Copper (TV Series)
The Hope Too Bright to Last (2013)
Full Cast & Crew
Directed by
| Nathan Morlando | ||
Writing Credits
| Tom Fontana | ... | (created by) & |
| Will Rokos | ... | (created by) |
| T Cooper | ... | (teleplay by) (as T. Cooper) & |
| Allison Glock-Cooper | ... | (teleplay by) |
| Thomas Kelly | ... | (story by) |
| Kevin Deiboldt | ... | (executive story editor) |
| Kate Erickson | ... | (staff writer) (uncredited) |
Cast (in credits order)
Produced by
| Kyle Bradstreet | ... | supervising producer |
| Michael Frislev | ... | producer |
| Thomas Kelly | ... | executive producer |
| Larysa Kondracki | ... | co-executive producer |
| Chad Oakes | ... | producer |
| Sherri Rufh | ... | executive producer |
Music by
| Brian Keane | ||
Cinematography by
| Pierre Gill | ||
Production Design by
| John Blackie | ||
Art Direction by
| Kimberley Zaharko | ||
Makeup Department
| Kelly Kavanagh | ... | background makeup supervisor |
| Colin Penman | ... | makeup department head |
| Ryan Reed | ... | hair department head |
| Samantha Terry | ... | assistant hair stylist |
Production Management
| Paul Ackerley | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Taylor Bateman | ... | assistant director |
| Grant Boyle | ... | third assistant director |
| Hannah Michielsen | ... | assistant director (as Hannah Metcalfe) |
Art Department
| Tanya Hart | ... | props buyer |
| Sang Maier | ... | Assistant Props |
| Brian Mullin | ... | key scenic (2013) |
| Moby Pahwa | ... | costume concept artist |
| Stephen Paisley | ... | on-set painter |
| Sean Scoffield | ... | graphics designer |
| Rob Valeriote | ... | construction coordinator |
Sound Department
| Eric Apps | ... | re-recording mixer |
| Michael Baskerville | ... | manager of sound operations |
| Pat Cassin | ... | boom operator |
| David Drage | ... | adr engineer: Toronto |
| Sue Fawcett | ... | assistant sound editor |
| Lana Marie Hattar | ... | assistant re-recording mixer |
| Filip Hosek | ... | assistant re-recording mixer |
| Frank Morrone | ... | re-recording mixer |
| Paul Shikata | ... | sound effects editor |
Special Effects by
| Brad Larkin | ... | special effects foreman |
| Marcus Rait | ... | special effects coordinator |
| Matthew Tulk | ... | rigging key |
Visual Effects by
| Kyle Boylen | ... | digital compositor |
| Amber Couturier | ... | post production visual effects coordinator (as Amber Soucy) |
| Mark Fordham | ... | matte painter: concept artist |
| Mary Holding | ... | visual effects artist |
| Shuming Jiang | ... | digital compositor |
| Tom Plaskett | ... | on-set visual effects assistant |
| Mark Rodziewicz | ... | lighting and effects artist |
| Rob Tasker | ... | digital compositor |
| Tom Turnbull | ... | visual effects supervisor: Rocket Science VFX |
| Perunika Yorgova | ... | digital compositor |
Stunts
| Scotty Cook | ... | stunts |
Camera and Electrical Department
| Mongo Andrews | ... | key rigging grip |
| Michael Carella | ... | camera operator: "b" camera |
| Brian Clair | ... | lighting technician |
| Kevin Craine | ... | electrician |
| Nigel Draper | ... | lighting board operator |
| Michael Galbraith | ... | director of photography: second unit |
| Dianne L. Haggarty | ... | grip |
| Jeff Hicks | ... | second assistant a camera |
| Patrick Krauter | ... | grip |
| Shaun Kuebeck | ... | best boy rigging grip |
| Robert McRae | ... | gaffer |
| John Vrakking | ... | rigging grip |
| Amanda Wojtaszek | ... | b camera second assistant |
Casting Department
| Nicola Chisholm | ... | casting assistant: Canada |
Costume and Wardrobe Department
| Christina Cattle | ... | set costume supervisor |
| Urs Dierker | ... | key costume breakdown artist |
| Victoria Dobson | ... | bg coordinator |
| Aleya Gibson | ... | costume breakdown artist |
| Jeannine Palmer | ... | breakdown artist |
| Marcia Scott | ... | assistant costume designer |
| Jenn Woodall | ... | costume builder |
| Ahmad Zargaran | ... | costume cutter |
Editorial Department
| Tom Mayclim | ... | data wrangler |
| Matthew Neufeld | ... | second assistant editor |
| Patrick Perron | ... | data dailies operator |
| Joanne Rourke | ... | colorist |
| Graham Tucker | ... | first assistant editor |
| Motassem Younes | ... | on-line editor |
| James Yazbeck | ... | post-production assistant (uncredited) |
Location Management
| Aine Furey | ... | location manager |
| Andrew Furlong | ... | location production assistant |
Music Department
| Jeff Frez-Albrecht | ... | music editor/music engineer |
| Jonas Friedman | ... | composer: additional music, music arranger, sound designer |
| Tommy Skarupa | ... | music engineer |
| Chris Tergesen | ... | music editor / music supervisor |
Transportation Department
| Rod Kraft | ... | driver |
Additional Crew
| John Bardswich | ... | project manager |
| Jay Daniel Beechinor | ... | associate: Nomadic Pictures / nomadic pictures associate |
| Samantha Chisari | ... | assistant to co-executive producer / assistant to co-executive producer/director |
| Kara Czestochowski | ... | production assistant |
| Stephen Day | ... | Assistant to Tom Fontana |
| Billy Ray Fong | ... | production secretary |
| John Hanley | ... | Assistant to Michael Frislev |
| James Hanlon | ... | 2nd assistant accountant |
| Tess Hardy | ... | wrangler captain |
| Adrienne Kakoullis | ... | unit publicist |
| Miura Kite | ... | Cineflix Development Executive |
| Nick Kontsalakis | ... | first assistant accountant |
| Lesley Laurence | ... | wrangler |
| Paul McDonnell | ... | title designer |
| Jackie Alexander Moulson | ... | production coordinator (as Jackie Alexander) |
| Kelly Robertson-Reinhart | ... | executive producer assistant |
| Kimberley A. Robyn | ... | production accountant |
| Taylor Sardoni | ... | Writing Intern |
| Sat Sidhu | ... | on-set teacher |
| Sheri Sutherland | ... | set medic |
| Christina Wayne | ... | executive producer |
| Michael Armstrong | ... | dialect coach (uncredited) |
