Directed by
| Uberto Pasolini | ||
Writing Credits (in alphabetical order)
| Uberto Pasolini | ||
Cast (in credits order)
Produced by
| Michael S. Constable | ... | line producer |
| Ceri Hughes | ... | co-producer |
| Uberto Pasolini | ... | producer |
| Marco Valerio Pugini | ... | associate producer |
| Christopher Simon | ... | producer |
| Barnaby Southcombe | ... | executive producer |
| Felix Vossen | ... | producer |
Music by
| Rachel Portman | ||
Cinematography by
| Stefano Falivene | ||
Editing by
| Gavin Buckley | ||
| Tracy Granger | ||
Casting By
| Susie Figgis | ||
Production Design by
| Lisa Marie Hall | ||
Set Decoration by
| Dalia Gellert | ... | (props buyer) |
| Marzia Pellissier | ... | (assistant prop master) |
Costume Design by
| Pam Downe | ||
Makeup Department
| Karen Finch | ... | makeup artist |
| Sophie Rowatt | ... | makeup artist |
| Emma J. Slater | ... | hair designer (as Emma Slater) / makeup designer (as Emma Slater) |
Production Management
| Louis Cooper Robinson | ... | unit manager |
Second Unit Director or Assistant Director
| Albert Grégoire | ... | third assistant director |
| Joe Hornsey | ... | second assistant director |
| Matthew Jones | ... | third assistant director |
| Alex Mercer | ... | first assistant director |
| Rachel Stacey | ... | floor runner |
Art Department
| Jamie Bishop | ... | props |
| Stéphane Daoust | ... | set dresser |
| Martyn Doust | ... | property master |
| Maxwell Fine | ... | art department trainee |
| Elizabeth Garton | ... | art department trainee |
| Louis Grant | ... | art department trainee |
| Dec Hardy | ... | art department daily |
| Lily McLean | ... | art department trainee |
| Celina Norris | ... | petty cash buyer |
| Oliver Reynolds | ... | art department trainee |
| Lisa Rust | ... | props |
| Alexandra Slade | ... | stand-by props |
| Carole Theriault | ... | art department coordinator |
| Caitlin Thompson | ... | production buyer |
| Dave Tincombe | ... | set dresser |
| Andy Young | ... | art department trainee |
Sound Department
| Frank Barlow | ... | boom operator |
| Sandy Buchanan | ... | foley editor |
| Simon Bysshe | ... | additional sound mixer |
| Paul Cotterell | ... | dialogue editor |
| Robert Farr | ... | re-recording mixer |
| Allan Fung | ... | supervising sound editor |
| Greg Hagen | ... | boom operator |
| Kieron Wolfson | ... | sound recordist (as Kieron Teather) |
| Robert Karlsson | ... | dolby sound consultant (uncredited) |
Visual Effects by
| Daniele Aliberti | ... | visual effects artist |
| Stefano Camberini | ... | digital artist |
| Stefan Drury | ... | head of visual effects |
| James Elster | ... | digital compositor |
| Martin Furman | ... | visual effects: Jellyfish Pictures |
| Simone Nobili | ... | digital post-production producer |
| Jessica Norton | ... | visual effects producer |
| Katie Roehrick | ... | visual effects producer |
| Sheila Wickens | ... | visual effects supervisor |
Camera and Electrical Department
| Javier Santos Audera | ... | camera trainee dailies |
| Adrian Barry | ... | key grip |
| Kerry Brown | ... | still photographer |
| Matthew J. Hicks | ... | digital image technician: dailies |
| Tim Jordan | ... | gaffer |
| Chris Kane | ... | first assistant camera |
| Alanna Miejluk | ... | digital imaging technician |
| Ed Miller | ... | additional stills photographer |
| Daniel Evans | ... | camera trainee (uncredited) |
Casting Department
| Jamie Edgerton | ... | extras casting assistant |
| Johnny Lynch | ... | additional casting / casting assistant |
| Lucy Rands | ... | casting assistant |
Costume and Wardrobe Department
| Daisy Babbington | ... | set costumer |
| Emma Rees | ... | costume supervisor |
Editorial Department
| Guerrino Di Benedetto | ... | colorist |
| John Dwelly | ... | first assistant editor |
Location Management
| Louis Cooper Robinson | ... | location scout |
| Christopher Hutchins | ... | assistant location manager |
| Philip King | ... | location assistant |
| Joe Kotroczo | ... | location manager |
| Graeme Mackenzie | ... | location scout |
| Alexandre Piuze-Gualmini | ... | key assistant location manager |
| Tim Preston | ... | location assistant |
Music Department
| Jeff Atmajian | ... | orchestrator |
| Nicholas Bucknall | ... | musician: clarinet |
| Paul Clarvis | ... | musician: caixa |
| Nick Cooper | ... | musician: cello |
| Chris Cozens | ... | auricle control systems |
| Helen Crayford | ... | musician: piano |
| Chris Dibble | ... | scoring engineer |
| Tracey Goldsmith | ... | musician: accordion / musician: concertina |
| Janice Graham | ... | musician: violin |
| George Hamer | ... | orchestra contractor |
| Andrea Hess | ... | musician: cello |
| Ian Humphries | ... | musician: violin |
| Greg Knowles | ... | musician: cimbalom / musician: dulcimer / musician: marimba |
| John Lenehan | ... | musician: piano |
| Jeremy Murphy | ... | recordist |
| Andy Parker | ... | musician: viola |
| John Parricelli | ... | musician: guitar |
| Colin Rae | ... | music preparation |
| Frank Ricotti | ... | musician: percussion |
| David Snell | ... | conductor |
| Vicci Wardman | ... | musician: viola |
| Hugh Webb | ... | musician: harp |
| Karen Westropp | ... | assistant: Rachel Portman |
| Robert Ziegler | ... | conductor |
Script and Continuity Department
| Rebecca Sheridan | ... | script supervisor |
| Lucy Ward | ... | script supervisor: additional |
Transportation Department
| Ted Leaning | ... | driver |
Additional Crew
| Carles Berot | ... | trailer and versions producer: advertising and promotions |
| Federica De Sanctis | ... | press: BIM |
| Filiz-Theres Erel | ... | production assistant |
| Kasia Malipan | ... | production coordinator |
| Jan Pearson | ... | head of development for embargo films |
| Viviana Ronzitti | ... | press: Italy |
| Dorothee Stoewahse | ... | press: international |
| Lucy Ward | ... | script supervisor: dailies |
Thanks
| Giuseppe Basso | ... | thanks |
