Directed by
| Brandon Slagle | ||
Writing Credits (in alphabetical order)
| Brandon Slagle | ... | (written by) |
Cast (in credits order)
Produced by
| Rachelle Marie Chvala | ... | co-producer |
| Liz Cuppie | ... | executive producer / line producer |
| Dean England | ... | co-producer |
| Ken Felder | ... | co-producer |
| Ranata Felder | ... | co-producer |
| Raquel Felder | ... | co-producer |
| Henry Francis Frederick | ... | co-producer |
| Britt Griffith | ... | executive producer |
| Karen Keen | ... | co-producer |
| Kim Kerns | ... | producer |
| Ryan Kiser | ... | associate producer |
| Donna Kopp | ... | co-producer |
| John Kopp | ... | co-producer |
| Devanny Pinn | ... | producer |
| Gene Winters | ... | co-producer |
Cinematography by
| Michael Rattet | ||
Editing by
| Maximillian Williams | ||
Makeup Department
| Jess Johnson | ... | makeup artist |
| Carrie Mercado | ... | makeup artist |
| Tawny Amber Young | ... | hair department head / makeup department head |
Production Management
| Mel Turner | ... | unit production manager |
Second Unit Director or Assistant Director
| A.C. Slamet | ... | first assistant director |
Sound Department
| David Arp | ... | boom operator |
| Matthew Barriga | ... | sound recordist |
| Amber Cyr | ... | foley artist |
| Adam Noya | ... | foley artist / sound mixer |
Special Effects by
| Alex Hill | ... | special effects |
| Adrian Marcato | ... | special effects |
Visual Effects by
| Nicholas Gartner | ... | visual effects artist |
| Travis Legge | ... | color correction / color grader |
Stunts
| Mel Turner | ... | stunt coordinator |
Camera and Electrical Department
| David Arp | ... | gaffer / key grip |
| Albert Ortega Jr. | ... | still photographer (as Albert Ortega) |
| Michael Rattet | ... | camera operator: "A" camera (as Michael B. Rattet) |
| Jonathan Scott Shensa | ... | still photographer |
| Brandon Slagle | ... | camera operator: "B" camera |
Casting Department
| Alexis Iacono | ... | casting associate |
Editorial Department
| Wayne Kent | ... | colorist: extended cut |
Location Management
| Venice Laroy Liston | ... | location liaison |
Music Department
| Alex Khaskin | ... | composer: stock music |
| Adam Noya | ... | score recordist |
| E. Rex | ... | score recordist |
Script and Continuity Department
| Emma Danoff | ... | script supervisor |
Additional Crew
| Alicia Byrd | ... | car provider |
| Ezra Espenida | ... | production assistant (as Ezra Esperida) |
| Matt Grobar | ... | production assistant |
| Kim Kerns | ... | on-set medic |
| Rafael Kurtz | ... | dit |
| Charlie Morfin | ... | car coordinator |
| Teresa R. Parker | ... | law enforcement technical advisor (as Teresa Parker) |
| A.C. Slamet | ... | assistant director |
Thanks
| Spike Bowden | ... | the producers wish to thank |
| Julien Delattre | ... | the producers wish to thank |
| Vaughn Juares | ... | the producers wish to thank |
| Bobby Marsden | ... | the producers wish to thank |
| Wini McKay | ... | the producers wish to thank |
| Cheryl Nelson | ... | the producers wish to thank |
| Leigh Scott | ... | the producers wish to thank |
| Jen Soska | ... | the producers wish to thank |
| Sylvia Soska | ... | the producers wish to thank |
| Pearry Reginald Teo | ... | the producers wish to thank (as Pearry Teo) |
| Brandon Van Vliet | ... | the producers wish to thank |
