From the Himalayas to the Rockies, “Nocturnes” flew from one mountain range to the next with its premiere at Sundance last month. The mesmerizing tone poem centers an unusual subject – moths – in the Eastern Himalayan forest, as seen through the eyes of researcher Mansi Mungee and Bicki, a temporary employee from the indigenous Bugun community. The duo returns time and time again to their silvery white moth screen, a reflective surface that attracts moths for study in the forest. The film delights in extreme close-ups of these winged friends, accompanied by their ambient sounds: the delicate flutter of wings, the gentle whisper of rain, the loving murmurs of Mansi as she studies them.
The sheer dexterity of the documentary was recognized at Sundance, winning the World Cinema Documentary Special Jury Award for Craft. For me, “Nocturnes” also seemed to resonate with two other Indian nature documentaries that had premiered at...
The sheer dexterity of the documentary was recognized at Sundance, winning the World Cinema Documentary Special Jury Award for Craft. For me, “Nocturnes” also seemed to resonate with two other Indian nature documentaries that had premiered at...
- 2/17/2024
- by Grace Han
- AsianMoviePulse
Updated throughout with new buys. Despite some initial trepidation, big sales were not in short supply at this year’s Sundance Film Festival, with Netflix spending big on everything from “It’s What’s Inside” to “Skywalkers: A Love Story,” Searchlight Pictures going for “A Real Pain,” Amazon MGM getting in on the “My Old Ass” action, Neon wisely snapping up “Presence,” and Sony Pictures Classics getting down with “Kneecap”, but that doesn’t mean there aren’t plenty of superior films still looking for homes.
Of the still-for-sale titles that premiered at this year’s festival, there’s plenty to intrigue all sorts of buyers, from those looking for films with excellent performances that could inspire major awards pushes (like Saoirse Ronan in “The Outrun”), those in search of the next big director, or documentary lovers looking for films with incredible real world impact and fascinating true stories.
And while it’s still early days,...
Of the still-for-sale titles that premiered at this year’s festival, there’s plenty to intrigue all sorts of buyers, from those looking for films with excellent performances that could inspire major awards pushes (like Saoirse Ronan in “The Outrun”), those in search of the next big director, or documentary lovers looking for films with incredible real world impact and fascinating true stories.
And while it’s still early days,...
- 1/29/2024
- by Kate Erbland, David Ehrlich and Ryan Lattanzio
- Indiewire
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
The 2024 Sundance Film Festival has announced its winners, with In the Summers taking the Grand Jury prize for U.S. Dramatic Competition and Porcelain War landing the award for U.S. Documentary Competition.
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
- 1/26/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The 2024 Sundance Film Festival awards were announced today at The Ray Theatre in Park City, Utah.
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
- 1/26/2024
- by Prem
- Talking Films
The Sundance Film Festival welcomed a new class of indie film stars on Friday, handing out its annual awards in Park City, Utah.
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
- 1/26/2024
- by Matt Donnelly
- Variety Film + TV
At this year’s Sundance Film Festival, the IndieWire team is endeavoring to take you into the heart of the festival experience, thanks to a series of rolling roundups that aim to synthesize each day, all the action, most of the drama, and the stuff everyone is talking about, in Park City and beyond.
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
- 1/23/2024
- by Kate Erbland, Ryan Lattanzio and Marcus Jones
- Indiewire
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The opportunity to be in this incredibly rich and stunning forest in the Eastern Himalayas and make a film here has been life-altering for us. How to share what we saw with our eyes, heard with our ears, and felt with our being? Could […]
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The opportunity to be in this incredibly rich and stunning forest in the Eastern Himalayas and make a film here has been life-altering for us. How to share what we saw with our eyes, heard with our ears, and felt with our being? Could […]
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The 40th edition of Sundance Film Festival kicks off today, and notably, queer and Himalaya-themed films take over the Asian/Asian diaspora slate of the mountain festival. In previous years, Sundance has been a frontier for Asian diaspora films. Last year alone saw a full slate of Asian diaspora films, with “Past Lives” (Celine Song), “Shortcomings” (Randall Park), “The Persian Version” (Maryam Keshavarz), and more, among others – there are considerably less Asian American films in the primary competition. This year, in the US Dramatic Competition, only one film, “Didi (弟弟)” by Sean Wang stands out amid the crowd.
Films about the Himalayas have taken center-stage in the World Cinema Competitions, however, with three titles this year: “Girls will be Girls” (Shuchi Talati), “Agent of Happiness” (Arun Bhattarai), and “Nocturnes” (Anirban Dutta). Queer Asian diaspora cinema is front and center this year as well, with “Layla” (Amrou Al-Khadi) and “Desire Lines...
Films about the Himalayas have taken center-stage in the World Cinema Competitions, however, with three titles this year: “Girls will be Girls” (Shuchi Talati), “Agent of Happiness” (Arun Bhattarai), and “Nocturnes” (Anirban Dutta). Queer Asian diaspora cinema is front and center this year as well, with “Layla” (Amrou Al-Khadi) and “Desire Lines...
- 1/20/2024
- by Grace Han
- AsianMoviePulse
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.