In the near future where parenthood is strictly controlled, a couple's seven-day assessment for the right to have a child unravels into a psychological nightmare.In the near future where parenthood is strictly controlled, a couple's seven-day assessment for the right to have a child unravels into a psychological nightmare.In the near future where parenthood is strictly controlled, a couple's seven-day assessment for the right to have a child unravels into a psychological nightmare.
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- 1 win & 3 nominations total
Indira Varma
- Sjohus
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I saw this movie in the Hamburg Film Festival and I enjoyed it a lot! I left the cinema thinking about the many issues raised in the film and, in my opinion, this is a good sign that the movie has a story to say. I initially chose to watch the movie because Elizabeth Olsen is the lead actress. And, as I expected, she did not disappoint me. Her performance is superb! I admire how expressive she is and how well she portrays her character and conveys her emotions. An applause also to Alicia Vikander who also gives a great performance! I highly recommend the film to watch with friends and then have heated discussions about it!
Greetings again from the darkness. Authors and filmmakers have long used forecasting the future as the basis for stories. Some have been lighthearted and humorous ("The Jetsons", BACK TO THE FUTURE) and others are more bleak and dystopian (BLADE RUNNER, THE ROAD). The first feature film from director Fleur Fortune (well known for music videos) has some common DNA with the excellent CHILDREN OF MEN (2006) from director Alfonso Cuaron. Written by Neil Garfath Cox, Dave Thomas, and John Donnelly, this story shows us a future where having a kid is a privilege that must be bestowed by the government, rather than free choice.
Mia (Elizabeth Olsen, MARTHA MAY MARLENE, 2011) and Aaryan (Himesh Patel, YESTERDAY, 2019) have built a life and marriage in a desolate area. Mia has a greenhouse where she grows food, and Aaryan has a Virtual Reality room where he experiments with realistic innovations. Both are aiming to improve life of others. They believe that a missing link in their life is a child, and agree to go through the 'assessment' process. When Virginia (Oscar winner Alicia Vikander, THE DANISH GIRL, 2015) arrives, she explains that, as the assessor, her decision is the final word. Mia and Aaryan express that they will be "good parents". Virginia smiles and relays that everyone says that.
The assessment is a seven-day process and calling it bizarre definitely undersells it. At times, Virginia kicks into childlike mode, testing the parental instincts of Mia and Aaryan. It's during these segments where the story gets a bit ridiculous, despite Virginia's explanation that she needs full access to their emotions and reactions (and intimate methods). During a strange dinner party - set up by Virginia - we get discussions of the "old world" existence and the rumors associated with it.
Analysis of the psychology of folks during such times can be quite enlightening, but despite the intriguing concept, the execution leaves us a bit frustrated with the holes and goofy moments. The third act is especially confounding, although we completely understand Mia's quest for answers. Everything circles back to early on when Mia and Aaryan first ask Virginia, "Are we good enough?". We feel their desperation, but once we learn their catchphrase exchange, "I love you. That's right.", we know this isn't headed to unicorns and rainbows.
Opens on March 21, 2025.
Mia (Elizabeth Olsen, MARTHA MAY MARLENE, 2011) and Aaryan (Himesh Patel, YESTERDAY, 2019) have built a life and marriage in a desolate area. Mia has a greenhouse where she grows food, and Aaryan has a Virtual Reality room where he experiments with realistic innovations. Both are aiming to improve life of others. They believe that a missing link in their life is a child, and agree to go through the 'assessment' process. When Virginia (Oscar winner Alicia Vikander, THE DANISH GIRL, 2015) arrives, she explains that, as the assessor, her decision is the final word. Mia and Aaryan express that they will be "good parents". Virginia smiles and relays that everyone says that.
The assessment is a seven-day process and calling it bizarre definitely undersells it. At times, Virginia kicks into childlike mode, testing the parental instincts of Mia and Aaryan. It's during these segments where the story gets a bit ridiculous, despite Virginia's explanation that she needs full access to their emotions and reactions (and intimate methods). During a strange dinner party - set up by Virginia - we get discussions of the "old world" existence and the rumors associated with it.
Analysis of the psychology of folks during such times can be quite enlightening, but despite the intriguing concept, the execution leaves us a bit frustrated with the holes and goofy moments. The third act is especially confounding, although we completely understand Mia's quest for answers. Everything circles back to early on when Mia and Aaryan first ask Virginia, "Are we good enough?". We feel their desperation, but once we learn their catchphrase exchange, "I love you. That's right.", we know this isn't headed to unicorns and rainbows.
Opens on March 21, 2025.
The 3 leads are pretty good in their roles but story just didn't gel together for me. Very little is known of the dystopia, the cause, the effect the hope. The entire focus is really on the assessment of the couple's readiness for raising a child. A few sprinkles of insight into their work life doesn't do much to round out their characters. Virginia the assessor of the couple is quite erratic and throws every cliche of bad childish behavior to test the couple. This was mildly interesting but it grew tiresome.
I didn't expect the story to continue where I had thought it should have ended. Just delivered more dialogue that no longer mattered to me as I had already mentally checked out. I think the premise and the awkward start of the movie could have been a rating of 7. By 1/2 way through the movie lost its mojo and slid down to a 5.
Watch it if you like the lead actors but the story might grind on you.
I didn't expect the story to continue where I had thought it should have ended. Just delivered more dialogue that no longer mattered to me as I had already mentally checked out. I think the premise and the awkward start of the movie could have been a rating of 7. By 1/2 way through the movie lost its mojo and slid down to a 5.
Watch it if you like the lead actors but the story might grind on you.
Given the rating that was 6.9 at the time, I expected much better than I received. In short, You're told that the world has split into two. One where the air is purified somehow and the old which was soiled. Almost nothing is told about this process and the film tries to stick to just one issue. People are limited to having no children unless given permission. An assessor will come to the house to determine whether a child may be produced. In comes Alicia vikander.
She then proceeds to act like a child for much of the rest of the movie. At times it is incredibly silly and not believable. The actors do a fantastic job in selling the concept, but but she goes in and out of character at times that you don't know which version she is and the characters are understandably confused. Some of the reactions of the adults supposedly treating a child are understandable because they aren't dealing with a child. The test is inherently itself, not fair but you're asked to go along with it. But there was one absolutely ridiculous test, in which the answer is blatantly obvious to everyone but the tested person. Perhaps they thought it was a good idea on paper but it was executed so painfully that it was difficult to watch. There are also many holes in this script.
Minnie driver steals the show in the one scene that she appears. But in the end, which is rushed badly, you get to find out some answers which is standard dystopia. I didn't find redeeming qualities about this film whatsoever. The moral of the story is raising children can be a difficult experience. And the rest of the science fiction element is completely unexplored. It's only there to create cool effects and provide a reason for the assessment.
I completely admire the fine performances by the actors. But this bit of silliness is 2 hours of time. I really wish I had back. If you're a fan of frilly artistic portrayal with lots of diversity as part of our future, you might appreciate this. But it is completely superficial.
She then proceeds to act like a child for much of the rest of the movie. At times it is incredibly silly and not believable. The actors do a fantastic job in selling the concept, but but she goes in and out of character at times that you don't know which version she is and the characters are understandably confused. Some of the reactions of the adults supposedly treating a child are understandable because they aren't dealing with a child. The test is inherently itself, not fair but you're asked to go along with it. But there was one absolutely ridiculous test, in which the answer is blatantly obvious to everyone but the tested person. Perhaps they thought it was a good idea on paper but it was executed so painfully that it was difficult to watch. There are also many holes in this script.
Minnie driver steals the show in the one scene that she appears. But in the end, which is rushed badly, you get to find out some answers which is standard dystopia. I didn't find redeeming qualities about this film whatsoever. The moral of the story is raising children can be a difficult experience. And the rest of the science fiction element is completely unexplored. It's only there to create cool effects and provide a reason for the assessment.
I completely admire the fine performances by the actors. But this bit of silliness is 2 hours of time. I really wish I had back. If you're a fan of frilly artistic portrayal with lots of diversity as part of our future, you might appreciate this. But it is completely superficial.
Great cast, beautiful set design and an uncompareable story. Very warmly recommended. Parenting, feminism, challenges of emotional boundaries, conflicts of not having a plan b for our planet.. complex topic brought together in a very beautiful way..
went to see the movie yesterday. It was clearly stunning to see this simple but still complex story of these 3 main characters. The vfx are implemented in a very subtle and not dominant way for a partly sci-fi movie such as The Assessment. I will for sure watch this movie again and again and cannot wait to see this movie in the short list for the oscars! Congrats!
Storyline
Did you know
- TriviaDirector Fleur Fortune and production designer Jan Houllevigue intentionally did not use wood furniture and wood accents as part of the set because there's no forests left in this timeline. Instead everything was made of concrete and stained glass and purposefully given a "70s retro feel" to make it feel more relatable to audiences, versus the obvious sci-fi look - white, minimal, clinical - which would have come off as too futuristic.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- 親權考核
- Filming locations
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Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $279,328
- Opening weekend US & Canada
- $152,905
- Mar 23, 2025
- Gross worldwide
- $279,328
- Runtime1 hour 54 minutes
- Color
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