Directed by
| Hugh Sullivan | ||
Writing Credits (in alphabetical order)
| Hugh Sullivan | ||
Cast (in credits order) complete, awaiting verification
| Josh McConville | ... | Dean | |
| Hannah Marshall | ... | Lana | |
| Alex Dimitriades | ... | Terry | |
Produced by
| Sandy Cameron | ... | producer |
| Kate Croser | ... | producer |
| Jonathan Page | ... | executive producer |
| Cam Rogers | ... | executive producer (as Cameron Rogers) |
Music by
| Zoë Barry | ||
| Jed Palmer | ||
Cinematography by
| Marden Dean | ||
Editing by
| Hugh Sullivan | ||
Casting By
| Leigh Pickford | ||
Production Design by
| Obie O'Brien | ||
Costume Design by
| Chloe Spalding | ||
Second Unit Director or Assistant Director
| Drew Bailey | ... | first assistant director |
Art Department
| Jayke Agnelli | ... | art department assistant |
| Nicnic Ansell | ... | props buyer |
| Mia Ashby | ... | scenic artist |
| Eric Gittins | ... | key props: headpieces |
| Chloe Henderson | ... | props buyer |
| Gemma Oswald | ... | props buyer |
| Kat Traill | ... | buyer/set dresser |
Sound Department
| Steven Bond | ... | sound recordist |
| Duncan Campbell | ... | foley supervisor |
| Geoffrey Crowther | ... | foley recordist |
| Martin Oswin | ... | adr mixer |
| Jed Palmer | ... | re-recording mixer / sound designer / sound editor |
| Sam Rogers | ... | foley artist |
| Pete Smith | ... | re-recording mixer (as Peter D. Smith) |
Visual Effects by
| Marty Pepper | ... | visual effects artist |
| Raynor Pettge | ... | visual effects |
Camera and Electrical Department
| Shannon Ashwood | ... | best boy/grip |
| Storm Ashwood | ... | gaffer / lighting |
| Brendan Cain | ... | stills photographer |
| Brad Halstead | ... | data wrangler / second assistant camera |
| Marie-Pier Labelle | ... | focus puller |
Costume and Wardrobe Department
| Suzie Warhurst-Steele | ... | hair and make-up (as Suzie Steele) / wardrobe supervisor (as Suzie Steele) |
Editorial Department
| Kate Butler | ... | digital intermediate facility manager |
| Marty Pepper | ... | digital intermediate colourist |
| Sarah Wishart | ... | post production script |
Script and Continuity Department
| Benedict Paxton-Crick | ... | script supervisor |
| Sarah Wishart | ... | post-production script |
Transportation Department
| Jon Blaikie | ... | vehicle wrangler |
Additional Crew
| Jennifer Bichard | ... | safety report (as Jen Bichard) |
| Alexandra Blue | ... | post production producer: kojo |
| Alicia Brescianini | ... | unit publicist |
| Brendan Cain | ... | production assistant |
| Cathy Gallagher | ... | unit publicist |
| Brad Halstead | ... | data wrangler |
| Mark Kraus | ... | production accountant |
| Peta Kruger | ... | title design |
| Adam Lemmey | ... | production assistant |
| Ashleigh Martin | ... | caterer |
| David McEwen | ... | insurance |
| Noemi Remete | ... | production assistant |
| Cam Rogers | ... | legals (as Cameron Rogers) |
| Vicki Sugars | ... | producers asssistant |
| H.W. Wood | ... | insurance (as HW Wood) |
Thanks
| Matthew Bate | ... | thanks (as Matt Bate) |
| Tony Cronin | ... | thanks |
| Tom Davia | ... | special thanks |
| Rolf de Heer | ... | thanks |
| Melody Djavadi | ... | special thanks |
| Sam Eigen | ... | special thanks |
| Shane McNeil | ... | thanks |
| Julie Ryan | ... | thanks |
| Rebecca Summerton | ... | thanks |
| Brian Sweet | ... | special thanks |
