The crew of the USS Enterprise explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy, who puts them, and everything the Federation stands for, to the te... Read allThe crew of the USS Enterprise explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy, who puts them, and everything the Federation stands for, to the test.The crew of the USS Enterprise explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy, who puts them, and everything the Federation stands for, to the test.
- Nominated for 1 Oscar
- 3 wins & 29 nominations total
- Lieutenant Uhura
- (as Zoe Saldana)
Featured reviews
As for the highly negative reviews on here, please start to put your rankings in perspective, this is by no means a shocking movie and definitely is fit to join the Star Trek Universe. It really winds me up when people rank this movie in the same breath as some of the real shockers we have seen in the last few years!
C'mon folks... even the original series didn't get too deep and meaningful. It was the more action-oriented pilot featuring strong characters that knew how to have a laugh every now and then that got it the network green light. This is exactly what the reboot movies have been like up to now. Admittedly, there hasn't been a classic in the bunch yet, but the potential is certainly there.
In my view, the reboot films are one really scary villain away from producing a classic. With TNG it was the Borg. Doctor Who has the Daleks. Both races completely inhuman, really nasty, seemingly indestructible, and hellbent on destroying (be it assimilation or extermination) everything in their way. Boldly going where Trek has gone before, so to speak.
Star Trek Beyond begins with the Enterprise and it's crew on a five year research mission in uncharted space which was assigned to them at the end of the previous movie. Kirk is struggling staying focused as captain of a starship and he is doubting himself if this is the life he wants to live. The Enterprise takes a break from exploring in a massive star base called Yorktown. The star base receives a distress call from an alien woman who lost it's crew on a distant planet. Of course the Enterprise is the best ship to help the alien woman and search for the crew. But this search and rescue mission turns very ugly when they encounter one of the most ruthless villains who's hatred of the Federation puts the whole enterprise crew to the test.
I think they did a marvelous job again and made a Star Trek movie just as great as the previous two installments. The villain was not as interesting as Kahn but the movie makes up for it by focusing on the characters. The story lays more focus on new development like the bond that grows between Bones and Spock and the new female alien character Jaylah (Sofia Boutella, who did a marvelous job) which Scotty encounters. The third act of the movie is the best (with an excellent soundtrack, Beastie Boys and Star Trek mixes very well!) and they once again pull out all the stops with visual and sound effects.
The only caveat I have with this film is the slow start and the main plot being a bit simplistic. Sometimes it feels just like a regular Star Trek episode, but then again that is also one of it's strengths.
So definitely check this one out if you liked the previous two Star Trek films, it's a solid and very entertaining journey.
It's Star Date 2263.2 and Kirk (Chris Pine) is into the third year of their "5 year mission" (which seems to somehow throw away a lot of potential sequel opportunities already doesn't it?). Less buoyant and confident than he used to be, Kirk is feeling a little emotionally 'Lost in Space': after all, as the Hitchhikers Guide to the Galaxy put it "Space is big REALLY big". Spock (Zachary Quinto) also receives some news of a personal nature that unsettles him. They are both in need of a vacation, and Starbase Yorktown (queue some spectacular special effects and an operatic Michael Giacchino track) appears to be able to offer them that. The crew disperse for a bit of R and R: Sulu (John Cho) goes off to spend time with his family (after the big internet furore, the gay aspect of this is very subtle); Kirk gets career advice from the Admiral; and Spock and Uhuru (Zoe Saldana) go their separate ways since – like Ross and Rachael – they are "on a break".
The reverie is rudely interrupted by the arrival of a frantic alien called Kalara (Lydia Wilson) from the other side of a dense nebula. She needs help to rescue her crew, stranded on a planet there. Kirk's rescue mission however goes far from to-plan, and he and his crew are caught in the clutches of the warlord Krall (Idris Elba).
What's nice about this film is that the core crew of Kirk, Spock, Uhuru, Bones (Karl Urban), Scotty (Simon Pegg), Sulu and Chekov (the tragically departed Anton Yelchin) gel together really nicely as an ensemble cast. The traditional by-play between the characters feels unforced, comedic and provides a warmth at the heart of the film. There is also a touching tribute to Leonard Nimoy, who died while the film was in pre-production, woven into the story of which I'm sure he would have approved.
Supporting the crew as a potential new character is the strikingly attractive and kick-ass Jaylah played by Sofia Boutella (the evil amputee Gazelle from "Kingsman").
There's also some fine and innovative alien technology on display with the 'swarm-like' alien fleet harking back (in an expanded scale) to the invulnerability of the nanites from an original episode.
Unfortunately, all of these positives are severely offset by a largely planet-bound Simon Pegg and Doug Jung story (didn't the woeful "Insurrection" teach writers that this tends not to be a good idea?) and action sequences that are so manically fast-moving that it is almost impossible to keep track of what exactly is happening. (Perversely, this is a film that might actually make more sense on the small screen than the big one, which is just BAD CINEMA!). There was even one point in a final fight scene where I seriously feared Kirk and Krall might have a 'sharing of mother's names' moment (if you know what I mean) but fortunately this script apocalypse is avoided.
At the conclusion the story actually makes no sense to me at all: without spoilers, it is difficult to discern exactly what the motivations of Krall actually were. Throw in a graphic in the final reel that looks like Krall is attacking the Death Star (no, seriously – watch for it!) and the concoction just doesn't hang together very well. I know Simon Pegg and director Justin ("Fast and Furious") Lin are huge Trekkers, but – sorry guys – this was a C- for me.
It's a mildly diverting popcorn movie, but with (for me at least) yet another disappointing film, its getting to the point where the best 'summer blockbuster' is likely to be Deadpool and that was released in February!
(Please visit http://bob-the-movie-man.com for the graphical version of this review. You can enter your email address there to automatically receive my future reviews. Thanks).
The movie had almost all the qualities of the original series except one - the thinking part. The smartest thing in the movie is the funny opening scene, which suggests the difficulty of communication between different cultures.
But that's the last thing in the movie that suggests even a moment of thought. The main villain has very little in the way of motivation, and when he explains his purpose it's quite disappointing. Nothing in this movie is there to provoke thought, and I'm not entirely convinced that anything in the movie really makes sense, although there's nothing at the time that hit me as too absurd to live with (unlike the previous movie).
If you expect this movie, like the series, to explore racism and war culture, well, you're not going to be happy. But if you just want some old-fashioned action with some familiar characters, this totally hits the spot.
Did you know
- TriviaAfter production on the film was completed, and a month before the release, Anton Yelchin died in a freak vehicle accident at age 27. During the ending credits, there is a dedication that reads, "For Anton." J.J. Abrams announced that Chekov would not be recast, "I would say you can't replace him. There will be no new casting. I can't imagine that, and I think Anton deserves better."
- GoofsThe number of ships and soldiers that the enemy has in its swarm changes dramatically during the final battle, from a few thousand to tens/hundreds of thousands when they attack the station. However, previously in the film, it is stated that the planet has deep and large underground caverns so it is entirely possible that there were more ships underground.
Also, the number of soldiers that would be needed to pilot all the ships would be huge as it was shown that they contain at least one soldier in each ship. But when they were watching the video logs near the film's ending, Captain Edison clearly states that they found drones. It is quite possible that the bulk of the enemy fleet is made up of drones and controlled by the hive mind that the music disrupts.
- Quotes
Doctor 'Bones' McCoy: [after removing shrapnel from Spock] Yeah. They say it hurts less if it's a surprise.
Commander Spock: If I may adopt a parlance with which you are familiar, I can confirm your theory to be horseshit.
- Crazy creditsThere is a giant green energy-hand, in the closing credits, mentioned in the movie as one of the possibilities for a ship lost in space.
- ConnectionsFeatured in Nostalgia Critic: How Right Are Trailers? (2016)
- SoundtracksTheme from 'Star Trek' TV Series
Written by Alexander Courage & Gene Roddenberry
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Star Trek sin límites
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $185,000,000 (estimated)
- Gross US & Canada
- $158,848,340
- Opening weekend US & Canada
- $59,253,211
- Jul 24, 2016
- Gross worldwide
- $343,471,816
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.35 : 1(original ratio)
- 2.39 : 1(original ratio)