The Broken Shore (2013 TV Movie) User Reviews

A great homage to the book.

[Intriguer · 8/10 · 2 November 2013]

I saw The Broken Shore at the Adelaide Film Festival in October 2013, and thought it was a great homage to the book by Peter Temple. Without giving too much away before it airs on the ABC in 2014, there is some good acting by all involved, and the screenplay has been well written by Andrew Knight (using mystery and humour).

The one thing I will say about The Broken Shore is (and this was mentioned on the night of the screening) that it would have been good if it was made into a 6x1 hour mini series, which would have meant that more from the book could have been mentioned/explored. An example of this is the character of Erica Burgouyne, who seems quite interesting in the book (and in the movie as well) however she only has a couple of scenes in the movie.

However, overall, The Broken Shore is quite good for what it is and it will be interesting to read what other people think once it has aired on television.

Outstanding film. Great character development.

[latinfineart · 8/10 · 24 November 2020]

This was a very, very well made film. Great direction, super tight production, excellent cinematography with gorgeous exteriors of Southeast Australia. Wonderful performances and very well fleshed out characters, this was a intimate and very strong story that you just don't find that often.

It is not a typical Australian production. Having said that I tend to like Australian film a lot, but this was very different.

I highly recommend this movie, it felt like a very mature piece of filmmaking, very very well written and executed.

It's good.

[adrianhayward2004 · 7/10 · 5 September 2021]

Slow burner and better than most Netflix produced drama. Worth a watch.

Wry Humor From a Broken Cop

[lavatch · 6/10 · 3 February 2024]

The best part of "The Broken Shore" was the deadpan, wry humor of the local sheriff, "Sleepy" Joe Cashin. His banter with the hard-nosed attorney Helen was engaging, despite the fact that their romance seemed improbable.

On the downside, the narrative was exceedingly grim with systemic racism that blames the innocent aboriginal locals for a murder they did not commit.

The truth about the murder and the victim exposed the sad underbelly of the community that included monsters exploiting young boys.

Despite the natural beauty and the interesting locations, the film was depressing and unpleasant. This "shore" was indeed broken.

A simply cracking Aussie crime thriller

[t-dooley-69-386916 · 9/10 · 10 January 2015]

This film is based on the novel of the same name by Peter Temple and to all accounts this production does do the book justice. Set in a rural coastal town that seems to be off everyone's radar - we meet detective Joe Cashin (played perfectly by Don Hany) . He used to be a big time homicide detective in the city; but after a life changing incident he has retreated to this backwater.

Then the sleepy town gets very shaken up when one of the local grandees is murdered. This is a man with connections - and apparently no enemies. As Detective Cashin starts to investigate he starts to uncover a story of complicit lies told over decades, police corruption and racism from both sides of the divide. He also has a new neighbour a new handyman and an Aboriginal cousin who is not the most reliable of relations. As the past is uncovered the tension mounts and this will have you transfixed.

This was a complete punt for me; I just stumbled across it on line and streamed it. It was part financed by Screen Australia and the cast are not that well known outside of Australia, but if the evidence of this is anything to go by, then we should be seeing a lot more of them. It has the tension, the humour and realism all perfectly balanced. An absolute gem and one that starts off brilliant and then just gets better - absolutely recommended.

The Paint has dried...

[mformoviesandmore · 5/10 · 17 December 2014]

... although I didn't see it happen as I was distracted by watching (much of) this telemovie.

This was a competently created but by-the-numbers sort of show.

We have our hero for is an anti-hero, damaged goods, but well meaning. Not liked by the 'bad guys' in the police force but respected by his old boss.

And so on it goes. I assume a whyteboard session was used to created the original story and all of the boxes ticked to created a formula story.

Now, I should note that I am not a woman and I got the feeling that the target audience for this is more 'sheila' than 'bloke'.

Some have suggested that this set of characters be turned in to a series. It doesn't worry me. I wouldn't watch them.

If you appreciate British or Scandinavian mysteries, this may be for you

[steve2542 · 9/10 · 16 November 2014]

As previously written, "The one thing I will say about The Broken Shore is . . . that it would have been good if it was made into a 6x1 hour mini series".

I agree totally.

This is a well paced, interesting movie which discloses much about Australian culture (which only an Australian could certify as true) set in a sometimes bleak but more often beautiful setting.

The pace reminded me of a Morse episode, but with a younger, excellent actor Don Hany.

The story appears to head toward a familiar ending. However, the ending is more satisfying than expected.

The movie begs for a sequel.

For Christ's sake, Australia, stop making this crap!!

[hoytyhoyty · 1/10 · 9 February 2016]

And here we go again. A completely over-baked, slow production from an over-baked, slow book.

A lead character we are supposed to sympathise with, as he plods around oppressing people's rights and basically being a useless jerk-off.

Side characters we are utterly unable to care about.

A completely inaccurately portrayed police force, with logic-holes all over the place.

Dreadful, idiotic flashbacks.

And then a dreadful, idiotic main arc.

Stop it! Just STOP it! Make something good for once!

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Brilliant

[catfly · 10/10 · 7 February 2014]

This movie to my mind is just perfectly made.. a couple of stilted actors in bit parts but that is such a small issue. Its easy to fall into this film and never want to leave. The characters are great, well formed, the dialogue is sparse and interesting, the filming is top notch - to me its the best look i've seen in any modern TV from Asutralia. I really hope to see more like this.

There's undercurrents both metaphorical and literal. There's the everyday but interesting police business. There's bad and good cops. There's old and new crimes, histories in each character. This film has it all.

There's the odd cliché but it flies past and the chunks are joined expertly.

Its a bit of a shame this was made for TV, cos I imagine it won't be eligible for the awards it should get.