Sadako 2 3D (2013) User Reviews

Better and Better Than "Sadako 3D" But Is Still a Messy and Illogical Story

[claudio_carvalho · 5/10 · 1 August 2014]

The outcast four year-old girl Nagi (Kokoro Hirasawa) does not have friends and is bullied at the Yuki kindergarten. She misses her mother and is raised by her aunt, the student of psychology Fûko Andô (Miori Takimoto), who is the sister of Takanori Andô (Kôji Seto) that works at the Asakawa General Hospital. There are weird deaths in Tokyo and Nagi makes drawings of the crime scenes before the happenings. Fûko is concerned with the creepy drawings and shows them to her professor. However she tells that Fûko shall not worry since she is projecting her own feelings on the drawings since her mother committed suicide.

Meanwhile the police inspector Kakiuchi seeks out Mr. Koiso that tells him that the responsible for the deaths is Sadako and Akane Ayukawa (Satomi Ishihara), who was possessed by Sadako. Nagi continues to make drawings showing the deaths and Fûko is scared. She brings Nagi to a session with her professor and Nagi scares the psychologist, but she does not disclose her feelings to her student. Fûko tells her fears about Nagi to her brother and asks him if Nagi is his daughter with Akane but he does not reply the question. Kakiuchi meets Takanori and asks questions about Akane and Nagi. Meanwhile Fûko visits the criminal Seiji Kashiwada in the prison and finds the truth about Nagi. When Fûko meets Takanori, he reveals that Akane is alive but in coma and holding Sadako in her body. Fûko meets Nagi and the girl asks to see her mother. What will Fûko do?

"Sadako 3D 2" is better and better than "Sadako 3D" but is still a messy and illogical story with a terrible conclusion. Akane is alive but Sadako is not trapped in her body, since she is in a crime spree. The girl Kokoro Hirasawa has an impressive performance in the creepy role of Nagi, but her character is confused, beginning the movie as a frightening clairvoyant that becomes an innocent little girl near to the end before Akane is murdered. My vote is five.

Title (Brazil): "A Invocação" ("The Invocation 2")

Better than its predecessor, but still nowhere near the original trilogy...

[paul_haakonsen · 5/10 · 10 May 2014]

While still nowhere close to the original "Ringu" trilogy, at least "Sadako 3D 2" was a step up from its abysmal predecessor "Sadako 3D" - not much, but still noticeably improved.

What made "Sadako 3D 2" better than the previous was a more solid and thought through storyline as there was a red line throughout the movie, whereas the previous movie was messy, confusing and seemed mostly like random clips put together.

But still for a Japanese horror movie of this genre "Sadako 3D 2" wasn't particularly scary. Sure, there were some nice scenes here and there throughout the movie, but as a whole there just wasn't enough scares in the movie to match other similar movies.

One thing that impressed me was the acting performance put on by child actress Kokoro Hirasawa (playing Nagi). She, and she alone, was carrying this movie without a doubt, and she was genuinely capable of portraying some rather disturbing and spooky scenes with her body language and facial expression. Thumbs up for that! The effects in "Sadako 3D 2" also had a very noticeable improvement from the previous movies and it was more of an enjoyable experience to sit through this movie than it was with part one.

Still, the plot had strayed quite far from the original trilogy. And whether or not you like that or not is, of course, a personal preference. Of course it is good with new ideas and new blood, but if why change something that isn't broken? These two additions to the "Ringu" legacy seems to have set out to accomplish a little bit too much or going for a grander and more epic scale, but failed to fully grasp it and deliver where it would impress.

It was a good thing that director Tsutomu Hanabusa didn't include those laughable creatures that make their appearance in the first "Sadako 3D" movie. They were just ridiculous.

While not fully there yet, "Sadako 3D 2" is a mediocre addition to the "Ringu" legacy, and your overall experience would not be any less if you miss out on this movie (or the previous one).

Better than first part, but still bad

[amidabutsu · 3/10 · 21 October 2021]

Let's say that it has nothing to do with "S". There are some scary parts, but the plot is one big plothole...

And a ripoff too... Ju-On The Grudge 2 (Japanese original), Uzumaki (not Naruto, but a certain movie based on Junji Ito's manga), The Ring (American remake from 2002 - you probably remember Aidan's chicken's scratches)...

Logic went through the window. A person in coma needs not only monitoring ECG, but also intravenous infusion (to nourish), bladder catheter (to expel urine), physiotherapy (for preserving muscles and avoiding bedsores), and, foremost, intubation (to prevent suffocating with one's own tongue)... NOT make-up, mascara or nail polisher!

And what they did to the cursed video itself? It's a bad joke or what?

I gave it 3/10, only because of those creepy parts.

Although Satisfyingly Creepy, Sadako 2's Directionality and Peculiarity may Leave some Audiences Perplexed

[totalovrdose · 7/10 · 3 June 2015]

The opening of Sadako 2 is certainly memorable. Silence fills the scene, before an explosion of noise shocks the viewer, the proceeding ambiance being as splendid as it is morbid, the scene concluding with an unexpected deliverance of terror during a moment that is often affiliated with beauty. Although many of the visuals, including a beach side setting, a peculiar basement facility, a spiral staircase and a stadium are exceptionally beautiful, and the effects are just as lavish in their execution, it is the sound that is especially powerful. The themes by Kenji Kawai offers a sense of ancientness and modernity, mystery and suspense, while the sounds of the environment, and those from the ghostly and monstrous aspirations, really accentuate the terror into life, and is of beneficial assistance during the well directed jump scares.

Despite their articulation, the scares infrequently appear traditional for a Ringu film, and despite their uniqueness in this particular franchise, viewers would have previously witnessed similar instances in other films, Case 31 and Boogeyman 3 being very obvious comparisons.

Despite the original Sadako being rumored to be the last in the Ringu franchise, clearly, much like with other series', producers, writers and directors alike don't enjoy bringing an end to something that still contains some semblance of life. For those of us who have seen Ringu 0 and Ringu 2, we know Sadako is a character who is equally deserving of our sympathy, as well as our fear, though, much like its predecessor, Sadako 2 paints our favorite long haired specter as an antagonist only, refusing to provide new audiences with the opportunity to see Sadako in her entirety. This leads to my next point - Sadako herself. Although characters occasionally talk about her, the screen time that Sadako is provided could be measured in seconds, rather than minutes, the primary focus of the feature being the child that she is believed to have brought into our world.

Miori Takimoto portrays Fuko (I wouldn't be surprised if, when translated, Fuko means gorgeous in Japanese, because Ms. Takimoto is a dreamboat on the ocean of purest beauty), a young woman whose charge is her niece, Nagi (Kokoro Hirasawa), a four year old girl who appears as cute as she is creepy. The daughter of Akane (Satomi Ishihara - whose role is unfortunately miniscule) and Fuko's brother, Takanori (Koji Seto), both of whom were the protagonists of the last feature, Akane's bizarre disappearance after Nagi's birth, and Takanori's absence, which is guaranteed not to win him any awards at the father of the year ceremony, leave Fuko alone in a situation that gradually becomes more dangerous.

Wherever Nagi goes, strange and violent deaths occur, an obvious question being, is Nagi responsible, or is she just a conduit for another character's rage? Although some of the deaths could be attributed to vengeance, others appear to be randomly selected, and without any obvious incentive or motivational cause, the unjustifiable slaughter seems to make little sense. Investigating these obscure deaths is metropolitan police detective Kakiuchi (Takeshi Onishi), who appears to be sheltering ulterior motives, while characters from the previous Sadako, including former detective Koiso (Ryosei Tayama) and the psychopathic Kiyoshi (Yusuke Yamamoto) provide support to some of the new cast members.

Although Fuko's heart is in the right place, on several occasions her character appears ignorant, in that she is provided instructional advice, yet does the opposite of what she is told, which can lead to predictable consequences. Towards the end, the film becomes alarmingly quick - it seems we are only in the middle of the story when the climax is thrust upon us without warning or explanation. Moreover, as the feature continues, some of the scenes defy rational explanation, this, coupled with the unanswered questions at the film's conclusion, will inevitably force audiences to, on more than one occasion, suspend their disbelief. Besides this, the contradictory storyline, which could be perceived as being deliberately orchestrated to provide audiences with multiple twists and turns, is neither well developed or intellectually surprising, viewers often being led to believe one thing, then another, then another, to the point it appears even the film's developers were uncertain of the directionality they wanted the plot to take, this continuing all the way to the film's anti-climatic finish.

Despite this, the themes, which include family, suicide and abandonment are well conceived, while the acting is professionally delivered, one scene in particular being emotionally beautiful. Although Sadako 2 is far creepier than its predecessor, some of the film's disturbing moments being sure to impact the audience, the storyline and imagery, that occasionally appears illogical, while adjunctively resembling certain fairy tales, may cause audiences to wonder what hallucinogenic substance Sadako has been smoking in that well of hers.

Better then Sadako (2012)

[atinder · 6/10 · 12 March 2014]

I was not really looking forward to this, at al.

As I hated Sadako 3D (2012). it was one of the worst Ring movies ever, so bad, it was not scary or creepy. it was cheesy!

Thankfully this sequel was nothing like the first movie, I really enjoyed it.

The start of the movie, opening scene actually made me jump, A little.

Fuko Ando who is 24 years old is. She is told to take care of her 4- year-old niece.

Then strange things start to happen around the niece, anyone that upset her or she looks at anyone with the her stare, they end up dead, there death, which are made to look like they kiled themself's .

First death was really well done and looked really nasty but not gory, some of other death scenes seem a little silly.

Fuko Ando seeing the drawing that her niece as done and then start to get scared of her. as all her drawing, seem to be come true.

(Fuko is also having trouble with her own pass and she keeps getting nightmares of her mother suicide ,when she was a little girl and she blames her self for that.)

I loved train scenes, that one of hell of crazy scenes, loved every second of that scene.

Fuko soon discovers what Akane as been hiding form her for last 5 years and she is shocked.

There are few surprises here and there, to give you little shocks, Which dose work, I loved it, decent plot.

So much better then the first movie, better story, not over of the top with the 3D effects, Not at all cheeses liked the last one.

I found one part of the movie, a little creepy at times but not all the time.

It felt more like a drama near the end of the but one thing that annoyed me, there were far too many dream scenes.

The acting was very decent, the effect were really good!

6 out of 10