Directed by
| Juan Azulay | ||
| Guillermo Navarro | ||
Cast
| Mía Maestro | ... | Mia Maestro | |
Produced by
| Juan Azulay | ... | producer |
| Flavia Lowenstein | ... | producer |
| Mía Maestro | ... | producer |
| Guillermo Navarro | ... | producer |
Cinematography by
| Alvaro Navarro | ||
Editing by
| Michael Rothman | ||
Production Design by
| Amanda Hallberg | ||
Art Direction by
| Flavia Lowenstein | ||
Set Decoration by
| Lindsay Stephen | ||
Makeup Department
| Saori Nakada | ... | makeup artist |
| Rod Ortega | ... | key hair stylist |
| Nelly Recchia | ... | key makeup artist |
Art Department
| Evan Robertson | ... | additional fabrication |
| Jill Salaver | ... | set dresser |
| Jessica Sardas | ... | assistant art director |
| Alana Shea | ... | set dresser |
| Lindsay Stephen | ... | set dresser |
| Saori Wall | ... | set dresser (as Mariana Renteria) |
Visual Effects by
| Andy Barrios | ... | visual effects |
| Scott Boyajan | ... | visual effects producer |
| Cameron Coombs | ... | visual effects |
| Nicolas Martinez | ... | visual effects |
| Andrew McKenna | ... | visual effects supervisor |
| Megan Meloth | ... | visual effects |
| Bruno Parenti | ... | visual effects |
Camera and Electrical Department
| Kathryn Brillhart | ... | grip |
| Matthew Devitt | ... | best boy |
| Collin Erie | ... | b-roll |
| Nick Larson | ... | dolly grip |
| Kevin Natera | ... | digital imaging technician / digital imaging technician: video assistant |
| Cid Salcido | ... | first assistant camera |
| Kurt Stevens | ... | camera operator |
| Rick Stribling | ... | key grip |
| Alan Vidali | ... | first assistant camera |
| Tony Wade | ... | dolly grip |
| Bunni Wyldeflower | ... | still photographer |
Editorial Department
| Christina Caldwell | ... | post-production producer |
| Elliott Hanes | ... | media assistant |
| Clark Muller | ... | colorist |
Thanks
| Cecilia Paredes | ... | special thanks |