and the movie flows nicely but it all felt very familiar and rather anti-climatic.

Wolverine has become of the most iconic movie characters of the last few decades so if this was destined to be his last film we truly needed something special and I don't believe this comes under that category.

Even with fantastic actors like Patrick Stewart, Richard E Grant & Stephen Merchant the movie never came close to reaching its potential and left me more than slightly let down.

The ending, arguably the worst part of the film. No spoilers to be found here just wads of disappointment.

After 9 films as Wolverine I salute Hugh Jackman for literally becoming a character, all the respect in the world. One does have to wonder if he'd have had as much success if he'd worn the proper Wolverine yellow spandex though!

SPOILER: Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected (and surely to god it's hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is.

James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold's love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There's a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time - with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) - surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong.

Logan's Run!

Ah yes, well being "adult" is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier's mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) - and her part in this very "human" story - the thrills and spills are propelled by a meaningful but battered heart.

Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there's nothing to damage the piece. Cinematography (John Mathieson) is "A" grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps.

One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10

Riven by some cavernous plot shortcomings you feel the characters, having provided such robust, beguiling and generous entertainment in the past perhaps deserved a little bit more circumstantial authenticity as they spiral their way to the final curtain call. The Cornish Caliban was a big ask to accept and take seriously, and I only see the camp and drunk Withnail whenever Richard E. Grant pops up, which makes playing the bad guy a bit more of a challenge in my eyes. Plenty of violence and dismemberment if that floats your boat and a finale that might leave more questions than answers.

With a bit more depth and dramatic flair then its predecessors, this is perhaps one of the best three or four superhero movies ever made, however it really could've explored those depths a bit further and flushed them out. While, I appreciate the effort, those giving this movie a ten , seem a bit enthusiastic about the overall scope of this film.

At the same time, I will find it hard to believe, anyone , could in reality bring The Wolverine more to life then Hugh Jackman did, some actors, seem born to play certain roles.

Overall? Worth the Watch!