Wajeman is particularly skillful at obscuring the lines between right and wrong, setting his story in a a dog-eat-dog world whose moral compass is slightly askew.
60
New York Daily NewsElizabeth Weitzman
New York Daily NewsElizabeth Weitzman
At first, Elie Wajeman’s moody French drama looks like so many other stories to come before it.
40
Time OutDavid Fear
Time OutDavid Fear
There’s no sense of what Wajeman is after here. A character piece should have some sense of a character’s who, what and why, right?