Directed by
| Ana Valine | ||
Writing Credits (in alphabetical order)
| Billie Livingston | ... | (short story "The Trouble with Marlene") |
| Ana Valine | ... | (screenplay) |
| Ana Valine | ... | (writer) |
Cast (in credits order) complete, awaiting verification
| Suzanne Clément | ... | Marlene Bell | |
| Paloma Kwiatkowski | ... | Sammie Bell | |
| Callum Keith Rennie | ... | Fast Freddy | |
| Dakota Daulby | ... | Drew | |
| Matt Ellis | ... | Preacher Man | |
| Conchita Campbell | ... | Mandy Morris | |
| Niki Wipf | ... | Amanda | |
| Yaroslav Poverlo | ... | George | |
| Alessandro Miro | ... | Bruce (as Al Miro) | |
| Dan Shea | ... | High Roller | |
| Larke Miller | ... | Trophy Wife | |
| Denalda Williams | ... | Nurse | |
| Brent Stait | ... | Jack | |
| Tasha Simms | ... | Nadia | |
| Daniel Smith Arnold | ... | James (as Daniel Arnold) | |
| Aidan Parker | ... | Kid #1 | |
| Jeremy Dangerfield | ... | Elegant Gentleman | |
 |
Justin Kim | ... | Police Officer |
| Gary Sekhon | ... | Cashier | |
| Rest of cast listed alphabetically: | |||
| Michelle Andrew | ... | Lady of the Night (uncredited) | |
| Jill Morrison | ... | Store Clerk (uncredited) | |
Produced by
| Ian Birkett | ... | line producer |
| Rob Merilees | ... | executive producer |
| Amber Ripley | ... | producer |
| Ana Valine | ... | co-producer |
Cinematography by
| Steve Cosens | ||
Editing by
| Lara Mazur | ||
| Fredrik Thorsen | ||
Casting By
| Candice Elzinga | ||
Production Design by
| Grant Pearse | ||
Set Decoration by
| Luca Carati | ||
| Jeff Gant | ... | lead set decorator |
| Tinka Kalajzic | ||
Costume Design by
| Andrea Des Roches | ... | (as Andrea Desroches) |
Makeup Department
| Connie Agawin | ... | swing hair/makeup (as Connie Chiang) |
| Donna Bis | ... | key hair stylist |
| Amber Makar | ... | key makeup artist |
Production Management
| Darcy Wild | ... | production manager |
Second Unit Director or Assistant Director
| Brad Medhurst | ... | second assistant director |
| Quincy Wheeler-Hendren | ... | first assistant director |
| Rosalee Yagihara | ... | third assistant director |
Art Department
| Whitney Friesen | ... | property master |
| Jason Rains | ... | on set props |
Sound Department
| Greg Hannas | ... | boom operator |
| Don Harrison | ... | foley artist |
| Ian Mackie | ... | foley artist |
| Gina Mueller | ... | adr editor / dialogue editor |
| Miguel Nunes | ... | re-recording mixer / sound designer / sound effects editor |
| Greg Stewart | ... | re-recording mixer |
| Giulio Wehrli | ... | adr re-recordist |
| Matt Willoughby-Price | ... | sound mixer |
Stunts
| Loyd Bateman | ... | stunt coordinator |
| Crystal Mudry | ... | stunt double: Paloma Kwiatkowski |
Camera and Electrical Department
| Andrey Chimkovitch | ... | second assistant camera |
| Scooter Corkle | ... | gaffer |
| Chester Dixon | ... | key grip |
| Kaio Kathriner | ... | lighting technician |
| Ashley Mendoza | ... | camera trainee |
| Andrew Pedley | ... | digital imaging technician |
| Bettina Strauss | ... | still photographer |
Costume and Wardrobe Department
| Beverley Huynh | ... | set costumer |
| Sarah McDermott | ... | truck costumer |
| Mariela Zapata | ... | costume assistant |
Editorial Department
| Thor Roos | ... | digital cinema colorist |
Location Management
| Amy Barager | ... | location assistant |
| Zachary W. Sowinski | ... | location production assistant |
| Costa Vassos | ... | location manager |
Script and Continuity Department
| Luke Bradshaw | ... | script supervisor |
Transportation Department
| Andrew Moore | ... | transportation captain |
| Jim Papadogambros | ... | unit driver |
Additional Crew
| Matteo Di Iorio | ... | epk dp (as Matt DiIorio) |
| Jennifer Kornelson | ... | production assistant |
| Lisa Mazzotta | ... | field producer |
| Jill McQueen | ... | production coordinator |
| Teone Taare Te Tuakana | ... | production assistant |
| Laurie Watt | ... | production accountant |
| Marc Helfrich | ... | social media (uncredited) |
| Scott Motisko | ... | publicist (uncredited) |
Thanks
| Denny Dias | ... | special thanks |
