Directed by
| Robert Connolly | ||
Writing Credits (in alphabetical order)
| Tony Maniaty | ||
Cast (in credits order)
| Kazuhiro Muroyama | ... | Mr. Ikegami | |
| Rest of cast listed alphabetically: | |||
 |
Noriko Nakamura | ... | Setsuko |
Produced by
| Robert Connolly | ... | producer |
| Siobhan Hannan | ... | producer |
Music by
| Andrew Lancaster | ||
| Riley Lee | ||
| Geoff Ween-Vermazen | ||
Cinematography by
| Moira Moss | ||
Editing by
| Anne Geldens | ||
Production Design by
| Marcella Hayward | ||
Makeup Department
| Carrie Boland | ... | makeup/hairdresser |
| Katherine Brown | ... | makeup/hairdresser |
| Tracey Cuthbertson | ... | makeup/hairdresser |
| Rachel Douglas | ... | makeup/hairdresser |
Production Management
| Nicole Davidson | ... | unit manager |
| Siobhan Hannan | ... | production manager |
| Ian MacArthur | ... | production consultant |
| Glenn Mobley | ... | unit manager |
Second Unit Director or Assistant Director
| Kim Farrant | ... | second assistant director |
| Daniel Nettheim | ... | first assistant director |
| Adam Spencer | ... | first assistant director |
Art Department
| Teena Goodman | ... | standby props |
| Sue McDermott | ... | design assistant |
Sound Department
| Gethin Creagh | ... | sound consultant |
| Paul Grant | ... | first boom swinger |
| Peter Johnston | ... | foley |
| Peter Ring | ... | second boom swinger |
| John Simpson | ... | foley artist |
| Barnaby Smith | ... | sound transfers (as Barnaby Clifford Smith) |
| Barnaby Smith | ... | sound transfers (as Barnaby Clifford Smith) |
| Phil Winters | ... | dialogue editor / foley / sound designer / sound editor / sound mixer / sound recordist |
Camera and Electrical Department
| Osvaldo Alfaro | ... | focus puller |
| Tony Bosch | ... | grip |
| Ian Bosman | ... | gaffer |
| Emma Cooper | ... | second focus puller |
| Max Davis | ... | camera operator |
| Dean Friske | ... | camera assistant |
| David Holmes | ... | best boy |
| Jessica Hromas | ... | stills photographer |
| Tristan Milani | ... | additional camera operator |
| Robert Owens | ... | second best boy |
| Michael Robertson | ... | assistant gaffer |
| Peter Strickland | ... | second grip |
Casting Department
| Joy Sargent | ... | casting |
Editorial Department
| Rebecca Geach | ... | post production assistant |
| Tina Hutch | ... | colour grade |
| Boris Mitchell | ... | liaison: Kodak |
| Eugene Roche | ... | laboratory liaison (as Eugune Roche) |
Music Department
| Robert Patterson | ... | music consultant |
Script and Continuity Department
| Anna Potts | ... | continuity |
Additional Crew
| Allison Baillache | ... | production accountant |
| Michael Clonaris | ... | origami consultant |
| Rebecca Geach | ... | origami construction |
| Koichi Kashiwa | ... | japanese consultant |