Switch (2013) User Reviews

Switch to another flick and avoid this empty spectacle

[moviexclusive · 3/10 · 9 June 2013]

Originally scheduled to be released last October but delayed due to problems with heavy post-production work, not to mention countless editing by the director, the end result is at best a patchy piece of work passing off as a Chinese version of Mission Impossible: Ghost Protocol.

Directed and written by newcomer Jay Sun, Switch is a high octane action espionage thriller filled with globe-trotting locations, an array of gizmos mostly in the form of Nokia smartphones, flashy Audi cars and a star studded cast including HK superstar Andy Lau, Taiwan's top model Lin Chiling (Red Cliff) and Chinese actors Zhang Jingchu (Protégé) and Tong Dawei (Treasure Inn).

You might think this is going to an exciting, jaw-dropping action extravaganza for the next 112 minutes but like me, your jaw is going to drop for the wrong reasons.

After a clumsy prologue which establishes the value of the famous Yuan Dynasty scroll Dwelling in the Fuchun Mountains, we are introduced to several characters - namely our hero, Xiao Jinhan (Andy Lau), a secret agent who is married to an insurance project director Lin Yuyan (Zhang Jingchu; while the villains include the generically named Yamamoto (Tong Dawei), an ambiguous agent, Lisa (Lin Chiling), a weird underworld leader, Empress (Siqin Gaowa) and a bunch of Caucasian thugs. What is supposedly an easy-to-follow, good versus evil action thriller becomes a hot mess under the hands of Jay Sun.

Obviously, Sun has no idea how to shoot an intense action scene or at least keep you on the edge of your seat. He prefers to jump from one scene to another without much coherence thrown in. Agent Xiao just propels from the ceiling all of a sudden. And why is Yamamoto so mesmerised by the painting? Oh we are supposed to believe Lisa is also carrying a torch for Agent Xiao. This is no music video mind you and it becomes increasingly frustrating to watch the characters as they spout their lines without much emotion and continuity. There's so much on the screen but everything just seems jarringly off. To his credit, Sun doeshave an eye for visuals; the production design is so rich and colourful, you are better off admiring the artistic touches instead of following the story.

This is an absolutely embarrassing gig for Andy Lau - just when you thought the charismatic idol finally has a chance to showcase his acting in productions liked A Simple Life and Detective Dee, Switch only makes him looks nothing more than a walking, fighting mannequin. Tong Dawei equally suffers as the tortured, psychotic villain with a laughingly bad white hairdo while Lin Chiling received the worst treatment of all, she ends up as a irritable moaning, seductive character.

Our palms turned sweaty when we watch Tom Cruise hanging off the skyscraper in Dubai; though we never really feel a thing for Agent Xiao when he fight off a few thugs and crashed his car in the grand Atlantis in Dubai as well. Sun tries to imitate even to a certain extent by engaging Hollywood stunt choreographer and 3D experts for this movie. Everything that worked in the Cruise vehicle fails in epic proportions for Switch however. It never picks up from the get-go and simply splutters all the way to the credits.

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i registered just to write this review for switch

[yaojian7788 · 1/10 · 19 August 2013]

i suggested that the director of switch ought to be banned in film business for the money this movie wasted, the costings he spoiled and the audiences he disgusted. it was supposed to be a 3D movie, and they charged it as one, but the only thing that was 3D in this movie was the subtitles, so i just watched it without the 3D glasses, then i realized i had wasted time and money on this crap, my rage after watching switch was beyond description, just like all of the audiences in the cinema. i was so angry that i could not fall asleep during the movie, just don't get it how something so disgusting could pass the authority and release to audiences, and all the cinema in China canceled star trek into darkness to make room for switch, made you no choice but to watch it, cause there is nothing else showing in cinema, most of us thought we should give it a shot, and the results are deadly. if i'd know ,i'd even want to get paid to watch it.

Amazingly Awful!

[cremea · 1/10 · 26 October 2013]

Switch; a flashy big budget modern day Chinese action flick starring Andy Lau that has a rating of 2 out of 10 stars on IMDb?...That rating can't be accurate, can it?...YES!...YES IT CAN!

It's really hard to believe how astonishingly bad this movie actually is unless you watch it yourself (which I'm not suggesting you do). But, check it out if you want a master lesson on bad filmmaking. Everyone involved with this production should be ashamed of themselves, and the director of this turd should be forever barred from filmmaking in the future.

SPOILERS AHEAD!

Basic Story: various nefarious Chinese, British, and Japanese groups are all trying to get their hands on two halves of some ancient priceless Chinese scroll. Andy Lau plays a Chinese super-agent who's in charge of protecting the scroll, as is his "estranged" wife. They go about their business to try and save the day while perhaps falling back in love with each other along the way.

There are so many things wrong with this film that I don't even know where to start, so in the spirit of how this movie was made, I'll just rattle off some random incoherent thoughts as they come to me, and call it a day:

1. Nothing makes any sense; don't bother trying to determine who wants to obtain/protect the scroll and for what reasons. It's pointless and disjointed storytelling that involves lots of fake plots, fake scrolls, fake deaths, etc.

2. The writing, script, and dialogue are all beyond TERRIBLE! Nothing was lost in translation either.

3. The direction and editing are both epically bad. Watch Andy repel from the roof, then race across the desert, now pause for a moment to spend some time reflecting on himself in some Buddhist like swamp where he befriends a little girl for some reason. OK, enough of that; let's have another gun fight, car chase, etc.

4. The love triangle. Perhaps I wasn't paying close enough attention in the beginning, but the two leads are apparently still married to, and still love, each other...could've fooled me though because Andy makes for one of the worst husbands and fathers in the history of cinema; he spends his time brazenly flirting and fooling around with any piece of hot tail he comes across (particularly the main evil "henchwoman" who's in love with him) while he completely ignores his wife and child. I guess the point is Andy is eventually supposed to reconcile his love for his family vs. his love for the main hot bad girl, but, there is little reason to care about what he does in regards. I have never in my life seen a more poorly written and incoherently executed love triangle in any movie from any country in any genre!

5. Clichés, clichés, clichés; there's plenty of fat dumb obnoxious white guys, hot female Chinese assassins on roller skates/dangling from ceilings/on jet skis in wedding dresses, etc. Let's not forget the Yakuza, the evil deformed mastermind, secret motives by everyone involved, the ludicrous backstories, etc... This movie features every conceivable overused cliché you could possibly expect from an "Asian" film and then some!

6. I could go on, but why bother?....no one involved with this production seemed to give a sh*t about their work, so why should I?

On the plus side: Hmmmm. Well, this movie is often actually pretty to just "look at" if you aren't paying attention to the story or dialogue or acting; it does make for some great visuals & screenshots here and there. It's also good for numerous unintentional laughs, some pretty girls, and, it might reach legendary cult status one day for how bad it actually is. Other than that, this is easily the worst cinematic venture I've seen this year (2013), and there's not even a close second I can compare it to.

Bottom Line: I DARE YOU TO WATCH THIS POS!

1 star out of 10, and, that ain't no joke! It's quite possibly the worst movie ever made (particularly so when you factor in budget, actors/actresses involved, the modern global era we live in, etc)!

Save your time and your money...

[tomas1810 · 1/10 · 15 October 2013]

We had seen the movie as a preview of another movie we had watched, and the trailer looked quite good and it was partially shot in Dubai as well.

Sadly the movie is a total disaster.

Director Jay Sun should be prohibited to make any other movies. The story is incomplete told, scenes and locations are changing permanently without being explained properly.

The dubbing of the original Chinese movie to English was so bad that i felt after 10 minutes already the will to leave the cinema. A lot of other people did that. It was somehow like a Mission Impossible in bad, despite having fancy gadgets in the movie and a lot of Nokia phones and Audi cars (sorry you should have chosen another movie for your product placement) the movie never really went good. Even the end is not logic and not explained well.

I do honestly not understand how a scrappy movie like this got released at all. The CGI effects specially when the car is hanging on a helicopter and thrown into the Atlantis the Palm Hotel it looks just horrible.

Resume: Don't waste 2 hours of your life with this movie. It is 100% not worth it and the Reel Cinemas should take the movie of the list and refund the money to the people who went to see it.

Don't do it!

[lotsoflaughs · 1/10 · 2 November 2013]

There is literally no point to this movie! It's just product placement after product placement. I am not exaggerating. There's no cohesive story that I can see other than there is a coveted painting, the script is laughable, amateur, and melodramatic and the characters are caricatures. I started to wonder if it was based off manga, and when a kid started laughing maniacally in front of a fire, I knew this movie was ****, and it's not a case of not understanding the movie because it's too deep either. It really is just about the aesthetics, and if this movie has any stars, that's why. This was really disappointing! Andy Lau, you've sunk low!

I wish there were a negative point system

[aulina-chan · 1/10 · 2 November 2013]

There is nothing worth to say about this movie, except, don't waste your precious time, not even when you could do it with a fast forward button.

Our movie channel just put it on the shelf for on-demand playing, and after hearing so much bad comments about it when it was on the big screen, I made it a challenge for myself to try to sit through it.

EPIC FAIL.

To the extent that you want to find a way to unsee it, but then you simply can't, because the visuals throughout were so colourful, or even rich, BUT WITHOUT A POINT.

I really wanted to give it -10.

Fancy amateur hour

[TdSmth5 · 3/10 · 1 November 2014]

Someone steals an ancient Chinese painting from a museum in a high tech operation. It's actually only half of a painting. Long time ago it was cut in half and in a couple of days for the first time there will be an exhibition presenting the complete painting with both halves.

A bunch of Westerners are after the stolen part and some lady known as the Empress, as well as some gentle soft-spoken Japanese mean guy. Xiao is part of some government outfit and he's tasked with recovering the stolen painting. He's married, has a son, but his job as secret agent requires him to be a ladies man. Sure enough, all the girls in this movie are after him for some reason.

When the sale of the painting is about to take place, Xiao recovers it. But the Japanese guy kidnaps his son in exchange for the painting. But Xiao and his team won't rest until both halves of the painting are safe in time for the exhibition.

The story of Switch sounds straight-forward enough but the way it's told is a complete mess. While I'm sure the director is not entirely blameless, the main problem here is the bizarre editing. The entire movie comes across as fragmentary. Every "scene" lasts only a few seconds and then is faded out as we rotate between all the characters in this movie and no point is ever made. There is very little dialogue and very little action. Instead what Switch is all about is empty style. The actors wonder in and out of fancy luxurious LED-lit interiors and a few exteriors in China and Dubai without doing or saying much. Even the main character Xiao doesn't do much but drive around in a certain brand of vehicles and for a good part of the movie we don't even see him, making it a movie without much of a main character. Without trying to sound stereotypical, I had a very hard time distinguishing among the female characters. I think I could identify maybe 4 of them--the wife, some overwatch girl, Xiao's main squeeze when he's undercover, and a girl who likes him but works for the Japanese guy. But I may be wrong. That said, all the girls are beautiful.

I'm surprised this movie got international distribution. Despite the budget and excessive opulence, it doesn't have a whole lot going for it. It's not a thrilling movie, it's not an action movie, there's some drama, and CGI scenes look rather cheesy. The movie even engages in some political polemics. It makes the Japanese look pretty bad and it features a hilarious song with some very politically incorrect lyrics that make a mockery of Western "values." What it does have going for it is some of the scenery. Sound is surprisingly very well done. The Japanese guy is surrounded by Cirque-du-Soleil-type acrobats who are also killers. And in the end we get a scene were all these girls confront one of Xiao's girls, don't know which one. That's a cool fighting scene. But for all the fancy sets, the final two confrontations takes place in some really lame settings. The end is also somewhat puzzling.

What the bloody flugnugget?

[LeAvantGuardian · 3/10 · 25 December 2013]

I'm honestly not sure where to begin with this review, there is so much to say and all must be written. I think it best to begin with the positive aspects of Switch, since there is only one.

Pros: Switch is the most aesthetically beautiful piece of crap I've ever seen. Gorgeous women, gorgeous scenery, brilliant colors, cool technology/gadgets throughout the whole movie.

That being said, Switch should have been a music video, because Aesthetics aside, absolutely nothing worked for it as a movie, nothing.

Cons: - Switch makes absolutely no sense. - The locations are all unexplained and jump to one another magically without any means of transportation. You can't track who is where, where they are, or why they are there -- they sort of just ... appear in places all of a sudden. - There are very few fight sequences, and the ones that do exist are cliché, poorly shot, and not impressive. Andy Lau is SO underutilized. He mostly hits people with guns and shoots them. - The crazy sci-fi gadgets and technology are SO random, out of place, never explained, and frankly, ridiculous. - You never see who Agent Xiau is working for, who DOES he work for? WHO IS HE? What the hell is he doing?! - This movie would be better on mute.

Think of switch as a bunch of intensely poor, jumbled scenes that skip to one another with no transition or explanation for what feels like 3 hours. It's as if only Jay Sun, the director knows what's going on, and he's the only one who cares. I think each character in this movie dies like 3 times. It's really hard to convey how terrible this movie is. I had read all the reviews while watching it too see what other people thought and they all hit it on the head. This movie is a joke. A really beautiful joke. How did it ever get made?

Rubbish

[jholtomusa · 2/10 · 7 April 2023]

Nothing much to add to what's already been said - gorgeous girls and locations, incoherent plot, terrible acting, script and editing, and a cleavage shot serving as an appropriately dated and clichéd finale.

What were they thinking when they made this garbage? Goodness me it's so bad it's difficult to imagine many ways in which it could be worse. Alas it's not even funny like other dreadful films like, say, Plan 9 from Outer Space, The Room, Avengers End Game. Ugh.

I resisted giving it 1/10 purely because it's not quite as bad as 365 Days, and that's my good deed for the day.

Really, don't bother.

Although Visually Beautiful, Switch is an Abysmally Pointless, Backwards, Sexist Piece of Cinema, that Makes even Less Sense than an Ashtray on a Motorbike

[totalovrdose · 4/10 · 12 June 2015]

Unfortunately, Switch really is as awful as many critics claim. With technological gadgetry including face marks and a UAV that can shoot lasers and emit an EMP, you couldn't be blamed if you initially felt you stumbled into a James Bond film by mistake, Switch stealing ideas from this franchise, and Mission Impossible, though the handling of each is unanimously poor. The best aspects of the feature however, are the visuals, Andy Lau's English, and the gorgeous Chinese women. In fact, I spent half the movie drooling all over myself, while the other half was spent wondering why I paid twenty something dollars on a film a five year old could have written. If you enjoy movies that include gangsters with mummy issues, unnecessarily over the top action scenarios, singers who perform strange socially backward songs, women who pointlessly cut off their fingers, Asian assassins in wedding dresses and ravishing babes in roller skates, then the film might actually impress you.

The cinematography and settings are very beautiful, and the camera angles used to establish these locations assist the audience in recognizing their physical magnificence. However, the decision to incorporate slow-motion, although equally well executed, appears to be an unnecessary requirement, while at the same time, the quick changes of scenery happen so suddenly they could potentially cause seizures. In one instance, over the course of a couple minutes, the film switches (pun intended) from Dubai, to Tokyo, to Dubai again - this is a film, unsure of where it wants to be.

Though there is some good humor to occasionally be had in the conversations, which are sometimes marred by the Caucasian actors, who are not only as wooden as seventeenth century ships, but whose dialogue is as entertaining as a flatulent ant, the flirtation and innuendo that impacts half the feature lacks the subtly of other Hong Kong films, and only heightens the sexist, misogynistic climate. From referring to women as 'toys', to emphasizing 'talkative women are unattractive', I had difficulty swallowing the script, which contained an excess of testosterone, and not enough equilibrium, and though seeing groups of Asian women in skimpy dresses is a dream come true for me, morally, it is repugnant. This, coupled with character Lin (Zhang Jinchu) admitting 'I don't care how you treat me' to her former husband, clearly emphasizes the total lack of respect the film bestows upon the fairer sex.

Moving on, the original fight scenes appear awkwardly slow, and the need for characters to occasionally cosplay during these segments is beyond any scope of understanding, although towards the end, the handling of the fight sequences becomes significantly more adept. The musical score that accompanies these scenes is very effective, and the songs further what was supposed to be an adrenaline pumping mood, though the occasionally unnecessary sound effects (like Mr. Lau's need to continuously cock his pistol), alongside the effects, that sometimes appear unnaturally fake, noticeably take away from the appeal.

Story-wise, Mr. Lau is Xiao, an agent with an undisclosed company, who spends half his life staring at holographic terminals in his man cave. Despite appearing as though he enjoys his time in the role, Mr. Lau appears awkward in the script's depiction of an immature agent, some of his dialogue being potentially better said by a younger actor. This is not helped by the addendum that Mr. Lau is beginning to look his age, and though his talent and charisma is undeniable, even he is unable to save a plot that can only be described as having been lobotomized.

When a series of international criminals fight to obtain the two halves of the Dwelling in the Fuchun Mountains, an impressive piece of artwork, Xiao is tasked to reacquire it. Without warning, explanation or back-story, we are thrust into a plot, lacking in depth, characterization and comprehensive storytelling, where characters are deceased, then alive, then on one side, then another, neither of which is ever thoroughly explored. Unbeknownst to Xiao, his ex-wife, Lin, who left due to the secretive nature of his work, is an agent with an equally untitled agency, tasked to secure the painting. When his family is put on the line, professionalism and personal judgement begin to chaotically merge as Xiao is forced to choose between the woman he once loved, and Lisa (the illustriously beautiful Lin Chiling), the woman who has recently entered his heart.

Although romance appears to be a paramount theme, it is obvious the creators have no idea what true love really is. Despite Xiao's claim 'love for (him) is not a choice', he chooses to be an unapologetic womanizer and a shameless flirt, with limited connection to his family, while the theme of greed and hubris overshadows the entirety of the feature, the word of the day apparently been 'mine'.

Towards the end, the film finds some semblance of stability, but even this is marred by irreconcilable qualms, concerning realism and narrative, the most obvious of which being: how does Xiao know where the antagonists are located? Although incapable of emotionally moving its audience, and with an ending that is as shallow as it is vastly interpretative, Switch will potentially provoke viewers into booking a flight to China, so they might stare longingly at the unfathomable number of gorgeous women the film promotes resides there. As beautiful as Asian women are however, Switch, much like my mother's meatloaf, is best avoided at all costs.

Rubbish

[beandybean · 1/10 · 29 June 2021]

This gotta be the worst movie of all time. As Andy Lau fans I straight turned off and scared to watch anymore of his film.

Waste of time

[Leofwine_draca · 2/10 · 11 December 2021]

I've seen a fair few Andy Lau movies over the years and this is undoubtedly his worst thus far. I appreciate he has to make cash in order to live the high life, but man, this is really bad. It's a mainland Chinese production with Lau cast as a secret agent type hunting for part of a priceless ancient scroll. Some Japanese and British smugglers are also after it. The FX are bad, the writing is inane, the performances horrid, the characterisation non-existent. There's some hand to hand combat towards the climax but Lau tends to get doubled and when you don't care about anything taking place, well, it's just a big waste of time.

Do Not Watch

[wpjheric-97043 · 1/10 · 22 April 2022]

Old-school plot, terrible acting, bad action scene, low-quality CGI, bad score, just another copy cat of Hollywood commercial garbage.

Like many Chinese movies these years, high cost and low-quality, waste of movie, and waste of your time watching it too.

Dreadful

[lemonreelz_drive-in · 4 July 2021]

This thing (not a movie, does not deserve such label) could potentially kill a person, and it did nearly kill me so there's that. I have more enjoyment in the toilet crapping than watching this. But, I will say one thing that's good, and that it is the ultimate torture device for anyone you despise . If so, then I HIGHLY RECOMMEND this thing.

Bottom line, THIS is not a movie, does not deserve to be called or be labelled one, it is in fact a torture device.