A moral Catch-22 situation involving a steadfast convict incarcerated wrongfully, with a climactic gut-wrenching performance by Sarah Shahi as Kate Reed trying to move the immovable mountain of getting the law (in this case, a by-the-book parole board) to admit it has made a mistake.
Notable performance by Agnes Bruckner.
Oh, that elevator! They obviously build an elevator set and really made use of their invested bucks. I noticed that every episode lately has an elevator scene, sometimes kicking off with it. Like in this episode. I referred to the climax. Well, there's another climax a bit later, that elevator's the scene for a long-awaited burst of passion between two unlikely protagonists. Well, opposites attract, can't get more opposite in personality, and I suppose that gives the game away...
My money's still on Justin...!
Notable performance by Agnes Bruckner.
Oh, that elevator! They obviously build an elevator set and really made use of their invested bucks. I noticed that every episode lately has an elevator scene, sometimes kicking off with it. Like in this episode. I referred to the climax. Well, there's another climax a bit later, that elevator's the scene for a long-awaited burst of passion between two unlikely protagonists. Well, opposites attract, can't get more opposite in personality, and I suppose that gives the game away...
My money's still on Justin...!
