Escape from Tomorrow (2013) Poster

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5/10
I guess at least it can still be the ultimate guerrilla film, just not the best.
Sergeant_Tibbs26 October 2013
While this may not exactly be Heaven's Gate, Escape From Tomorrow is a case of the film's production being far more interesting than the film itself. Surreptitiously shot at Disneyland without any permission at all, this film can still earn its title of ultimate guerrilla film based on that fact alone. However, the most interesting factor is that not only do Disney now know about it, but they're not doing anything about it. Evidently it's not worth the effort but boy is is that a hook beyond the film's context itself. Everyone loved the idea of this film. It's a great juxtaposition, a surreal David Lynch/Terry Gilliam-esque nightmare in Disneyland. Unfortunately the films we concocted out of our imaginations are much better than the material Moore thought about. This is the work of an eager amateur.

Contrary to expectation, Escape From Tomorrow has an incredibly mild execution, focusing on cheap gags and slapstick rather than scares or atmosphere (black and white film is not atmosphere). Granted, I'm sure Moore had a lot of challenges and maybe the film doesn't match his initial vision, but the scenes away from the parks match the weirdly off tone so maybe this is who he is. The photography is only okay. The technical aspects do suffer, particularly with sound and visual effects in green screening, but that's forgivable given the circumstance but not forgivable given the script. The fundamental problem is that the acting is very unconvincing. Instead of a protagonist undergoing an understandable mid-life crisis, he ends up like Lester Burnham without the charm, acting just like a terribly unlikeable 16 year old pervert. And this guy is supposed to be a parent.

Perhaps Moore wants us to be uncomfortable watching him, maybe there's things to be said about man's desire for young women, but it's not the kind of meaningful discomfort that really makes a viewer think, it feels thrown in there as a character quirk. It's hard not to go into these types of films without expectations, but it simply didn't go as dark as I would've wanted and ended up feeling random instead with too many plot threads. The film could've saved itself by its final minutes by tying up all of them in an interesting way that actually says something, but instead they vouch for a single one that negates the others. It can be interesting and engaging at times, but as a whole it doesn't really work since Moore doesn't have anything to say about the human psyche, just that this would probably be cool if a film shot in Disneyland about bad things happening existed. Please make this a curiosity viewing only and don't get too excited.

5/10
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4/10
Great concept, lacks follow-through
matweed-844-55879614 November 2013
Warning: Spoilers
The idea of a man finding out he's been laid off or fired on the last day of his vacation, then suffering a mental breakdown has an interesting appeal. However, the plot was uneven (some mental breakdown, some interest in way-to-young women, some random interludes with older women). The guerrilla filming was great, but the story of mental breakdown could have (should have) been better, instead of being a random set of stories of a degenerate man who isn't faithful, and puts his needs above his family's. Based on descriptions, I expected a story about mental breakdown due to stress, but instead, it's more about the guerrilla filming style. He should have spent more time on the script.
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5/10
It's time to escape reality. Escape from Tomorrow somewhat does that. Just not in a good way.
ironhorse_iv6 February 2016
Warning: Spoilers
Entirely film at the Disney World and Disneyland theme parks, without the approval, of Walt Disney Company. Escape from Tomorrow has been called 'the ultimate guerrilla film'. The reasons, why is because of the highly secretly production of monochrome black and white guerrilla-style shooting, in order to avoid lighting issues. Another, is how well, the filmmakers evade attracting attention of park security. Because of the ways, this movie was created. It allows the viewers to see the familiar sights of the Disney parks in a whole new light. Because of that, I really wanted to see this movie. After all, I wasn't sure, if this movie was even allow to be shown. However, I was deeply surprise later by the fact, that Disney didn't sued the movie, for copyrights claims. I guess, Disney thought it was better off, just to ignore it and not feed its trolls for the film negative depiction. Anyways, copyright issues wasn't going to stop me, from watching this fascinating film. However, after watching the film. I doesn't think this movie works at all. Not even in the realm of avant-garde art-house level. It wasn't sophisticated or high-brow. For the most part, it's stupid and gross out imagery was nearly unwatchable. It felt like somebody drug me, with a Mickie and I was going through a bad acid trip. Because of that, it took a lot of sheer will power, to get myself to finish watching this film. Another thing, that bug me about the film is how exposition impaired, this movie is. Normally, I would love to find hidden meaning within this story, but sadly, this movie takes the fun out of it. This movie from first time writer and director Randy Moore was also a bit too confusing for my taste. I really don't get this fantasy horror film, at all. The story about unemployed father, Jim White (Roy Abramsohn), whom sanity is challenge by the over-fantasy domain in which, his family wants to spent time in; just didn't work with me. Without spoiling the movie, too much, I have to say, the film's story and imagery remind me of a mix between 1999's Sam Mendes's American Beauty & David Lynch 1977's Eraser Head with elements of Disney magic. It sounds interesting, but it's badly executed. Trust me! First off, the movie has horrible pacing. Lots of awkward long shots of nothing much going on. Half of the film is really, really boring. Then, there is problems with filming locations. Since, reshoots were nearly impossible. Some scenes were shot against a very obvious green screen background. Its looks so fake. You can really tell, which scenes were filmed in locations, and which were not. Another problem, is its CGI, which wasn't used right. However, the biggest jarring production issue that I have against the film is how content proprietary to Disney, such as the lyrics to "It's a Small World" and footage from Soarin', was removed from the film to avoid copyright infringement, yet others, are kept in. I guess, the filmmakers weren't as brave as they make themselves, out to be. Look, I'm willing to look pass the novelty, to see the truth about Disney, but the film wasn't presenting anything that seem real. Its 'so call' facts like the emu myth and Disney prostitutes, are just as fake as the castles in which, this story takes place at. I get that, this is a fantasy version of the real-life park, but if you going to make Disney seem like an evil company, you should show more realistic tones of that. Not only is the whole message of Disney being an evil company kinda unclear and too murky, but the idea of shaming 'escapism' is also a bit too bitter and joyless. I get that, the word 'escapism' often carries a negative connotation, suggesting that escapists are unhappy, with an inability or unwillingness to connect meaningfully with the realism world, but that idea is taken out of proper context by this first time director, Randy Moore. Not everybody that goes to Disneyland or go see a movie is depressed. Some of them, are just looking for fun and entertainment. However, you wouldn't know it, by looking at this film. All of the main characters, here are just miserable, hateful, and unlikeable. Don't get me wrong, all the actors in this film are fine, but being an escapism movie, doesn't mean, that all of the characters have to be jerks. It just means, that, characters have to be likable enough to connect with the audience. So that their spirits can be uplifting, when we see a character, be able to conquer the problems of his own world. Sadly, you don't see that in this film. Looking for a means of entertainment isn't supposed to be bad-thing, but this movie acts like it does. It's like, telling us, that we should be in shame for liking uplifting epic blockbuster movies and should act more realistic, gritty and downtrodden. I really have to disagree with that mindset. The reason, why, is because movies like this, is all about suffering. It's not a healthy escape for the viewer. If anything, this cruel and spiteful movie, can only make the viewer, colder about their own world. Unpleasant media make unpleasant people. I glad, there are film directors like director Preston Sturges that shows that. In his film, 1941's Sullivan's Travels, he points out, how 'vain and self-indulgent', films like Escape from Tomorrow are. Most people go to the movie for healthy distraction, not to be told, how depressing, their world is. Overall: I felt more disappointed by this weird film, than honestly downright hating it. For the most part, I was all eyes and ears for this surrealism film, coming in, but sadly, after finishing this movie. I can clearly say, it was a very below average film. I can't recommended watching at all, unless you want to be upset.
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1/10
My First "1" on IMDB
leaugebrett9 January 2018
I was intrigued by the premise of Escape from Tommorow after stumbling across a trailer a few weeks ago, with the notion of horror/paronia flooding a family during a day at Disney World sounding unique.

After finishing this painfully boring and uncreative slog of a film, I realized the whole black-and-white and "guerilla-style" film making, being a huge selling point of the film, was entirely a gimmick. I'm expecting most of this film's slim budget went towards getting Disney Park passes for the cast and crew, because the acting is atrocious (especially with the children and wife) the special effects are entry level After Effects, and the writing is piss poor. The various "twists" throughout the film are idiotic, the character motivations non exsistent (the father character literally stumbling through most of the plot trying to chase a pair of teenage girls in some unexplained perversion), and the Disney setting is painfully underutilizied (I'm sure this was partly because of legal issues).

Escape From Tommorow is one of the worst films I've ever seen. It's not even a worthwhile watch if you're looking for a B-Movie horror film. Not recommended under any circumstances.
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1/10
What the hell?
Ryan_MYeah9 December 2014
You ever wonder what it would be like if Terrence Malick vacationed in Walt Disney World, drank moonshine and had an acid flashback while on It's A Small World, and then immediately afterwards stared at Spaceship Earth while a bunch of kids ran by? That's pretty much this film.

I like the idea of the film fine, and it's cool to see all the little areas in Walt Disney World that I know so well (I may have been in this film and not even known it), but the film gets lost in its own thematic context. Is it's message that our instabilities will follow us even in so-called safe havens? Is it a pandemic allegory? Is it a sexuality parable? Not that it can't be all of those, but I don't think even the movie knows what it's talking about.

Beyond that, the film is positively horrendous, with laughable attempts at psychological terror and ambiguity, unbearable dialogue and acting, groan inducing imagery (Don't make me mention the Siemens "semen"), amateurish photography and editing (which I do still understand given the film's shooting circumstances), appalling special effects, ear grating music choices, and structuring so incompetent, it can't even keep its own locations straight. If the movie is taking place in Disney World, WHY ARE YOU ALSO JUMPING TO DISNEYLAND FOOTAGE?! I could spend hours picking apart the geographical errors alone, but that's secondary at this point. Escape From Tomorrow is a classic example that it doesn't matter how original your story is if the actual execution (which should matter above all else) is awful.
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1/10
Wish I Could Give it Zero Stars
theargentbusiness27 January 2019
A rambling, whining, nonsensical, egotrip of a movie. Agonisingly obvious, and filled with faux-deep 'statements' on humanity that mainly consist of fatphobic ableism. This movie would be played on repeat in my personal hell.
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Ambitious, but yet not enough
Red_Identity13 October 2013
After reading just a few quick things on this and how it was similar to both The Shining and Eraserhead (two of my favorite horror films ever), I was quite excited for this. It looked like an indie experimental horror film that I would love. Sadly, while I think there are some very interesting things in here, or things that could be interesting, it never really amounted to much. Not enough horror, not enough intrigue. I think the acting was solid and the story decent enough, I just wish it had gone to further places, done more stuff with the concept. It's not bad and it's sort of really memorable, but I can't really say I liked it overall. Really mixed on it.
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7/10
"Escape from Tomorrow" Defies Disney
pampowell525 January 2013
Warning: Spoilers
FINALLY!  A film that depicts Disney World the way that I see it!  "Escape from Tomorrow" was an eerie and disturbing film about a family's last day of vacation.  Unfortunately, the father (Jim, played by Roy Abramsohn) learned that he would not have a job to come home to after Disney.  He wanted nothing more than to make the last day at Disney the best day ever.  That wasn't going to be the case.

As Mom (Emily, played by Elena Schuber) and Dad took each child to their respective favorite rides, Dad seemed distracted.  You would think he would have been distracted by the fact that he no longer had a job, but he was actually distracted by two cute, young teenagers roaming the park.  As his curiosity with the teens peaked, he began to accidentally happen upon the same rides!  Parenting frustration along with marital frustration exemplified the typical, but not admitted to, experience at Disney.  As was stated in the movie, "You can't be happy all the time," definitely played out in "Escape from Tomorrow."  In fact, while in the park, we had glimpses of something evil lurking or having happened in the past.  These glimpses became more frequent, but still didn't give the viewer enough information to figure anything out.  

One of my favorite scenes in this film was how Dad toured Disney's Epcot.  He drank his way around the world!  CHEERS!  That's exactly how I dealt with it! This black and white film gave a creepy 1950's feel to it.  You knew at the beginning that this was going to be Disney Gone Bad.  Overall, I would categorize this film as a horror flick...A Disney HORROR FLICK!  How many Disney Horror Flicks are out there!  Here's the kicker.  Disney had no idea that this film was taking place on its grounds!  Oh, dear!  Oh, me oh my!  I bet there might be some frowns that can't be turned upside down on the grounds of Disney this week!

This was a film that kept me guessing.  The kids in the film were adorable, however I don't think they pulled off being bratty.  My guess is, that these kids are pretty sweet kids.  "Escape From Tomorrow"  was a unique film not only because of the black and white aspect, but because of the setting.  The story-line was at times a bit too quirky and far-fetched, but not enough to make me not want to see what happened at the end.   

Kudos to Randy Moore, Director Extraordinaire, for pulling of a feat only I could have dreamed of!  Or maybe I have!  Yes, I did go to Disney and it really was a nightmare!
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1/10
I want back my wasted hours!
dloadnz2 May 2014
Warning: Spoilers
Maybe I just didn't understand the movie, the direction it's going it, to young to appreciate why it's in black and white, etc - But this has got to be the worst movie I've seen! It's random... completely random imagination land? The storyline is non-existence and jumps all over the place. Father lost job and takes family on vacation to Disney, son hates his guts, his wife ignores his needs, so he goes chasing a couple of chicks. Kills a robot who tries to help him. Gets Cat-Flu and dies. Meanwhile a pedo witch (who use to be a princess) wants to play pretend with the daughter. Disney staff clean up all the mess and the next family moves in, the end! There you go... saved you wasting your time on this utter rubbish!
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7/10
Interesting but Certainly not Magical
RogerOThornhill195931 August 2020
Having spent much time at WDW, and also having spent many years working for a company that plays a big part in the movie, this was a must watch for me. I am surprised I had not heard of it before.

The quality of the movie leaves something to be desired. That most of it was filmed secretly inside both WDW and Disneyland was not only intriguing but also lowers your expectations. I have to say that many of those scenes are surprisingly well done. A lot of planning obviously went into the filming. At one point there are several shots of empty areas that were clearly shot after hours by a Disney employee. The movie is in black and white, which was reportedly done for technical reasons instead of artistic reasons. It does add to the surreal effect though, and it is possible that the technical need for monochrome video was tied to the decision to make the movie so surreal in the first place.

However, there were also a lot of scenes that were filmed green screen style with background video, and they were poorly done. I suppose that with the surreal nature of the film this might have been intentional to add to the effect, but it was distracting. The scenes filmed at Disneyland were also a bit distracting since the setting was supposed to be Disneyworld. Again, perhaps this was some intentional "Disney mash-up", but still distracting.

One thing to look for is the number of references to WDW trivia and urban legends that are embedded in the film. Some are well known (or were at the time the movie was filmed). Some are pretty obscure.

As for the overall film, it is an interesting concept. The plot owes a lot to American Beauty, with a much more surreal tint. The commentary on the theme park experience is actually pretty spot on. Families that visit "the happiest place on Earth" aren't always happy, and some are really messed up. Telling this in a "reality" where the urban legends and conspiracy theories true helps to make the commentary a bit less of a direct attack. Watching the movie in the midst of the COVID pandemic adds some unintended meaning as well.
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4/10
It's a stunt more than a movie
TheMarwood16 May 2014
Secretly filmed inside the walls of Disney World and also Disney Land when the small crew was thrown out of Disney World, this would have made a killer short film. At 90 minutes it just can't sustain a feature running length. At 45 minutes, the novelty wore off and at 60 minutes my patience was wearing thin. There's only so many shots of Disney World I can endure with the anemic plot of a man loosing his mind there. The last 30 minutes are just abstract crap that is supposed to be blurred reality, but it looks they they put their footage in a blender instead of editing it. But it's fun to watch in the beginning as we watch our lead start to go bananas at the happiest place on earth and start lusting after two underage girls speaking French. If you are curious, there are worse ways to spend 90 minutes and you'll also have the luxury of the fast forward button.
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8/10
Imperfect and not for everyone, but I quite liked it
zetes30 October 2013
The infamous film that was shot almost entirely at Disneyworld. The thought was, when it opened at Sundance in January, that Disney would sue it out of existence, that maybe you'd only ever be able to see it if it popped up online at some point. In the end, though, Disney just decided to ignore it (some have pointed out that the company's infamous litigiousness is more a thing of the past). So the next question has to be, does this actually work as a film, or is it just a curio? In my opinion, it very much is a curio, but not just because of the circumstances of its production. It is, in fact, an extremely weird film. It's far from perfect, but, really, it's so weirdly entertaining that I don't really care. The one thing I really love about it is the black and white cinematography - it's really gorgeous and eerie. The film has a hypnotic quality. It's well worth checking out.
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7/10
Anxiety Vacation
MattBrady0993 December 2014
DisneyLand, the land of dreams to come true right in front of your eyes, and your nightmares too.

The film is about a middle-aged American husband and father of two learns that he has lost his job. Keeping the news from his nagging wife and wound-up children, he packs up the family and embarks on a full day of park hopping amid enchanted castles and fairy tale princesses. Soon, the manufactured mirth of the fantasy land around him begins to haunt his subconscious.

Escape from Tomorrow is one of those films that you have to wait about two days after seeing the film, to get all my thoughts of the film to come together it's basically like solving a jigsaw puzzle. I tried my best to dissect the hell out of this movie by it's story, it's different and new style and the movies uncomfortable tone. I found out a lot of interesting things of this movie and the fact that they didn't have Disney's permission to film and get away with it, blows my mind how they pulled it off.

I enjoyed Escape from Tomorrow, I enjoyed it in a way that it feels like a guilty pleasure for me and overall I think this movie is weird, messed up, but still a well done film from a first time director. What the movie does so well is putting you in the main character shoes and showing you the anxiety and what it can do.

The cinematography in this movie are some of the best and perfect shots I have seen in a movie. I love the black and white look to it, it made the movie more sinister and nerving to watch, which worked so well. I kept thinking to myself of how they didn't get Disney's permission to film but still got away with shots that I have no idea how they got away with, Moore you are a genius.

Randy Moore first time film and straight away I want to see him doing other films, because he went for it and it didn't back fire on him.

Some people may be put off by the weirdness of the film and it's style and it's laughable moments, which is fine because people can like what their want to like, but what the movie dose so well and I think so people might agree on and that is Randy Moore made DisneyLand look like a place to avoid.

Overall I enjoyed watching Escape from Tomorrow and I'm not going to give it the perfect rating, because I don't feel that this movie is "amazing" or "the best movie of century", no but the movie is still worth checking out.
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1/10
Not even Uwe Boll could make it worst
TheExtraTab13 October 2013
Warning: Spoilers
English is not my mother language so this will probably be my first and last review, made it out of rage for wasting 1:30 hrs of my uninteresting life with this horrid black and -some shades of- white premature abortion of Crossover (an extremely bad movie for those who ask), and i gotta be honest, not a single movie made by The Asylum force my fingers to submit a raging review.

This is not a bizarre movie created by some eccentric brainiac that wants you to think, the plot is just a tangled mess filled with holes and never reaching anywhere, so don't feel stupid because you don't understand it, you simple can't understand a bad writing or decipher the director's mind like the wtf-why-is-in-slow-motion water spit from one of the girls, it just don't fit, looks like an attempt of artistic wannabe scene from the beginning of Antichrist without the art or trying to set an emphasis to something that they simply never develop.

CGI is definitely not the worst I've seen on a movie but it's unnecessary and evident on several shoots like the playing kids.

Acting... well I have really seen bad acting on many levels but in this thing it feels awkward, not bad but awkward.

I've never felt so disappointed about something that I didn't had any expectation at all, i just wanna kick the s**** out of my hard drive, it feels dirty...
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1/10
David Lynch vs. Disneyland
ulric9914 October 2013
Warning: Spoilers
I find it hard to understand what people found fascinating with this low budget and disorganised movie.

It is shot in black and white with a small number of key actors in the "movie". The nature of the movie reminded me of Eraserhead by Lynch. Obscure to the max.

The male lead takes his family to Disneyland for a break and in the opening few minutes, he is told that he has lost his job. He doesn't mention this to his overbearing wife and continues on to take his children into Disneyland for a "fun" holiday.

While in there, he finds hidden demons (?) within the rides and, some of the people who are at the park.

The male lead has a fascination with some young French girls (reminiscent of Lolita) and for some reason, he follows them around the park while trying to maintain an innocent pretext that he was not following them.

Towards the end of the film, one of the girls invites him to join her and her friend. He rejects the advance, whereupon she spits on his face.

The man develops a "cat flu" and coughs up fur-balls into the toilets, wherein he dies.

Disney "employees" attend to take the body away, and the son of the man is awarded what looked like a "Buzz Lightyear" badge.

The room is cleaned and another family arrive to visit the theme park...

Movie ends.

I can only say watch it if you are perhaps in an altered state of consciousness or, have absolutely nothing else to watch; including the test pattern on the TV.
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1/10
Total Garbage. Don't waste your time or money.
ydnanosam123413 November 2013
This movie is absolute garbage. It is vulgar, disgusting at times and has a really, really bad story line. There is nothing of redeeming value in this movie. I'm shocked that anyone would think this was worth their time, money and effort to produce. Surely those involved could figure out something better to do with their time. I feel like I not only wasted 2 hours watching it but had something sucked out of my spirit in the process. What a total waste. I guess I need to add a few more lines so let me be very, very clear. Do not watch this movie. Do not recommend it to a friend. Do not even bring it up. It isn't even interesting or mystical in any way. Any questions?
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1/10
This movie makes no sense
carolmwisner6 June 2014
Escape From Tomorrow is possibly the worst movie ever made. The "story" such as it is, has no arc, and leads nowhere. The acting is horrible and wooden. Much of the film appears to be random footage that doesn't contribute to the narrative. The camera work was shaky and amateurish, the lighting was harsh and the choice of black and white did not really do anything to advance the atmosphere I assume the filmmaker was going for. Nothing that occurs seems even remotely plausible, even if one suspends disbelief. This movie doesn't know what it wants to be--a straight horror film or a black comedy. It was neither. I get it that this was a "guerilla" film, secretly filmed at Disney, without Disney's permission, etc. That's not enough--there needs to be a story, an unfolding narrative, and characters I can identify with or care about. I watched it all the way to the end, hoping it would finally make sense, but it never did.
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If Lynch and Hitchcock did Disney on a budget.
amesmonde13 October 2013
On a family trip to a Florida theme park a father finds something is not quite right with the vacation.

Director/writer Randy Moore perhaps has broke the mold for turning something so loved and established on it's head. If it wasn't for the fact it is in black and white it could almost be described as a trippy, psychedelic horror ride.

Opening with a ride on 'Thunder Mountain' (many famous rides are featured throughout) it quickly turns into a paranoia 'Invasion of the Body Snatchers' type vibe, reminiscent of elements of with 'Jacobs Ladder' and 'Twin Peaks' as a father begins to see the happy faces of visitors, staff and characters around the theme park turn into gnarled faces, evil faces and others with empty black eyes sockets.

Roy Abramsohn plays Jim; every day Dad, perfectly however, either there's something not quite right with Jim or the park is off. There's some irony thrown in is as the queues are endless for the rides and the pressure of taking the family on any holiday. Both child actors Katelynn Rodriguez as Sara and Jack Dalton as Elliott are notable.

For the first hour Moore creates an uneasy anxiousness throughout as Jim spends his time following two young French girls around the park in midlife crisis fashion straining his relationship with his wife Emily played by excellently by Elena Schuber. You have a grown man who has lost his job, at the end of his tether, blacking out and leaving his kids unattended (horror enough), while encountering strange characters including a cougar like drunk, a whaling nurse, naked women and a kooky scientist to name a few.

While the story isn't linear, it's a strange trippy ride especially in the latter half where Jim finds himself under The Epcot Centre in a '2001 Space Oddity' and 'Future World' looking environment. In addition, the final act and closing has Hitchcockian/'Twilight Zone' qualities.

As a low budget affair what is commendable is that director Moore manages to put a David Lynch style chiller together turning something so ingrained as joyous and familiar into something so unnerving and surreal, while still respecting the real life park and big W (it's not a Disney bashing film persay). Clearly filmed at Disney World and Disneyland it's surprising how well put together and edited the film is and it has some nice effects and blood thrown in for good measure. Abel Korzeniowski's music score emulates and captures both the park's environment and paranoia perfectly.

Overall it's not a conventional or mainstream horror but its not experimental film either. Recommended for those who want to see something truly uneasy without being too graphic. Disney will never seem the same again.
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7/10
Sometimes you just can't escape anxiety - not even at Disneyland
sol-22 December 2015
Uncertain of why he was fired from work, a father-of-two does not heed the advice of his former boss and lets his imagination run wild while on vacation at Disneyland in this one-of-a-kind guerrilla movie. Shot on location at Disneyland and Disney World, apparently without permission, the movie is worth checking out simply for the unique spin that the filmmakers place on the popular amusement parks. Lusciously shot in black and white, the filmmakers emphasise every single shadow and manage to bring out something ominous in all of the buildings and rides. Clocking in at nearly 90 minutes though, the film feels incredibly long given the slimness of the premise. The story basically consists of the father slowly losing his mind, and while there is initially some doubt as to whether or not it is all in his head, this quickly disappears and things soon become fairly repetitive, some mood-destroying scatological humour near the end aside. Even if not entirely engaging the whole way through, 'Escape from Tomorrow' is an easy film to appreciate. The "bad things happen everywhere" agenda works well as the film focuses on the daughter tripping and falling and the son experiencing motion sickness, quite aside from the father losing his marbles. Roy Abramsohn also does well making his lecherous character come off as sympathetic. His job anxiety truly resonates and it is easy to feel for his desire to feel youthful again by following the two French teenagers around. What exactly his final appearance at the end is meant to signify though is anybody's guess.
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3/10
A lot of hard work for a lot of nothing
JoeyBombstyle11 June 2014
The fact that so much time and effort was put into putting together this guerrilla film does show in it visual return and the for the novelty factor it's totally worth dredging through once and it should stand as a resume for anybody on the production staff (and a couple of the actors) as a wonderful accomplishment, but for the writer, director and majority of the the cast all I can say is YICK! I'm sorry to say I think a lot of hipper then though people are trumpeting the wonderfulness of this movie more on it's "Sticking it to the Mouse" in it's having been made then on it's actual merit. I would have loved to see a movie that subversively used the "Disney World" as a back drop for darkness but this halfhearted Shining rip off and/or remake is by far not it. If not for some of the wonderful production sense you are watching a student film that may have received a C+. If I were Disney I would not bother suing either I would let this movie make the rounds and even help promote it because they can't do anything to the movie that it does not already do to itself.
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7/10
The most underrated indie horror film ever to come to existence (and probably the first full-length feature movie shot in both Disney World and Disneyland.)
barts-388701 December 2019
When I first saw the trailer back in 2013, during sometime during its initial VOD release, I thought it would be the most terrifying and disturbing horror movie (on a level of Kubrick's cinematic adaptation of The Shining) that's worth sending chills down your spine. And yes. Of course the poster tried to make this movie look scary with Mickey's hand dripping with blood. I also saw a YouTube idol of mine doing a review for this movie as well. He seemed to enjoy it himself. I never knew it would like a documentary because of the cinematography and the way it was shot "guerrilla style" without either of both the Disney parks' permission. It seemed the director didn't give a flip about what he was gonna do to make this movie. Don't get me wrong. He does seem to care about his artistry by the way. The story follows a middle-aged family man who loses his job via phone call from his boss on the last day of his vacation with his family. While managing to keep the news to himself, he decides enjoy one last magical day at the Magic Kingdom. Meanwhile, on the rides, he begins suffer strange and creepy hallucinations. Soon after during the day, he begins to follow around a pair of pretty teenage Parisian girls around the park and then his sanity becomes threatened by an obese visitor bound in a scooter, a mysterious woman with a hypnotizing amulet and a secret quasi-futuristic facility consisting of rogue scientists and engineers who have performed uncanny experiments on the man when he was a kid. One year later, I first saw the movie for the first time and I thought "Wow... There was something." Now I actually own the movie on DVD which I bought from Vintage Stock, the following afternoon I watched Quentin Tarantino's latest feature film "Once Upon a Time in Hollywood" with my parents and bes friend. If you are looking for a modern cult classic to see, this is the movie recommend watching.
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2/10
When seeking publicity is more important than the movie itself...
RevRonster18 October 2013
Warning: Spoilers
How writer/director Randy Moore went about making "Escape from Tomorrow" is interesting but that's where the good qualities about this production end because the actual movie is a load of stinky, sweaty garbage.

But is that a surprise? The movie was made to scoop up buzz, hype and publicity and any short comings in the film itself can be waved away by saying it's "art." The story is sloppy, the acting is terrible and the editing is enough to make a editor contemplate whether he should just quit and join a cult in the middle of the desert. It was obvious during the entire time I watched the film that Moore didn't actually care about making a film, he just wanted to create some controversy, some hype and a whole lot of buzz for the film festival circuit.

This wasn't a movie, it was a really bad publicity stunt.

Hi! I'm Rev. Ron and I love movies! You can read a more in-depth review of this movie (and others) at revronmovies.blogspot.com!
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10/10
Absolutely Incredible
ValleyOfScarletFever3 October 2013
My high review of this will likely make it stand out (and possibly not in the best way), but hear me out- this movie is the punk rock of cinema right now. It simply doesn't care. It's dark, twisted, hilarious, unnerving, and very Terry Gilliam. This isn't a movie to be looked in very deeply (as admittedly the symbolism is a bit confused and the plot takes a very strange turn), but it's fascinating, strange, and incredibly entertaining. It's certainly not a movie one will forget about quickly. It breaks the basic rules of film and never comes off as pretentious- it pokes fun at itself, and not in an annoying way. It's strange and fantastic. Recommended in general, but highly recommended to film buffs and fans of the bizarre. Definitely worth a watch.
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6/10
It's not the Mouse/Wonderland
kosmasp23 November 2018
I'm surprised they were allowed to shoot this on location. But then again, the movie does not really critisize Disneyland directly. But shots are being taken, though as it states right at the start, these are opinions by the filmmakers and have nothing to do with Walt Disney franchise and their world view (which obviously is different).

So the family nightmare is here and it is obvious. It is also quite bleak and it is mostly from the viewpoint of the father. A father of two kids who is chasing tail, and it's not a character from Disney ... Obviously you can see that he is wrong, on moral standpoints alone. I would not be surprised if some don't see anything wrong with it.

But there is a lot wrong with the stressed out Dad and how he perceives the world. And the movie digitally alters some of that reality. So if you don't mind taking a trip (more than literally), this is not so bad
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1/10
Waiting for the point
denton-handyman25 June 2014
I see that people have given this pointless sham of a "movie" positive reviews yet I have seen it and disagree. If someone decides that they find a movie to be entertaining it is usually based on tangible reasons. I see no good reason to recommend that anyone else spend their time trying to follow this poor attempt at cinema. I do give kudos to people filming a movie at Disney Spend without permission. However, when Disney did nothing about it they very wisely took the wind from the sails of the people that might have thought that they were doing something good for mankind. If the movie were more intelligent perhaps they would have put up a fight. This movie seems like it is a film school project that was produced by the kids that skipped class all the time and regard Eraserhead as a stunning achievement in cinematic history.

I can admit that not all things are for everyone but this movie makes me want to hunt down the people that made it and demand my hour and a half back.
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