Titli (2014) Poster

(2014)

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7/10
A ballsy attempt at the dirty dark!
scottshak_1115 November 2015
Kanu's Titli is an insane scrutiny into the head of a protagonist born in shambles. Surrounded by a filthy immoral environment that has affected his upbringing, Titli is a complex character breathing in a rotting muck with a dream.

The direction of Titli is one of the finest kinds. Behl spends ample amount of time on mundane things, captures mire gorgeously. He has caught the broken and the shattered perfectly. He literally walks behind the protagonist with a shaky camera to execute a well prepared live action drama to perfection. His frames are slow, and fade to the next ones with a purpose. He also incorporates great backdrops to complement his work. Little unnoticed things have been brought into the vanguard. Things that we see and forget quickly have been slapped on his frames. Like a spider dangling to the movie's score, or an old tattered ceiling fan making every effort to breathe in a trampled house. He captures an entire developing city marvelously to insinuate how a lot of people are slaves to dreams like that of Titli's.

The flick begins with Titli's dream, in a parking lot of a mall. It focuses on how the lad is trying really hard to escape from the swamp he has been breathing in. Then comes the unfortunate incident that topples his life over. He finds himself at Ground Zero once again. His brethren marry him to a girl for advantage. The girl on the other hand brings another story with her. The whole plot is about pursuing his dream, tackling hell whilst doing so and his life being smacked between his dream and someone else's.

The movie also compels you to think about the choices Titli takes at odd crucial hours. It lets you dive deep into the head of an abnormal person whose life had been nothing but chaos. There are a lot of things going in the skull of Titli, character exceptionally portrayed by Shashank Arora, and you can almost read him like a book. Lalit Behl's character is that of an onlooker and a freeloader, a leech who doesn't involve himself in anything and yet piggybacks to feed himself. As Titli, eventually calls him a 'pig' an apt Some of the bits in the movie are downright outrageous. There is a lot of retching going on, which might disgust you beyond limit. When you see someone take up a hammer or a stick, you expect some badass bludgeoning, but alas this wasn't put a proper thought to, and it looks more animated than real. Such places you can almost see through their acts.

Titli touches the thrilling dark which might give you the chills at times. It is scintillating at many junctures, fills you with sympathy and a plenty of times with disgust.

Another great thing about the movie is its exceptional cast. Their acting prowess is extremely engaging. Little unaffected acts that cover 'em up with profundity are quite delightful. Everyone is engulfed in their bits and that just nails the coffin perfectly. We surely can't overlook Amit Sial's bit in the movie. Ranvir Shorey is simply outstanding too.

The editing department of the flick could have seen some more cuts, since the movie ended up being lengthy.

Bottomline: Titli isn't for everybody. If you are into dark cinema or wish to watch quality movies, go for it.
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8/10
Raw and delinquent
ajit210617 December 2015
"Titli" keeps all the clichés aside and gives you some hard-hitting cinematic experience. Kanu Behl has surely an eye for the avant-garde cinema and directs this cruel and unrepentant film.

Three brothers live their lives doing random car-jacking in Delhi's dark side with their father. They do not have any remorse doing these felonies but everyone is combating the cruelty of life. The poverty, covet to live a better life and crime are the main components of the film.

This is not your every Friday film; it induces a challenge for the viewer and shows that people are surviving in any condition. They can go to any length chasing the dream of being better and living a layman's life. However, there are plethora of complexities and struggle. If you belong to hell, all the roads will bring you back and there is no redemption at all. The resurrection and resurgence is not an easy nut to crack.

It may not be everyone's movie but niche will surely appreciate this because it has a breath of fresh air and it does not rely on pompous or larger than life characters. Every character has a motive and it has been designed carefully.

The long shots and silence describe every nuance and it does not require pages of conversation or dialogs. The acting is powerful and actors have delivered the dialect to the perfection.

We need this kind of cinema which leaves you thinking after watching it and spread the cognizance that there is a whole different life which does not belong to chiffon cinema.

Kudos.
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9/10
Brutally real - Not for children
indianature2 May 2016
I wanted to watch Titli for awhile and managed to get hold of a VCD eventually.

This is a very dark story, not for those who are looking for a 'time- pass' watch.

It is also brutally real. The settings are so real. Apart from the smells of the surroundings that obviously do not come through, this is perhaps too real for comfort.

Whoever did the casting did a brilliant job. Shashank Arora is the perfect Titli, Shivani - Neelu as is the rest of the cast.

It is an unusual plot, very well executed. While I enjoyed the film as a film, this is not for those who seek entertainment in a movie.

The abusive language and some of the violent scenes are not recommended for children.

That said, Titli is worth a watch for those who like serious cinema.
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10/10
Honest, heartbreaking and brutal
suhas-n-agnihotri3 November 2015
The movie was extremely realistic and had an interesting story that you can relate to. Nothing was over the top; just the sad reality of crimes that we read of in news papers. Living here for some time; I can say the culture and locale depicted in the movie were hilariously accurate. Great acting especially by Ranvir Shorey made it a great watch. Graphic scenes were also very realistic and scared me more than most horror movies I have seen recently.

This is one of the few Hindi movies that I can compare to Hollywood. I could feel the same depressing, heavy atmosphere as I felt when watching 'No country for old men.' Never expected Indian cinema to churn out such a gritty film. Hats-off!
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9/10
Raw movie, not your usual commercial dreamland!
vikramd31 November 2015
Now 'Raw' isn't a genre but it could very well be. The movie is as Raw as it gets. If you are planning to watch this movie on a lazy Sunday afternoon then you're better off it.

This movie is not for folks who expect the typical 'Bollywood Happy Ending'. Its far more in touch with reality than any other movie that I've seen in the last year, which is what makes it raw and gripping.

This is not your typical weekend movie and takes you into a world that no one really wants to be a part of. The struggles, the relationships, the circumstances are very real and you ought to watch it if you don't mind a taste of the 'not so beautiful' reality every now and then.

A little more pace in the movie would've definitely made this a far more edgy thriller, lets get a better editor next time maybe!
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7/10
A typical Indie release i.e. a story/incident you will remember
notofdisdimention30 October 2015
'Titli' for me is a movie which makes an impact because of the unique storyline, the plots and themes it covers at ground level is new and honest. The movie shows that how the circumstances in which a poor and ambitious person gets into causes him to take shortcuts and involve in evil means. How the rich and powerful and the so called 'friends' try to take advantage of your situation.

The story is about a poor family, comprising of people who won't blink before doing any harm to others. The members are working as a watchman, or at petrol pump as shown in some scenes, but to earn money they con people and steal their cars. To improve the chances of them to con people they know that they need a girl in their gang , and they get the younger son married to Neelu, and hence her story also comes in the picture where it is shown how ambitious she is but is also fooled because of blindly trusting strangers.

The director did a great work at showing the tension between the characters and the way he showed the brutal hammer scenes is praiseworthy. But he is swayed away with those long "ART MOVIE" shots, the shots were unpolished and the meaning he wanted to come out of them was also not effective.

The writing for some characters was really deep and sensitive. Like the father - a selfish person who just cares for his food and TV, and don't object to the wrong his sons are into. Rarely a character like this to be seen in bollywood.

The casting is done perfectly. Shivani as Neelu is a perfect fit and same goes for Ranvir Shorey as the elder brother.

Watch this movie for an enriching experience and the surprising solutions provided to the problem of ambitiousness or desperation of a poor immoral family.
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10/10
Perfectly executed movie
kartikpancham31 October 2015
Keep it up "Kanu Behl".

I usually don't write reviews but this time I thought I should. In the badlands of Delhi's underbelly, Titli, the youngest member of a violent car-jacking brotherhood, plots a desperate bid to escape the 'family' business. His schemes are thwarted by his unruly brothers, who marry him off against his will. But Titli finds an unlikely ally in his new wife, Neelu, who nurtures her own frustrated dreams.

Sad that it did not make enough box office collection even though it was a low budget movie.

This movie is well crafted & a-far better than high budget ones . . . !!!
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7/10
Watch it as a must for the intense performances, rising above the hard to believe sequences in terms of reality.
bobbysing2 August 2016
Co-written and directed by Kanu Behl, TITLI is undoubtedly one of the most hard-hitting films of the year with performances capable of shaking you well establishing a highly relatable connection with the viewers, especially with the people living in Delhi and NCR. But unfortunately it's not the same Delhi anymore on the screen that once had all positive vibes and a unique freshness as seen in films such as Sai Pranjpye's CHASHME BUDDOOR in the 80s.

Interestingly Kanu Behl was also associated with two other projects using the backdrop of Delhi in their respective story lines and they were Dibakar Banerjee's OYE LUCKY LUCKY OYE (2008) and LSD: LOVE, SEX AUR DHOKHA released in 2010. However where these films specifically focused on the Punjabi ambiance of the West, North or the Central Delhi, TITLI thoughtfully takes you into the virgin lanes of East Delhi (lower middle class regions of Yamuna Paar to be specific) painting a different picture of the city moving ahead of all the earlier films mentioned above.

In other words, it's this authentic portrayal of the small adjoining houses of the region, the narrow lanes, huge sewer lines, tough living conditions, regular petty fights in the locality, unemployed youth looking for some easy money, numerous cases of road rages, builders lobby, easy availability of local ammunition, involvement of Police in even the small crimes and more, that exactly becomes the first strong merit of the film demanding a much deserving praise for its director along with his talented team of writers, art- director and the cinematographer in particular.

The second powerful merit of the film is its highly engrossing, impressive as well as disturbing performances that actually don't let you think anything else till it all gets over on an open note (following a set pattern). The cast ensemble brilliantly portrays the story of a dysfunctional family of 3 brothers and a father, with the elder brother going through a divorce and the youngest unwillingly getting married to a pretty girl, with a purpose of using her in some hidden criminal acts of the family not many are aware of.

Towering them all, Ranvir Shorey as the elder brother simply nails it with a haunting act full of terrifying anger, rage and violence. Amit Sial as the second brother presents a balanced act with a touch of kindness too. And Shashank Arora as the youngest (Titli) delivers an intense performance of a confused yet desperate youth willing to get out of his family's deadly mess at the earliest. Lalit Behl enacting their father (director's own father) impresses you in a different manner with his awkward lost mannerisms and body language.

But its actually Shivani Raghuvanshi as Neelu (Titli's wife) who simply wins the contest along with Ranvir playing a strong girl living with her own agenda of life that in reality has no sane meaning or direction, performing sportingly in the masterstroke scene where she pisses out of fear in the car itself.

Together director Kanu Behl, his co-writer and the team conceives a film that simply isn't interested in any spoon feeding (about the past) but does have a detailed visual description of the present life lived by its key characters with many small indicative insertions like the way they dress, eat, brush, gargle and talk to each other in a lingo that is so close to Delhi's real life found in such lower middle class colonies. Though its stomach churning violence and raw treatment might not be a pleasant feature for a larger section of viewers looking for their usual entertainment, but with a brisk story progression and crisp editing, the film doesn't drag at all and also provides the much needed relief factor too through some intelligent dark humour placed at regular intervals.

Stating its major drawbacks, the film is just perfect in its opening sequences and impresses you strongly in these initial moments till they decide to get their youngest brother married to an even smarter girl. And its from here onwards that the narration tends to become quite filmy as well as overdone at times with no investigations shown for the regular loots undertaken by the brothers in the same region, easy & mindless stealing of the trial-car (probably) killing the salesman too in the broad daylight with no chasing of police and then intentionally breaking the girl's right hand with a consent just to avoid the signing of a FD document. Besides, at one end the family is shown to be living in poor conditions throughout the film (though eating chicken most of the time in their meals), but on the other they are regularly looting rich travellers, taking away their cars too with no mention of where the money acquired from those crimes goes, skipping it completely.

However my biggest problem was with 'the unusual marriage' shown, that was just not believable right from the first scene itself where the two families and the couple meet each other.

Strangely the writers were least concerned about this particular point and just to move their story forward, simply decided to assume the girl's parents readily agreeing to the mismatched marriage as two dumb individuals doing nothing to fulfill their big parental responsibility and having no issues in sending their young, beautiful girl to the unacceptable house of such horrifying criminals only because she was having an affair in the past and they wanted to get rid of her at the earliest.

Yet concluding the review on a positive note, you should surely watch TITLI for all its praiseworthy, intense performances rising much above the hard to believe sequences in terms of reality. Because though it isn't perfect, the film still remains a highly appreciable and well enacted experiment that successfully draws your attention towards the kind of life lived in such narrow lanes of the otherwise developed metro cities of our country.
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9/10
Very raw and untouched story of an urban below middle class family.
shreyanshverma164 November 2015
Strong base of raw and creative story. This movie had unfold another picture of the Indian suburbs which lies in the family situated in there. If one talks about the screenplay, they have done full justice by keeping it slight gritty. The music dwells in situation, defining every bit of the movie. The movie maintains a normal pace, the storytelling not fast but holds the content in its pace. From assisting LSD and Oye Lucky Lucky Oye, Kanu Behl made a promising debut in the line of direction. If you are familiar with the dark, noxious underbelly of Delhi, then Titli hits you in the guts right from the first frame. Because it is about a world which co-exists right in our midst, a world so lowly that we ignore but never forget while driving back home in the still of the night. Even if you haven't been to any such place in the capital, or encountered the people who inhabit these crowded bylanes, the fact is that Titli could be about any city, and its people.

Titli (Shashank Arora) is the youngest in a family of poor car-jackers who live in the outskirts of Delhi. These bylanes are occupied by people who're oscillating between the idea of a better life and their ruined present. Titli's elder brothers, Vikram (Ranvir Shorey) and Bawla (Amit Sial) are emotionally traumatised, drifting from one day to the other, without any concrete plan for their future. It's this oppressed section of the society which is untouchable for the growing 'corporate' India. Writers Sharat Katariya and Kanu Behl don't keep you at an objective distance. They challenge you to stop ignoring the so-called social blots, and once you're sucked in, they make you believe that the injustice behind the rough exterior is systematic. It could be anything from the patriarchal mindset to the hurried urbanisation, or maybe it's a mixture of both and many more twisted theories. The language, lifestyle and aspirations of these people living beside a gutter prompt a lot of Dilliwaallaahs to deny their existence despite knowing that it's actually the 'civilised' world which is contributing to pushing them over the edge. No, Titli doesn't frighten you. It doesn't make you privy to some private conversations either. Instead, it pushes you out of slumber and makes you see the after-effects of a waywardly classic liberal economy. Kanu Behl's Titli is the most impressive film of this year so far. Its tryst with reality will keep you hooked till the end, to say the least. Titli is the latest gem from evolving Indian cinema. Don't even think of missing it.
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7/10
The 'Dislikably Likable', Distressed Flight of "Titli"
Tanay_LKO10 November 2015
Warning: Spoilers
In the simplest of words – Titli is just not a casual watch, and definitely not for a regular cine-goer. Its hard to look at, through a myriad of disgusts. However, as we go through its odd ninety- minutes, we start thinking, if not totally, a little differently.

The film follows a journey (an unnerving sequence of events) in the life of this last-born son, Titli (efficiently enacted by Shashank Arora), of an all-male family of hawk-spit, cheap swearing car- jacking goons who are in downtrodden times in the underbelly-circle of Delhi. Though determined to change his profession and getting out of the dystopic-nexus of his brothers (the formidable - Ranveer Shorey, the surprise - Amit Sial) and his 'passively-parasitic-slime' of a father (Lalit Behl), he finds himself amidst a fresh setup of 'misalliance' with his newly wedded wife, Neelu (another surprise - Shivani Raghuvanshi), who is adulterous and at flight risk. Stuck in the middle, Titli collusively plans out an escape and as the plot twists further when the 'car-jacking antes' are raised, to whether to fly away from the shithole of its coop of his family, or to continue with the hypocritically condescending and unwilling livelihood malpractices.

As a director, Kanu Behl along with his co-screenwriter (Sharat Katariya,"Dumb Laga Ke Haisha"), makes an unfriendly, dislikable film with similar set of characters, and adds copious disgust-inducing content, actions and a raw sense of violence (sans very-graphic- scenes, as a respite), plus adding a set of newcomers to play the protagonists. It is a very bold decision and works surprisingly well for this film. As aforementioned, it is a difficult watch, still, the film cleverly carves out an honest story amidst the trauma and fiascos. A subtle nod to the endeavor of the strength of human spirit – to strive the hardest possible to come out of the hardships; perhaps, the reason that a viewer tends to 'dislinkingly-like' it.

What impresses more is its crisp-editing (Namrata Rao, "Kahaani") and 'part-abstract-part-naturalistic' cinematography (Siddharth Diwan, "Queen"), that accentuate the dystopic-lives of the character-driven crime-drama with the backdrop of a dream-like score (Karan Gour, "NH10").

Conclusively, this Cannes entry is a different side of cinematic storytelling of a grim tale of gore and blood spill, with the bleakest hope of light shining out in its grimness and raw mulch. No matter how much one feels repelled, we tend to empathise with the insecurities of human nature and towards the state of maladies, dreams and of course, the very existences of the characters and in an extension – of us.

Rating – 7/10
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8/10
It is a fair drama, unfolding into something good.
MuviFan7321 August 2018
All I can say is it is one of the serious kind of movies. It is sad to see the number of Audience it has gathered. It is serious drama which one should definitely watch. It highlights how one desperately tries to walk his way out of a turbulent atmosphere.

What I want to highlight is the nature of such criminals. They commit crime, despite that they fear God; they worship him in one of his forms. I guess if that's not that they are branded as psychopaths. For me accepting them, worshipping makes me uncomfortable. They belong to hell and nothing should come between that.

Final Verdict: If you like serious cinema unfolding into something good, don't skip this one. It needs to go to most of the audience.
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6/10
An interesting tale of working class anomie .....
PimpinAinttEasy30 October 2015
Warning: Spoilers
Dear Kanu Behl,

I thought your film was alright. The trailer gave a wrong impression about the film. I thought it would be like Trainspotting with some fast cuts and editing.

Anyway, It started off really well. This Shahank Arora guy pulled off the role physically. He had this haunted expression on his face throughout. His gaunt body made you feel bad for the guy. That was a great casting choice.

Shivani Raghuvanshi who played his wife was also very good. They had a great chemistry between them. The scene where they walk to the car showroom and the way they interact with the snobby car salesman was well done. It sort of emphasized the feeling of desolation felt by these characters. I liked it. But such scenes were few and far between. You had to ruin it immediately when the brothers intrude with the violent car jacking scene. The day after the girl arrives in the house! What were you thinking? There was too much of Titli's brothers in this film. The whole film ought to have been about Titli and his wife. There should have been many scenes where Titli and his wife interact in their room. I mean, both of them are in a soup. It is them against the world. The brothers should have been in the background. Instead you have too many scenes of the brothers brushing their teeth and chewing on onions. My wife kept burying her head in my arms during the tooth brushing scenes. What was up with that? And the scene in the dirty toilet. What the hell dude? Why did you have to show all that stuff? Did you think you were making Salo or something? All these things served as distractions. And they were quite painful to watch. You are talented enough, there are enough scenes in this film to show that you have made a very personal film about something you felt very strongly. But why show off like this? There were too many teeth brushing scenes.

And what the hell were you thinking casting Ranvir Shorey as the big brother? He made no impact whatsoever.

But you did nail a a lot of things. As a misanthrope, I identified with the main character. The background score was quite good. I will definitely watch your next film, man. Even though I was quite disappointed by this film.

I admit that I turn to movies for things that I am not experiencing in real life. I want every film to be like my best friend. I am too subjective.

So yes. This whole review is very very subjective.

Best Regards, Pimpin

(6/10)
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4/10
art for farts sake
bnkakl6 November 2015
Art for Fart Sake!

brilliant acting, fantastic storyline cant save this hugely boring and what seemed like a never ending movie from turning into a disaster!

seeing everyone rant and rave - i don't get it! yawn !

endlessly long shots - and what i thought quite disjointed flow of the film - seems rather amateur in its story telling. something a very good student in a film institute would make.

but i guess different strokes for different folks.

but again brilliantly acted! if the film was half its running time - i would just loved it and super loved it!

hats off to the person who made the trailer and made it look like such an exciting film - also would like to know the name as the next time i see a trailer made by him - will know not to really believe it!
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10/10
Best movie of recent years...Kanu it deserves 10
ShaSin29 January 2016
Deserves 10 rating! Amazing direction. Real actors. And such display of emotion.

All done just with camera placements and mild gestures of actors.

Look at how detailed the shooting locations are set. Each object visible on camera, has a purpose in the background of the scene!

Must watch!

If you are familiar with the noxious, dark underbelly of Delhi, director Kanu Behl's Titli hits you in the guts right from the first frame.

If you care for real direction and amazing actors.

May feel violent and gross, but wait till the end!

Titli grips you in a weird way. You recognise these characters: They could have studied with you in college, sold you second-hand motorcycle parts... even threatened you with a baseball bat when you bumped into their scooter at a traffic signal. The close ups of this dysfunctional family disturb as these give you an insight into a world far from shining showrooms and international food joints.
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9/10
Fantastic movie about small-time vicious crime family
ravenus1 November 2015
Warning: Spoilers
The film centers around a family of petty gangsters in Delhi that lead an incredibly sordid life, and what happens when the youngest, the relatively sensitive lad named Titli gets married and the complications arising from that relationship in his family trade. It loosely reminds me of the Australian crime drama Animal Kingdom, but is original in the characters and events. Direction is very strong and the performances are terrific all around. The one thing that bothered me was the low grade digital photography (looked like it was shot on mobile phones), which made any scenes not shot in full daylight look very drab. But a terrific movie that deserves to be watched.
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6/10
Titli (A) Hindi ----------- my Rating: ★★★ SLOW REALISTIC DRAMA
yunusitboss13 December 2015
New movie Reviews and lots more Hot news .... LIKE THIS PAGE : English Hindi TAMIL TELUGU Facebook : Movie Review by Yunus Irshad https://www.facebook.com/YunusIrshadsMovieReview

Titli (A) Hindi ----------- my Rating: ★★★ SLOW REALISTIC DRAMA

STRENGTHS:- * The Best part is the First half.... * Some realistic performances by the cast...... * Great camera-work and direction.....

WEAKNESSES:- * Last 30 minutes was boring and drags a lot.... * Story was simple......

FINAL VERDICT:- * Overall...it is an adult realistic drama takes place in the society. Just watch it if you like some drama with gaalis,,,,,,

In the badlands of Delhi's dystopic underbelly, Titli, the youngest member of a violent car-jacking brotherhood, plots a desperate bid to escape the 'family' business. Director: Kanu Behl Writers: Kanu Behl, Sharat Katariya | 1 more credit » Stars: Shashank Arora, Lalit Behl, Sumit Gulati | See full cast & crew »
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8/10
The best Indian Movie in the last 30 years !! Hands down
ealesnj5 September 2018
Ever been punched in the gut so hard that you feel you will die. Thats what TITLI does to you. It is hands down the best movie that have came from the Indian Film Industry in the last 30 years. What a trump for the independent movie makers. Crappy superstars like salman, amir, hrithik should have learn something from this movie.
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7/10
Change in Bollywood
awaisattiq8 January 2016
Bollywood movies mostly sounds like they are extremely action in it or quite fantasy in which the people are flying around the world after getting a punch from their super hero as an actor .

Titli is a change movie .quite different from many Indian movies ,may be you will find it boring if u are a action movie watcher ! . Drama movies in India is a sign of changing industry. Pure art drama movies are rare released in India. This movie have a lesson of Poverty rising in Mumbai .how they earn money through the robbery hunts . its a great movie maybe the best one after the Dhobi Ghat if was a pure art masterpiece of Aamir Khan . i'll suggest you to watch this . 7 stars because it was a bit lengthy.

a.
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10/10
Its A New Perspective Of Life
vinodijssingh20 October 2020
From the beginning of the movie ,you will see a fully dysfunctional family that does car jacking to afford their finances amd start feeling for titli.THe brilliant addition of Neelu(The wife) brings about some changes in titli.he expresses his frustrations on her but at the same time understands her.the movie doesnt let you down and ends up stuck in your mind.
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7/10
Raw Rustic
niyantha30 September 2020
That's what exactly Mr @kanubehl He Almost succeded while representing the disfunctional family to connecting the harsh reality, he marks a impressive debue. Meantime he extracted perfect performances from #ranvirshorey. since it's their First film lead pair @shashank.arora @raghuvanshishivani did a descent job at crucial episodes.

You must talk about #Karangaur bgm and @siddharthdiwan cinematography !!
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8/10
Not your usual Bollywood movie, a hidden gem I must say.
rahulsharma-9558612 July 2021
Solid performances by both actor and the actress. Ranveer shorey was great as well, the story and the environment the movie created was really well made. Must watch in my opinion.
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7/10
RM's Honest Review
rmhridoy5 April 2020
I swear on my God that i dont review for attention or paid money. I assure you that i have watched this movie and my Review is 100% pure and i will be honest with you.

This Movie is Brutal Not as usual Bollywood movie. It has the harsh reality type script. So if you want to see a realistic movie you can watch it. no extra drama no over acting. just a story of a family who do crimes for their lives and their son wants to get rid of them who's name is titli.❤ there is some adult scenes so be careful to watch with your family.
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3/10
Boring useless film.
chirag-shah861 November 2015
No songs, no romance, no dance. Is this bollywood film or some documentary? Don't know what I've seen. Didn't understand anything that was happening accept some bad people taking cars and some guy who is fighting with family. In our Indian culture, no woman would have boyfriend if she is married. In our culture it is a woman's duty to stand by husband. This film is corrupt and it was boring also. The camera is shaking and for no reason their was weird sounds of radio in background at some parts. Also who is this silly actor? Titli is a weak character. He is not a hero like our bollywood heros. He is ordinary. I am also ordinary so why I spend money to watch another ordinary guy? Very slow movie. when our hero could have done action and gotten the revenge against his family, instead he is just walking around. They should have added good action and gotten better actor like tiger shroff to make it more appealing (A film also needs to be marketed)....At least a little end credit item song they could have added to attract audience. This is a weak film and only for people who find blank wall entertaining to stare at.
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8/10
Reality at it's simplest.
sudhirkumarpal85 July 2021
Needless to say not for the kids and especially not for faint hearted living in some utopian world.
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9/10
You will not get up off the chair till end
bindaas199426 February 2016
The movie looks like a realistic story type, it maybe, but the way it is presented by the director is just awesome for a bollywood director. Main credit of the movie goes to the actors who acted like it's their own real life, especially Ranvir Shorey , who is currently one of the best actors in Indian cinema. For me this is his most finest acting in any of his movies most of which i already watched. he is totally into the character. Making such kind of movies is really important for a country whose cinema was totally in mainstream. Now Such movies are representing Indian cinema internationally, i really appreciate it. Hat's Off.
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