Karama Has No Walls (2012) Poster

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10/10
This short documentary represents what the Oscar should be all about...
planktonrules1 February 2014
Today I made my annual pilgrimage to the local theater to see all the Oscar-nominated Documentary Shorts. My good friend came with me and force once we were in agreement as to which shorts were strongest and weakest--which is a little unusual.

My friend Guy and I both thought that "Karama Has No Walls" was far and away the best of the Oscar-nominated shorts. It takes HUGE risks, as the film was very dangerous to make and folks making it literally dodged bullets to get it made and to document atrocities. On top of this, it also is by far the most compelling. It's very grim, very difficult to watch and should represent everything the Academy stands for and is among the best shorts I've ever seen (and I've seen thousands).

This movie was made up of footage that was recorded live during the protests of the democracy movement in Yemen. In many, many ways, it's like the Oscar-nominated full-length film "The Square" which about the same sort of thing but in Egypt. Both films could have gotten the cameramen killed--though "Karama Has No Walls" has the dubious distinction of having one of the cameramen shot (but, thank God, he survived).

Now I must warn you--do NOT let children watch the film. It is incredibly violent and you see people being shot down and killed right in front of the cameras. Blood and corpses abound. And, worse still, is some footage of an innocent bystander, a young boy, whose eyes were literally shot out--and he survived! None of this is meant as a complaint--people MUST see and understand the carnage and learn from it and oppose such dictatorships. But young kids will simply be overwhelmed by the real life horrors.

Understand, though, the film is not just about horrors but is about the human spirit. While sad, the film was also incredibly uplifting. Seeing people CONTINUE protesting when they were killed and attacked shows the determination the movement has. Some even welcomed being martyred because they saw this as a means to bring down the regime. This film has everything you'd want in a documentary and is clearly my choice for the best film of the nominees. Well worth seeing and a truly great film.
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10/10
Hands Down Best Short Documentary of 2013
MichaelORourke27 February 2014
Warning: Spoilers
There are many things I don't know about Yemen – where it is, who lives there, who rules, what religion is practiced in what language. Though this information is revealed during this short film in varying degrees of lucidity, it doesn't matter. This "Karama" story is contemporary, universal, has been played out / continues to play out in communities worldwide. Though each protest, each occupy, each uprising has its distinctive players, place, and time, what is emerging is a pattern of common folk banding together demanding an end of abuses by a minority.

And with the passing of every day it's beginning to look a lot like a conspiracy of 1% using immense finances, martial power, and media propaganda to push, beat, bully, murder the 99% into submission.

I recently screened "Karama" in the company of four Oscar ® nominated documentary shorts, and "Karama" has my vote.

I was immediately sympathetic with the peaceful protest in a city square sponsored by students that quickly grew into a tent city with citizens fasting, conversing, praying, dancing, selling, buying, playing chess. My immersion in the place and time was immediate. And it really didn't matter that I didn't know where I was, or why. As the story unfolds – expertly captured by citizen cameramen Amin Alghebr, Nasr Alnamir, Khaled Rajeh, superbly edited by director Sara Ishaq, a deep well of grief overcame rose up inside as I watched what I knew would be inevitable, in what I imagine ancient Greeks experienced watching their great tragedies.

"Karama" is so raw, so authentic, and so immediate, I am baptized – not just in my mind's eye, but on all levels of my being.

The filmmakers effectively assess and capture the essence of a maelstrom visited upon innocent people by masked gunmen sniping at them from rooftops, while policing forces stand by, doing nothing. During the bloodbath, the protesters maintain a miraculous equanimity, rushing the wounded to a makeshift hospital in a church, standing their ground, advancing on armored vehicles under a hail of bullets, praising Allah, refusing to be cowed.

Do not mistake me. These common folk do not go gently into this nightmare. There is quite a bit of confusion, anger, throwing of rocks, and some Molotov cocktails. But above all, there is displayed and captured a collective consciousness that will not be denied, a Tao of human rights and dignity that no amount of might and main will stop.

Several poignant interviews, particularly of the father of a son who was murdered, and a father of a 10-year-old boy who was permanently blinded by sniper fire, add significantly to the rhythm and power of the film.

Something opened up in heaven and on earth that brought the "Karama" filmmakers together to produce one of the rarest and most unvarnished true films ever. May we honor the dead, as the film does, by determining to do our bit, wherever we are, to defend human and civil liberty.
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